Over 60 minutes of total analog destruction by noise king Merzbow and Brooklyn noise boss Carlos Giffoni, this live collaboration was recorded during Giffoni's Synth Destruction Japan tour in September of 2006. This is Sound Totalism and is as heavy as it comes: totally brutal, totally ugly, totally beautiful, totally intense, totally classic, totally analog, total synth and total destruction. Intense artwork by Jenny Akita. Author, activist, painter and sound artist Masami Akita had been at the foreground of experimental music for over 25 years. Inspired by psychedelic rock, free jazz, early electronic composition as well the physical arts, especially Kurt Schwitters' Merzbau, Masami Akita has created a musical language all his own. Carlos Giffoni, despite his young age, has been an in-demand Brooklyn collaborator for many years. He has worked with Jim O'Rourke, Thurston Moore, Nels Cline, Chris Corsano, Fe-Mail, and many others. In 2005 he released his first solo record titled Welcome Home on Important Records. This is Merzbow and Giffoni's first collaborative release.