Reissues
Overtone Ensemble
Tim Catlin formed the Overtone Ensemble in 2012 in order to perform works using his self-made "vibrissa" instruments. Each instrument consists of 12 vertically mounted aluminum rods that are longitudinally stroked by hand to produce ethereal singing tones. The long sustaining nature of the rods' sound and microtonal tunings allow players a sonic palette of complex textures and harmonic complexity. Other instruments used include massed hand-bells, quarter-tone bells, EBowed acoustic guitars, re-t…
Due Temi con Variazioni
Many words were spent on the long and fruitful collaboration between Piero Umiliani and the director Luigi Scattini: new light has been shed recently on some of their works, in lieu of the reissue of soundtracks such as “Angeli bianchi... angeli neri”, “Questo sporco mondo meraviglioso” along with “La ragazza fuoristrada”, “Il corpo” and “La ragazza dalla pelle di luna” (the famous trilogy starring Zeudi Araya as a main character).In 1977 Scattini, a world famous Mondo Movie author, directed “Bl…
Light The Early Years 1975 - 1989
NoBusiness Records is pleased to announce a new archive release from it’s series of important musicians and group recordings from the 70s and 80s, which either were never released before or released on small private labels but long out of print and now newly remastered.This release is dedicated to William Hooker’s early music and covers his most important works during the period from 1975 to 1989. Newly remastered material is now presented in a 4 CD boxed set.
William Hooker is an artistic whol…
Urbanistica
**in stock now** Gerardo Iacoucci's Urbanistica is one of the most elusive LP from the very sought after Octopus series. Released in 1971 as a non-commercial album of background music specially recorded for cinema, radio and television, Urbanistica is now come back to life in a special 180gr limited edition of 500 copies.
Gerardo Iacoucci is one of the men behind Flipper's sound scene, also known for L'Avventura and Simbolismo Psichedelico (both published for Deneb label), but this is defin…
Diapason
Totally brilliant and obscure psych era Italian library music. Originally released in 1971 for the microsmall label Vi.Di.Elle, the same label as another psych bomb, "The Black Fire - Cream". Behind the mysterious "The Green Birds" name is a marvellous trio of unsung composers like Franco Bonfanti, Romano Rizzati (Corfull)and Renato Sperduti (Myrval), playing here some really dope jams in the style of the Braen's Machine's Underground LP. The whole album is full of psych effects, synth m…
Elektronische Mythen (Lp=
Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…
Spat-Europa
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
E
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
Fraction Sur Le Temps
At last, in stock now!! Urban Sax's third LP was recorded in 1982 & 1985, and released in 1985 on Celluloid, and it is an absolute diamond - sharing Julian Cope words "Everything starts with this massive (and I mean it...we're basically talking about something the size of an orchestra here) wash of sound, like something dropped wholesale out of the trippier parts of Ligeti's material in the "2001" soundtrack. Then we get swept into the primal repetition of a simple motif...very Magma-like, save …
Spiral
At last, in stock now!! 1991's Spiral makes its first ever appearance on vinyl format here. Previously it had only been available on a impossible to find CD, consisting of eight short to mid-length pieces, the major change being the prominence of the twenty-two piece choir, which shares the spotlight equally with the saxes, and three vibraphones, all which results in a far more ethereal and majestic sound than its predecessors. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind…
Urban Sax 2
At last, in stock now!! Urban Sax's second LP, issued in 1978 on Cobra, is the continuation of their debut work. Actually it features parts 2 and 3 of the pieces contained on 1, again similarities with works by La Monte Young, Phil Niblock, Glenn Branca, Steve Reich, Terry Riley, a.o. are present, and it's the perfect companion to 1 as it is, basically, part two of that first album. a spiral malax of surreal, undulating soundscapes. Urban Sax was created in 1973. Gilbert Artman, the mastermind b…
Psychedelic Visions
Rare, sought after exploitation album from 1967 showcasing the garage-turns-to-psychedelia sound of the era. Fuzz and acid, no need for flowers - but bring them along if you feel like it! Opening with an outtasite fuzz drenched cover of the Count V timeless punk anthem Psychotic Reaction, this LP takes us on a fuzzier than fuzz trip through some of the classics of the era like The Blues Magoos' (We Ain't Got) Nothin' Yet, The Isley Brothers' Shout, John D. Loudemilk's Tobacco Road and Bobby Blan…
The Music Library: Revised and Expanded Edition
Jonny Trunk’s comprehensive encyclopaedia of library music is here. Library Music, also known as source or mood music, was made exclusively for use in animations, commercials, film and TV programmes. Never commercially available and only manufactured in limited numbers, these LPs are now highly collectable. This book is an exhaustive compilation of cover artwork from some of the most important and beautiful library records produced throughout the 1960s, 1970s and early 1980s. A fully revis…
Rebetika
Andy Moor (guitar) and Yannis Kyriakides (computer) lovingly deconstruct and reassemble their favorite Rebetika music in a set of nine pieces that encompass a wide scope of musical vision. This is an unusual and original take on the so-called "blues" music of the Greek diaspora of the early 20th century. This live set was recorded in 2006, first released as an exclusive download for the UK-based Seven Things download-only label, released on CD by Unsounds in 2010, and is now available on vinyl f…
Burj Al Imam
140-gram LP in gatefold sleeve with a special drawing by Mazen Kerbaj. Mastered for vinyl by Harris Newman. Edition of 500. Entirely recorded at Tunefork Studios on the outskirts of Beirut, Burj al Imam's five tracks include three largely improvised numbers, a loose reworking of Sun City Girls track "The Imam," and a cover of traditional Americana song "Gently Johnny" (a highlight of Alan Bishop's live Alvarius B. shows). True to their habits, the Lebanese trio of trumpeter Mazen Kerbaj, guitari…
Peachy
Alga Marghen presents a reissue of Intersystems' Peachy (1967). The sound work of Intersystems cannibalized stray bits of McLuhanism, psychedelia, Cagean experimentalism, and even the modernist gestural strains of nascent electronic music, yet it was all couched within a very particular DIY ethos. Peachy pushes the meticulousness of Number One Intersystems (NMN 093-1LP) even further and, as such, represents a more balanced amalgam of Intersystems' various disparate stylistic and emotional elemen…
Number One Intersystems
Alga Marghen presents a reissue of Intersystems' Number One Intersystems (1967). Intersystems' works evoke the heightened awareness, intermittent psychosis, intellectual over-stimulation and giddy nihilism of an acid expedition. "Orange Juice and Velvet Underwear" may indeed be the most typically "Psychedelic" cut of Intersystems entire catalog. Its saturated crypto-Indian drone and bent acoustic guitar notes, are upstaged by Parker's lurid-sounding declamations and Mills-Cockell's fierce …
![I [Sound Encounter Electric LIVE Recording]](https://cdn.soundohm.com/data/products/026/masami-tada-i-sound-encounter-electri.jpg.500.jpg)
I [Sound Encounter Electric LIVE Recording]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970's. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
Duo Recital (art edition)
*Special art edition* In 1961, soon after Toshi Ichiyanagi returned from the USA, two concerts were performed at the Sogetsu Art Center; "Toshi Ichiyanagi Concert" [1], at which some member of 'Group Ongaku' joined, a s well as "Toshi Ichiyanagi and Kenji Kobayashi Duo Recital", which recording is used for this album. It was a major opportunity for its audience to experience the works of Toshi Ichiyanagi and the avant-garde philosophy directly in front of their eyes. Six months later, John Cage …
Duo Recital
In 1961, soon after Toshi Ichiyanagi returned from the USA, two concerts were performed at the Soget su Art Center; "Toshi Ichiyanagi Concert" [1], at which some member of 'Group Ongaku' joined, a s well as "Toshi Ichiyanagi and Kenji Kobayashi Duo Recital", which recording is used for this album. It was a major opportunity for its audience to experience the works of Toshi Ichiyanagi and the avant-garde philosophy directly in front of their eyes. Six months later, John Cage made his first visit …