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Big, big tip! "The Seventh Son" was originally release in 1980 on RA Records and became a true Jazz Holy Grail. For anyone collecting Spiritual Jazz this reissue is simply not to be missed. Malachi Thompson moved to Chicago as a child and credited his interest in the trumpet when he was 11 years old. Malachi worked in the rhythm and blues scene on Chicago’s South Side as a teen. In 1968, he joined the Association for the Advancement of Creative Musicians (AACM), spending some time in the AACM bi…
The legend of San Francisco’s Crime looms large among punk aficionados the world over. Formed in the mid-1970s, the band’s dual-guitar sound, confrontational image and sleazed methodology still serve as inspiration decades later. With only a handful of singles released during their active lifespan, Crime’s legacy grew significantly as archival recordings began to trickle out in the early 1990s. Of all these excavations, San Francisco’s Doomed was one of the first and certainly one of the most po…
Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved— getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wir…
*All tracks previously unreleased. Stereophonic sound. In process of stocking* Featuring the classic KTG frontline of Marc Charig, Nick Evans and Elton Dean with rhythm section appearances by British jazz luminaries Jeff Clyne, Trevor Tomkins, Roy Babbington and Bryan Spring. These six previously unreleased live studio tracks were recorded for broadcast purposes in January and August of 1970, between the group’s two now seminal British jazz/rock releases for the Polydor and Vertigo labels respec…
Exquisitely melancholy, pre-war Japanese Ryūkōka Recordings, 1929-1938, delving deeper into the style’s fusion of traditional and classical Japanese and western blues x jazz on Death Is Not The End.
London's Death Is Not The End rope in folklorist Derek Piotr to curate another mystical collection of crackly mountain music from North Carolina. Powerful, soul-stirring unaccompanied vocal music.
Death is Not the End teams up with folklorist Derek Piotr once more for this bumper archive of North American folk music, this time focusing on every version they could find of the ballad 'Lamkin'. It's a fascinating study that displays how a standard was able to shift and evolve as it moved from person to person over the decades.
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
After the overwhelming success of last years 1971-74 box set release, containing the first four studio albums and for the first time ever this lost ‘last’ album recording, ‘Punkt’ gets a deserved and necessary stand alone release to the relief of fans and collectors and the undoubted future gratification of those yet to experience the magic in these recordings. 'While working on the “lost” album which the band recorded in Munich, it became clear that I was listening to the last ever made recordi…
Fellow humans, Bureau B invite you on an expedition to Silberland, a singular span of spacetime created by Germany’s sonic futurists of the seventies and eighties. Embracing the early electronics and tape experiments of the sixties’ avant-garde, these artists aimed to boldly go, eschewing small steps for giant leaps into a nebulous and novel sound.
1. Die Partei – Strahlsund2. Rolf Trostel – Two Faces (bureau b edit)3. Michael Bundt – Full Steam Ahead (bureau b edit)4. Moebius – Etwas (bureau b …
*In process of stocking* Dieter Zobel aka Didier Leboz: serial tinkler, inventor, freestyle freak Tension. Performance. Resistance - our Zonic Spezial documenting underground cassette culture in the latter years of the GDR caused quite a stir when it first appeared in 2006. A collaborative effort with the legendary ZickZack label and Verbrecher publishing house, “Spannung. Leistung. Widerstand. Magnetbanduntergrund DDR 1979-1990” (to give the work its full title) caused many listeners, especiall…
*In process of stocking* 'When in 2006 our Zonic Spezial "Voltage. Power. Resistance. Magnetic Tape Underground GDR 1979-1990" was published in cooperation with Verbrecher Verlag and the legendary label ZickZack, there was some amazement. Especially when the enclosed CDs were listened to from a Western perspective. Part of this weird Kassettentäter-Ost potpourri of swirling post-punk variety, which Bert Papenfuß, Bo Kondren, Bernd Jestram and Ronald Lippok compiled with well-founded interpretive…
Softcover, English, 180 pages, A Slightly Curving Place asks what it means to listen to the past and its absence which remains. It responds to the practice of acoustic archaeologist Umashankar Manthravadi, whose life and work are a history of sound and technology through the second half of the twentieth century. As a self-taught acoustic archaeologist, he has been building ambisonic microphones since the 1990s to measure the acoustic properties of premodern performance spaces. Comprising a range…
2022 Repress * Softcover, English, 260 pages, B/W*An absolutely stunning achievement, “We Have Delivered Ourselves From the Tonal – Of, Towards, On, For Julius Eastman” - published by Archive Books and SAVVY Contemporary - gathers a collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman. Clocking in at 264 …
Available for the first time on CD, this is another collection of essential pieces from one of the originators and masters of this style. These recordings were selected from the personal collection of Tony Oxley and were mastered for this release with superb sound by Karsten Lehl under Tony’s supervision. Some of the pieces were edited into their final composed form many years after the original recording was made. Performed by a who’s who of European improvised music, this new release is an e…
500 numbered copies Remastered from the original tapes. Like many of his peers, Mino Di Martino first emerged within the context of popular music, working in numerous Italian beat bands, before finding enormous success as a pop star as a member of I Giganti, whose 1971 LP, Terra in Bocca, is often cited as a spark for the sea change in Italian music that would emerge over the coming years.
After his experience with Albergo Intergalattico Spaziale (together with the actress and singer Edda 'Terra…
500 numbered copies Remastered from the original tapes. Orange Vinyl During the 1970s, Italy was one of the most exciting and fascinating musical contexts in Europe, birthing seminal projects and artists like Franco Battiato, Aktuala, Lino 'Capra ' Vaccina, Giusto Pio, Roberto Cacciapaglia, Futuro Antico, and so many more. Defining the scene was an ethos that rigorously pursued creative freedom and experimentation, with its artists fluidly moving between popular music - rock, prog, jazz, etc. -…