We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Nothing In My Pockets was originally a sound diary, conceived for the Atelier de Création Radiophonique de France Culture, that was kept between July 4th and October 4th, 2003. In that new and innovative experimentation, Laurie Anderson unfolded her daily life as an artist, microwaved it and presented herself as more than a diarist: she became the electronic sound architect of her own existence. The sound diary that Laurie Anderson presents here also offers unpublished visual documents through t…
This is the first recording of Xenakis‘ music for keyboard instruments realised by computer – unplayable by human hands! Realized by computer. 'Herma' for piano (1961); 'Mists' for piano (1981); 'Khoaï' for harpsichord (1976); 'Evryali' for piano (1973); 'Naama' for harpsichord (1984). Daniel Grossmann, MIDI programming. "This is the first recording of Xenakis' music for keyboard instruments realized by computer -- unplayable by human hands! The desire to hear a composition exactly as Xenak…
"Musica Viva 06" is another excellent release from the German Col Legno label, which specializes in the avant-garde. This disc includes three live performances -- the original 1981 recording of "Ais," featuring the incredible baritone voice of Spyros Sakkas, a new recording of "Troorkh," a trombone concerto, from 2000, and (drumroll please...) the world premiere of "Anastenaria," also from 2000, with the inimitable Xenakis champion Charles Bornstein conducting. As it turns out, "Metastas…
Gérard Grisey’s Les espaces acoustiques is a groundbreaking work which defies assumptions about what music “ought” to be. Not for nothing did the composer describe it as “a great laboratory”, exploring the way we listen.The “Acoustic Spaces” cycle, begun in 1974 and completed in 1985, consists of six instrumental works that may be played consecutively, since each acoustic space extends the previous one. The unity of the whole is based on the formal similarity of the pieces and on the two acousti…
Original score to the 1986 Roxy Film Production Blue Moon by Dieter Moebius (of C/Kluster/Harmonia/_ & Roedelius fame...). Nice, if somewhat short selection of synth-themes & pain-relieving sonics. Surprisingly low usage of era sound-producing technologies, although they ARE in there (the DX7 ruined E-Music for an entire generation...). 80's Moebius/Roedelius output is only now starting to ripen w/age, no reason not to enhance your personal selection w/a crate or two of this fine ruby port
Orignal master series reissue: a real masterpiece...after a car accident put Brian Eno in the hospital in 1975, he came out with the idea of creating Ambient music, or music that was essentially to be used as atmosphere. Discreet Music was the first of his ambient experiments and is therefore a landmark recording in addition to being a beautiful combination of tape-delay and composition.
Beautiful duets between Brigitte Fontaine and Areski -- and an album that's filled with loads of short little tracks that stand with some of their greatest work ever! Instrumentation is spare, but incredibly haunting -- a bit jazzy at times, slightly experimental at others -- but always quiet enough to allow the slightly-whispered vocals of the pair dominate the record. There's a strong sense of poetry here -- but without any of the stiffness or pretension that might imply -- and the re…
A brilliant collaboration between these two dark moody French singers -- every bit as great as their classics from the early 70s! Recorded in 1977, with enough material to make up 2 LPs, this set features 33 tracks that slip and slide into each other with cool sounds, spare instrumentation, and amazing vocals that are difficult to describe, but which cut you to the quick once you've heard them! Extremely haunting, with a feel that sounds like the wind blowing through an empty cottage on…
The Preservation label presents Thoughts Melt In The Air, the second album from the pairing of Italian composers Fabio Orsi and Valerio Cosi. Both Orsi and Cosi have become recognized widely internationally for their prolific solo output and kindred spirits in creating momentous soundscapes that ring with lyrical feeling. Still in his early 20s, Valerio Cosi has released a seemingly endless stream of work that swirls around giddily in a sweep of heady free-jazz (his main instrument is tenor saxo…
First ever CD by this legendary and ultra-obscure Japanese psychedelic rock group. Kousokuya are from Tokyo, have donated some spectacular tracks to the first two volumes of the Tokyo Flashback compilation series on the PSF label, and self-released an extremely ltd. LP in 1991. The band has been around for quite some time; I originally was under the impression they formed around 1984, but was recently informed that an edition featuring Nanjo and Narita from High Rise existed going back to the l…
Cassette only - limited edition of 250 copies. Performers : Paul de Casparis, Dale Cornish, Eddie Nuttall. Illustration : Dave 'the cap' Knapik. Baraclough are a London-based trio consisting of a classically-trained musician, a self-taught musician, and a non-musician. With a distinctive palette of woozy electronics, raw and processed recordings, combined with vocals and abstract sounds, Baraclough produce a unique aural aesthetic that is hypnotic yet agitating, intimate yet awkward. Sinc…
Oh psychedelic-noise fans your saviours have returned! After a three year absence (okay so there were loads of odd limited releases, but no proper albums) they're back with 'Wisdom Thunderbolt' which to my mind one of the collective's strongest offerings to date. You might have caught members of this psych supergroup dotting themselves around the sprawling scene - I know whenever I go to a gig these days I try to spot the Vibracathedral member - it's a bit like a geeky muso's version of 'Where's…
Masterful, transcendental psychedelia from the mighty Vibracathedral Orchestra, who prove they're capable of making a varied and multifaceted din on this nine-track, seventy-one minute album. The group truly excels on the two long-form pieces (both 'Ramshackle Sunrise' and 'Goodnight Stars Goodnight AIr' hover around the twenty-minute mark), although the shorter tracks reveal the wealth of different instrumental approaches that goes into making up the band's considerable repertoire. It's that ma…
Updating canonical Scottish folk tunes is a rather unfashionable niche, placing these songs within the context of modern/alternative rock is an even tougher chore, but it's one that Scottish neo-traditionalist Alasdair Roberts approaches with pluck and somber intensity. Previously with the band Appendix Out, No Earthly Man is Roberts' third album as a solo artist and it is undoubtedly his most difficult to approach. His previous album, Farewell Sorrow, was a collection of joyful, filigreed songs…
Double LP version: Reissue of the rare LP from 1982 and additional material from various tapes of that period. Includes two long Industrial tracks in the way of Throbbing Gristle and 22 tracks of experimental minimal, comparable to early Cabaret Voltaire or Conrad Schnitzler.All composed and recorded in the early eighties by Andy Wilson, who also played with Bourbonese Qualk, released a book about german band "Faust" and nowadays plays under the name "Sunseastar" and "The Grand Erector". Limite…
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
After their second album, “King of Kings,” the Pyramids relocated to Oakland & reshuffled personnel before recording “Birth/Speed/Merging” in ’76. The most obvious change in the band is the addition of an acoustic bassist, on top of the electric bass they already had. This gives the band a heavier sound at certain points, while other times the bass is strummed like some sort of strange guitar. At the same time, they lost the piano which was used on the second album, which allowed them to return …
The Pyramids second album, originally released in ’74. The band continued along the same general lines as they did on their first album, but they added a pianist for much of the session, & it somewhat changed the character of the music. In some ways, it seems like a more sophisticated album than “Lalibela,” & by some standards, its probably an improvement on that record – the solos in particular seem more confident, & the percussion has become more intricate & inventive, without loosing a hair o…
the Pyramids first album, recorded in Yellow Springs, Ohio in 1973. It was recorded in Ohio, yes, but band leader Idris Ackamoor grew up in Southside Chicago, & this album was recorded after the core of the band had made an extended trip to Africa, & these facts give a better idea of where this music is coming from. The Chicago thing is happening in that this is definitely informed by the AACM approach, especially the Art Ensemble. The African thing is probably the more important element, though…
Deluxe vinyl edition of this legendary outta time private press LP, cut by the duo of electric guitarist Doug Snyder and drummer Bob Thompson in Ohio in 1972...Amazing, unique, celebrated, and genuinely rare artifact from Rural Ohio. After stepping out of a Stooges concert in 1971, Doug Snyder and Bob Thompson set up a studio in their kitchen and attempted to record a record HEAVIER than the Stooges. They were completely successful, and the resulting LP, their only release at the time (put out b…