Reissues
Legendary Live Collection Of Hijokaidan Vol. 3
DVD-R: NTSC, region free, color. Hijokaidan: Jojo Hiroshige (electric guitar),Toshiji Mikaw (electronics) and Junko (chair throwing). Recorded Live at LOft, Shinjuku, Tokyo, January 11, 1988. Released in 2008.
Legendary Live Collection Of Hijokaidan Vol. 4
DVD-R: NTSC, region free, color. Hijokaidan: Jojo Hiroshige (electric guitar, voice), Junko (voice), Fumio Kosakai (electronics, voice) and Masami Akita (drums). Recorded Live at Antiknock, Tokyo, September 19, 1992. Released in 2008.
Legendary Live Collection Of Hijokaidan Vol. 5
Japanese noise band formed in Kyoto in 1979 by Jojo Hiroshige and Naoki Zushi. They released their first LP「蔵六の奇病」(Zouroku No Kibyou) on Unbalance in 1982, and this DVD is the live release party for that first LP.
Legendary Live Collection Of Hijokaidan Vol. 6
DVD-R: NTSC, region free, color. Recorded Live at LOft, Tokyo, August 28, 1981. Released in September 2008.
Induced Musical Spasticity: B.C. Free Music Society (1984-2009)
Major archival unearthing that makes available for the first time the bulk of the 'official' releases - plus a ton of unreleased material - from the mythic Butte County Free Music Society, a collective of musical oddballs, 'noise' musicians, art pranksters, record collectors and rock/roll fans who modeled themselves on the Los Angeles Free Music Society in order to create an umbrella organization that would shelter 'out' musicians during times of musical drought, this one taking place in the ear…
Dead Colours
This is the reissue of a CDR published by SILENTES a couple of years ago in only 120 copies. Now finally available on CD with restored artwork. DEAD COLOURS shows the more quite side of MB... with an incredible dark melanchonic tough in vein of David Lynch's atmospheres... Fantastic!
In Hoc Urbia Miazi
After more than 28 years the seminal contamination by Maurizio Bianchi / MB called "Sacher-Pelz" is finally back with dyslexic hollows in the hypertoxic forewarning of scrupulous connoisseurs: "In Hoc Urbia Miazi" is its irrational title, and you should take note of this for your survival ! Uncompromising & best quality old-school industrial-noise like in the very early "Come Organisation" times by this Italian Cult project! Scotomatous production subdivided in seven concrete evidences, realized…
Elisionem
'The 'elision' in the traditional music is a coercive and systematic dispositive necessary to assimilate two syllabic notes in one only. The 'elisionem', in the avant-gardist branch, is a sound absorbent course used amalgamate various sonorous elements into one. The main purpose is to generate an eclectic and axiomatic damping of the electroacoustic particles in order to proportion the achromatic fulfilment of modern concretism. And the final effect is phonographically disarming... psycho-acoust…
6 - Interface
As with the preceding album Rêve Sans Conséquance Spéciale, if you come to grip[ with this wild experimental minimalistic music , you will find yourself riveted to your seat by the sheer power and violent intensity of the music developped by Richard Pinhas (the sole leader of this project). It really depends on how your mind (and mood) is set to understand what is developped here but Can is not far away and Fripp/Eno collaborations are also in the sonic neighborhood. Pinhas 's guitar is deeply i…
Allez Teia
Mostly hypnotic electronic motifs & rhythms combined to Pinhas’ Robert Fripp guitar imitation. This is not a classic but an important contribution in French electronic rock explorations. Consequently this is in the direct line of “Electronic Guerilla” but much more achieved with a few original attempts. “Allez Teia” is certainly the most recommended effort for those who enjoy Richard Pinhas’ guitar style. Most of compositions feature nice extended, repetitive & moving musical pictures. Not so fa…
Patterns In A Chromatic Field
Performed by: Charles Curtis (cellos), Aleck Karis (piano); recorded 2003. The definitive recording of one of Morton Feldman's most important and challenging pieces, played at the composer's marked tempos, and taking all the notated repeats. Fitting neatly onto one CD, this is Feldman at his most extreme. A dramatic display of virtuosity performed with passion and precision by two of the leading exponents of new music in the world. Out of Feldman's enormous oeuvre, Patterns in a Chromatic Field …
Fragments
180-gram vinyl limited edition LP. This LP was recorded live Dec. 2 1989 at the Elbo Room in Chicago. Numbered limited edition of 1000 copies. Guitar/sax duets.
1984
New CD issue of this classic album, with bonus track and improved sound (previously issued by Mantra). Upon it's original release, 1984, with it's unusual combination of lengthy abstract sound-journeys and short, weirdly devolved James Brown-inspired pieces, gained much critical acclaim. 1984 was an extremely unusual release for 1973 and an extremely unusual project for CBS Records, who first released it. Like the groundbreaking novel after which it was named, Hopper's record was truly ahead of …
1970 - 1973
The first album and previously unreleased recordings from the world's first all-synthesizer ensemble. They were also one of the very first [possibly the first] performing synthesizer ensembles, working closely with Robert Moog, whose first factory was nearby. This material pre-dates or is contemporary with the first work of Kraftwerk & Tangerine Dream. A uniquely American slant on synthesizer music by a band whose pioneering contributions to the genre had been forgotten until now. Some excellent…
Camere Zimmer Rooms
Picchio dal Pozzo are considered to be one of the very few 'Canterbury' inspired bands that emerged from Italy's fertile 1970's progressive rock musical scene. They released two highly regarded -- and highly sought after -- albums during their lifetime. The exciting release of Camere Zimmer Rooms, a previously unknown studio recording of all unreleased compositions, extends their legacy greatly! The band formed in Genoa in 1972. They released their first, self-titled album in 1975. The band reco…
Stand By
This is a reissue of the seventh and final album by this quintessential progressive French electronic rock band. Originally released on Egg in 1979, this features the classic Heldon line-up of Richard Pinhas-guitar and electronics, Patric Gauthier-Moog synthesizer and electronics, Didier Batard-bass, François Auger-drums and guests, including Klaus Blasquiz of Magma. This was one of Heldon's heaviest rock albums.
Un Reve Sans Consequence Speciale
Heldon's 5th album, recorded in 1976. Featuring Auger (drums), Gauthier (Mini Moog, Moog bass), Didier Batard (bass), plus Janick Top on one track, this is a crushingly dense synthesis of loud sounds. Magma-styled intensity meeting the "apex of the punk electronic sound" -- a masterpiece.
The Films of Kenneth Anger Volume Two
RESTOCKED! Cinematic magician, legendary provocateur, author of the infamous HOLLYWOOD BABYLON books and creator of some of the most striking and beautiful works in the history of film, Kenneth Anger is a singular figure in post-war American culture. A major influence on everything from the films of Martin Scorsese, Rainer Werner Fassbinder and David Lynch to the pop art of Andy Warhol to MTV, Anger's work serves as a talisman of universal symbols and personal obsessions, combining myth, artific…
Open Score
First volume in this electrifying avant-garde DVD series, documenting this 9 Evenings series in NYC from 1966. In 1966, 10 New York artists and 30 engineers and scientists from Bell Telephone Laboratories collaborated on a series of innovative dance, music and theater performances, 9 Evenings: Theatre & Engineering, held at the 69th Regiment Armory, New York City, in October 1966. The artists included are: John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne R…
Phases And Other Pieces - Electronic Music (1968-1971)
Brand new reissue of an impossible-to-find early Canadian electronic 4LP box by composer Phillip Werren. Only 100 copies were ever pressed of his early electronic work. It was recorded at Simon Fraser University (Vancouver), McGill University (Montreal) & Radio Warzawa (Poland). It was recorded between 1967 and 1971. The LP has heavy elements of tape collage, Modular Synthesis, voice, and experimental thought. Some of the pieces were conceived by psychedelic and occult influences. Much of the re…