We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Jeunesse

Hör!-Spiel / Nekrologlog 1961 / Fantasmata 1960
Originally “pressed on behalf of the musical youth of Austria” in 1975, this is the second, even rarer pressing on Preiser Records from the late '70s (estimated). The Greek avant-garde composer Anestis Logothetis was noted for his pioneering tape techniques as well for developing his own notation system for composition that incorporated visual symbols meant to be interpreted by the performers. “'Hör!-spiel' / Nekrologlog 1961 / Fantasmata 1960” collects three of his most famous works, realized i…
Manchmal Vertrödelt Christa S. Den Tag
Rare original issue. Recorded by the husband and wife duo of Kurt Schwertsik and Christa Schrwertsik, “Manchmal Vertrödelt Christa S. Den Tag” is a dreamy gestalt, an album that borders Chanson, spoken-word, Ubu-esque passages, chanting and singing, against a variety of textures and jazz noir. Kurt Schwertsik (b. 1935) is an Austrian experimental/avant-garde composer. His music is mercurial and idiosyncratic with a refreshing lightness of touch. Though a pupil of Karlheinz Stockhausen, the compo…
An Einen Haushalt
Rare original issue, comes with a 12" insert; some copies also contains a postcard. Released in the mid '70s in Austria on the great Jeunesses Musicales Praesentiert label (Anestis Logothetis, Dieter Kaufmann, Otto M.Zykan, Wilhelm Zobl). Heinz Karl Gruber (he professionally uses the form HK Gruber) is an Austrian composer, bass player and singer, born in Vienna on 3 January 1943 and a leading figure of the so-called Third Viennese School.Gruber is said to be a descendant (though the descent rem…
Konturen
Rare album from the little known composer Martin Bjelik. From the liner notes: “Consideration of concise, clear form, concentration and ‘interrelatedness’ of the thematic material: in some works, for example, this is presented at the beginning in the form of a melodic 'germ cell', which is then - binding for the entire piece - subjected to various modifications in the course of the musical development. The melodic structures are organised according to the principle of 'recesses'. The formation o…
1