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2015 release ** "The tromba marina is a huge single-stringed instrument, played with a bow. For "in memory of james tenney", in four parts, Möller and Maldfeld each wrestle with one such beast, using instruments from the 17th and early 18th centuries. And f it's grain you want, step right up--this thing, especially Part I, sounds like the bow is severely serrated, close to being able to saw wood. A huge rumble that encloses myriad tones high to low. Think of an Eliane Radigue cello piece with yo…
These are selected forsaken recordings, demos, abandoned versions etc. of music from 2016 - 2025. Most of these pieces are going to be released in their original context.
Thank you wholeheartedly to those of you who have reached out.
Special thanks to Thorbjørn, Admeta String Quartet, L, Jeppe og Jonas.
Returning to Die Schachtel with his forth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and electr…
This double album with compositions from the last two decades offers an insight into the diverse musical soundscape of Joël-François Durand. From Mirror Land (2005) to Geister, schwebende Geister... (2020), Durand’s work shows a unique development characterised by his use of microtonality. The poetic dialogues of the Fernando Pessoa-inspired Quatuor à cordes No. 2: Cantar de Amigo (2020) and Durand’s ongoing exploration of microtonal spaces in La descente de l’ange (2022) reveal a dynamic and tr…
Kontakt Audio and Infinite Fog Productions proudly present the 25-th anniversary reissue of the one of most unique albums on avantgarde/neoclassic music - Ihor Tsymbrovsky - Come, Angel.
Acclaimed NYC composer, producer and saxophonist Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion Of Shadow and Substance.
'Slow Roads' is an album of eight pieces written by Hague-based Serbian composer Ivan Vukosavljević between 2019 and 2022, for solo 1/4 comma meantone organ. All eight pieces were recorded in 2022 on five different historic organs, dating from the early 16th to mid-17th centuries, located in medieval churches scattered throughout the countryside of the northern Netherlands. Each piece was adapted for a specific organ, as they vary considerably in their disposition. All eight pieces are written i…
This is Phill Niblock's third release on the Touch label. Phill Niblock is a New York-based minimalist composer and multi-media musician and director of Experimental Intermedia, a foundation born in the flames of 1968's barricade hopping. He has been a maverick presence on the fringes of the avant garde ever since. In the history books Niblock is the forgotten minimalist. His influence has had more impact on younger composers such as Susan Stenger, Lois V. Vierk, David First, and Glenn Branca. T…
"One Arm Bandits is an hour-long piece in four parts, scored for four cellists. The cellists play only open strings, thus using only their right arms, never fingering the strings with the left hand. Recorded in Alvin Lucier's dining room, this work features cellists Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann. Lucier oversaw and produced the recording, and approved the final takes. One Arm Bandits was an important project for Alvin Lucier. The idea for the piece goes back to…
"Originally written for orchestra, Phill Niblock’s Disseminate (1998) and Baobab (2011) were arranged by the composer specifically for the Bozzini Quartet, or rather, for ‘multiples’ of the Quartet: twenty different tracks are mixed in each piece — twenty different instruments, the equivalent of five string quartets. The music is essentially a work on the shifting nature of overtone patterns that arise from acoustic instruments. As composer Robert Ashley convincingly argued, these pieces inscrib…
Venturing into untapped realms of creative exploration, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, returns to Die Schachtel with “Spiralis Aurea”, a double LP of material that intertwines traces of sacred geometry, collective experience and elusive connections between nature and human kind.
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
KRAAK is proud to present the first LP by Bloedneus & de Snuitkever, Milli Mille. Finally in wax, it’s Lukas De Clerck’s musical vehicle for his explorations with the aulos, that ancient reed instrument that mainly satyrs and archeological enthusiasts found beguiling. Equipped with his handmade pipes and the artful sense of devotion of a true modern-day aulete, De Clerck has dug deep into the technical and cultural peculiarities of this long-silenced instrument, paying it the kind of attention a…
At the onset, we hear a single, heavily distorted power chord. The chord fades, and then we hear three more iterations of the chord in regular, pulsed attacks. To some, especially fans of metal and its many subgenres, this sound is welcoming and familiar. To others, this sound is surprising, perhaps arresting—an unexpected opening from a composer known for music of quiet, prolonged stillness. This chord and its four attacks signal the opening of The Complexity of Distance, a 58-minute collabora…
A somnambulant modern masterwork, Kali Malone’s 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies.
*2022 stock.* For the first time, Deep Peace and New Atlantis, two classics from Celestial Harmonies, are available on CD. Originally recorded in 1980 and 1983, these meditative masterpieces have long been recognized as remarkable and meaningful works.
Frank Perry employs a fascinating array of acoustic instruments, including 400 year old Zen Buddhist Densho bells and a Ming Dynasty Chinese temple bell. He adds various kyeezees (Burmese meditation gongs), Burmese chime bowls, other glass bowls, …
Tip! First pinging our radar with her ‘Headflush’ album for Catch Wave back in 2019, Leila Bordreuil has a tactile, extreme approach to the cello, one that focuses on its visceral aspects in a way that mimics the most spirited, fraught and melancholy human emotions. Despite the complex nature of her playing, you can trace Bordreuil's lineage back to Arthur Russell’s defining ‘World Of Echo’ in methodology and spirit - Leila plays with no processing or effect pedals, everything stems from the pla…
In 2018 experimental festival Organ Reframed commissioned Éliane Radigue to write her first work for organ, 'Occam Ocean XXV'. Radigue worked closely with organist Frédéric Blondy at the Église Saint Merry in Paris before transferring the piece to Union Chapel for its premiere at Organ Reframed on 13 October 2018. The recording on this compact disc was made at a private session at Union Chapel on 8 January 2020. 'Occam XXV' inaugurates the very special record series of works exclusively commissi…
Roto Vildblomma, a re-worked, re-mixed and re-mastered edition of MMMΔ’s first ever recording is now available on vinyl by Improved Sequence. Roto Vildblomma marked the beginning of MMMΔ’s (still ongoing) quest to tame the beast of melody grafted intermodulations.
It was first released in May 2010 under the Mohammad moniker.