Solo Piano
With Solo Piano, Glass presents himself “unplugged” - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. “Metamorphosis” was written in 1988 and takes its name from a play based on Kafka's short story. Its second track, “Metamorphosis Two”, formed the basis of one of the main musical themes in the film “The Hours”. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. “Mad Rush” was written for the occasion of the…
Lieues D'Ombres
Swiss composer Jürg Frey and Dutch pianist/composer Reinier van Houdt are reunited on this triple CD, 'lieues d'ombres', after their successful collaboration on 'l'air, l'instant - deux pianos' (elsewhere 014), during which the two built a close rapport.
'lieues d'ombres' contains seven of Frey’s solo piano works, written from 1984 – 2018, including one previously unreleased work, ‘Three Piano Pieces’. All seven pieces were recorded by Micha de Kanter at The Muziekcentrum van de Omroep (MCO) in …
Pulse Music
*2LP Gatefold with tipped in booklet * Presented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock seriali…
Acustica < > Elettrica
*2022 stock* 'We can appreciate some musical works for a variety of reasons. Some unleash a narrative that can read our present and its problems very well, others prefer to move on abstract codes, whether experimental or electronic. Still others may propose ethnographic readings as much aimed at an examination of the past and tradition as they try to probe the future through spatial or psychedelic atmospheres. Then there are proposals capable of going beyond any stylistic framework and floating …
Enso: Strings & Percussion
*In process of stocking* "Cologne bassist and composer Stefan Schönegg seems drawn to sound without end, a vibrating mass that crawls like a glacier toward the infinite. He’s used the moniker Enso for five recordings now, and although each album has featured a shifting group of collaborators, his vision has persisted without distraction. Enso: Strings & Percussion, which was recorded following a performance with the same ensemble as part of Cologne Jazzweek in September of 2021, introduces a new…
Enso: Strukturen
*2022 stock. In process of stocking* The world slowed down immeasurably in 2020 as the Corona virus pandemic spread across the globe, and Cologne bassist and composer Stefan Schönegg applied that shift to his own music. “I developed a deep longing for reduction and deceleration—in music and in life,” he says. Indeed, Strukturen, the latest transmission from his ensemble Enso, is marked by a Zen-like serenity. Since launching the project back in 2016 Schönegg has embraced minimal materials for th…
Ark Hive of A Live
Ark Hive of A Live is a 4 CD set of recordings by Andrew Poppy, along with a 128 page book, including writing by Andrew Poppy; an introduction by Paul Morley; other writing by Leah Kardos, Nik Bärtsch and Rose English; and archival photographs.
Ys
Florence Cats is a poet, visual artist, sound composer, performer and acupuncturist. Born in Vilvoorde in 1985, she is currently living and working where Brussels meets the Sonian forest. Ys is a generous debut. A genuine personal statement. It's raw and courageous. Sunken Cathedral is Florence interpreting Claude Debussy’s La Cathédrale Engloutie (trans. the Sunken Cathedral). The track reminds me of one of those fabled Charles Ives home recordings. Recording himself on Speak-O-Phone - an old b…
Milli Mille
KRAAK is proud to present the first LP by Bloedneus & de Snuitkever, Milli Mille. Finally in wax, it’s Lukas De Clerck’s musical vehicle for his explorations with the aulos, that ancient reed instrument that mainly satyrs and archeological enthusiasts found beguiling. Equipped with his handmade pipes and the artful sense of devotion of a true modern-day aulete, De Clerck has dug deep into the technical and cultural peculiarities of this long-silenced instrument, paying it the kind of attention a…
Mirrored
French pianist Vanessa Wagner collects solo piano studies of graceful minimalism and rare finesse for new album Mirrored.
Ripples On The Surface
*In process of stocking* Releasing music since 2006, Tiago Sousa is one of most talented and heartfelt pianists of his generation. His compositions are soulful, generous, and mindful. He has released records on Immune, Discrepant and for years oversaw Merzbau, a visionary Portuguese label that inspired many in the mid-2000s. After years of flirting, we are very happy to announce Tiago's first release on Holuzam, “Ripples On The Surface”.
The opener “Sunflowers” sits close to Steve Reich – “Music…
Pan Tone
Volker Bertelmann and Hildur Guðnadóttir hardly need an introduction - their distinct styles have graced the speakers of pretty much anyone enamored with experimental music in the last decade, and between them the two have chalked up an enviable canon of successes. Bertelmann, under the Hauschka moniker has explored the extremities of prepared piano improvisation, and Guðnadóttir has taken cinematic, explorative cello music into a new era of depth and passion, so to hear them both together is a …
The Sinking of The Titanic
Mega-Tip! Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint.
The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage…
Fleeting Future
Tip! *300 copies limited edition. Much needed repress!* Akusmi is the new project moniker of French-born, London based composer, multi-instrumentalist and producer Pascal Bideau, who signs to the new Tonal Union imprint for the release of his album ‘Fleeting Future.’ With its hallucinatory, genre-defying blend of minimalism, cosmic jazz and Fourth World influences, and in its quest for optimism in the face of unknown and limitless possibility. ‘Fleeting Future’ stands apart as an inventive and i…
Heide
Nanook of the North is back with their second album, following the enthusiastically received 2018 debut "Nanook of the North," (Denovali). The duo of a composer and violinist Stefan Wesołowski and electronic producer Piotr Kaliński were acclaimed by Boiler Room, The Wire or NPR. Bob Boilen of Tiny Desk Concerts called Nanook of the North's performance at the famous SXSW Festival in Austin, US "one of the wow moments of SXSW". Their new material is a raw and minimalist sonic landscape, practicall…
Stay On It
In 1973, avant-garde ensemble Creative Associates goes on a tour of Europe with Eastman’s brand new piece in their repertoire, and in short: “Stay on It” turns the coordinates of avant-garde music on its head. It is minimal, but unashamedly groovy; it is open to improvisation, grants performers all the freedom they could need, but it isn’t jazz and never slips into the non-committal. It is open to theatrical and performative elements, but also to the poetic and lyrical. It is strict and demands …
Sextet & Double Sextet
*Limited Edition of 500 copies. 2022 stock.* "This release couples two of Reich’s “sextets” for the first time: the Sextet of 1984 and the Pulitzer Prize winning Double Sextet of 2007. A striking difference between the two pieces is that the rhythmic world of Sextet mostly consists of a single-meter grooving, while Double Sextet works in the angular, off-kilter shifting meters reminiscent of Reich’s Tehillim (also of Stravinsky). Ekkozone impart a uniquely chamber music feel and color to these w…
The Pavilion of Dreams
**Repress** For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces…
Hymnkus Thoreau Drawings Two
"Some years ago we performed the John Cage Thoreau Drawings work at dawn break in the Yorkshire Sculpture Park on a rather chilly November morning. As a visual artist I have always delighted in Cage’s own visual art and its connections to nature and Henry David Thoreau. The graphical notational elements used in Cage’s score are not, however, his own, but derived from the many small sketches of plants and other natural ephemera found in Thoreau’s Journal, (which I highly recommend also as a porta…
Betula
Dutch composer/clarinetist Germaine Sijstermans is one of the emerging artists of the new generation of the contemporary classical music scene, regularly and closely working with artists associated with Edition Wandelweiser. This is her debut album as a composer, a double CD containing seven of her recent pieces, all composed between 2017-2019 and performed by the ensemble of six musicians who had worked closely together from the very start of the project: Antoine Beuger (concert flute), Germain…