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2009 release ** "The works of Antanas Kučinskas collected on the album "Parasite" are based on the method of re-composition, i.e. processing material with a strong historical and stylistic identity using techniques that are completely "alien" to him. I am talking in particular about sampling, loops and scratches, which make up the aesthetics that Kučinskas himself called "parasitic music". I am an omnivorous parasite: my works feed on existing music and develop at its expense until the complete …
2006 release ** "There are a lot of spontaneous and “fortuitous” sounds from casual urban life in that music on the face of it. But it is impossible to be sure that these sounds are on the background of other elements or these sounds serve themselves as a background for something main… There are also some naive and unaffected chords played on acoustic guitar as well as some clinking and iridescent synth waves & gentle drones. Generally speaking, any tunes, any beats. But, on the whole the struct…
2016 release ** "Paul Roland’s obsession with the 1931 film White Zombie, starring Bela Lugosi, a true cult of voodoo cinema, led him in the 90s to write the basis of what should have been the film’s soundtrack, rewritten by Roland. It was mostly instrumental music, with songs and choirs that depicted the slavery of these men reduced by the mad scientist to zombies, automatons to increase the workforce in the factories. A rather current theme, outside of metaphor… Talking about it one evening at…
1996 release ** "In deference to this age of “environmental consciousness”, “Breathing”, says the insert, is “recycled and/or scavenged” pieces that once inhabited another form. The composer is Al Margolis, who appears on electronics, tapes, effects, piano, sampled flute, vocals, wind, cello and strings. He is joined by didjeridu, oboe and organ. The album beds itself in deep wind or breath like sounds, with an electronic, industrial, and dark edge."
2007 release ** "Ben Zeen's music is a combination of an analog modular synthesizer, controlled by Theremin antennas and a ribbon controller, laptops as a source of deconstructed, destroyed, processed loops and samples of various origins and used simultaneously as an effects center for other, external sound sources, prepared instruments and field recordings. The laptops are equipped with numerous controllers - knobs, touch, light."
2016 release ** ""X" as the unknown, "X" as a reference to time. "X" as a definite position between possibility and contingency. The album X by the Swiss band Strøm works with remix as a method, explores the potential of the origin. Or the result's? The work on the concept album started with an improvised piece by Gaudenz Badrutt (analog synthesizer) and Christian Müller (contra bass clarinet and live effects). In a process of intense live sampling by Badrutt and Müller the starting material was…
2008 release ** "Splendid debut of Testing Vault, project of dANi/Alvo, already active as a collaborator in other releases of the Italian industrial undergrowth, and produced by our own Final Muzik. The Laughing Torso makes no secret of its influences, above all the primordial industrial of the 80s in its less aggressive and more meditative expressions, those closest to certain ritual music accompanied by the use of the voice in the form of recitations / spoken word, but also the more shady Coil…
2010 release ** "The Album “Ianurek 5.0 x 100″ represents a metaphysical world made for interact with the listener. Shapes and colors fill the mind, bringing the listener in a condition where the contours are outlined by the various points of union between the tracks. The record born from a subject/form focused in the foreground, characterized by a plasma contortion. This movement becomes the pulsating heart of the tracks, and the concept need to be found between the interaction of the sounds, e…
2006 release ** "'Stage' is Steinbrüchel’s second full-length solo release on Line. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in…
Soave present an official reissue of Scorie, Tiziano Popoli and Marco Dalpane's minimal wonder from 1985. Long coveted and hunted by collectors, Scorie falls among the strange and definition resistant artifacts of Italy's remarkable avant-garde music scene of the '70s and '80s. An emblem of sonic diversity rendered through electronic sound, distilling a daunting number of traditions and ideas, while sculpting its own world of creative singularity, standing apart from the rest. While a great many…
Limited clear vinyl, edition of 100. The alchemist Bebo Baldan, accompanied by Steve James on violin and sarod (as well as on instruments of various geographical extractions) mixes, in a personal way, sounds from a bevy of different cultures – from Mediterranean and Indian, to South American – with synths, samples, and loops. The result is a boundless music that carries us, riding soft waves and bobbing between Balearic ambient, jazz and electronic, on islands that have been quietly, yet careful…
On ‘Cordial’, Ursula Sereghy traces the sensation of home; not as a place, but as something fleeting and deeply felt. Comfort appears in glimpses, nestled between moments of dissonance and unraveling structure. There is joy, but it carries the weight of absence, the quiet grief of realizing what was missing all along. A laughter that is both liberating and bittersweet.
Sereghy’s music moves with no fixed center, shedding hierarchies and opening itself to the unknown. Sounds unravel and reform: f…
Tip! 'Celesta’ marks Barbarelle first foray into composing and producing her own music; a debut that reveals the intimate, heartfelt territories of her creative universe. The culmination of years of composing for herself - ‘behind closed doors’ - ‘Celesta’ is a deeply personal, self-guided masterstroke of beguiling, free-flowing ambient soundscapes and DIY electronics. With ‘Celesta’, Barbarelle artfully transitions from ardent music aficionado to fully-fledged artist, unveiling an enchanting so…
*100 copies limited edition* "The mechanical gate, a rattling turnstile, opened onto the park, enclosed by symbolic gates just under a metre high, lined with hedges. Inside the park, sounds underwent a strange metamorphosis: they seemed muffled, as if unable to penetrate, as if repelled by the gates, the trees and the groves. Outside, fireworks bounced between the buildings. The short duration of the reverberation gave the sound a tremor that derealised it, a short, stuttering vibration that iso…
2025 stock ** "Between Christmas 2000 and New Year 2001 producers Ekkehard Ehlers and Stephan Mathieu recorded an album of warm, soft, delicately crackling electronic music in the space of that week. It was christened with the ambivalent title "Heroin" and was released on CD via the label Brombron in 2001 and later in 2003 re-issued on Kit Clayton's Orthlorng Musork on double-LP with remixes the pair had commissioned as expansions.
And indeed, "Heroin" is an album that embraces the happy acciden…
2012 release ** "An abominable noise, perfect for those who don't love themselves. An authentic auditory disaster, a descent into the underworld of the most abject psychological dysfunctions, in an electronics made of surgical microsounds, ambulatory atmospheres, unidentified noises, patterns sent in loop until exhaustion. References? Well, think of the isolationist atmospheres of Mego (Pita in particular) or the extreme power electronics of an Atrax Morgue and you'll have a general idea of wh…
2005 release ** "After a few CD-R releases, Wolfram's "first real album", released by the newly established Monotype label from Warsaw. "Thinking Dust" develops and exceeds the ideas from "Atol Drone" and "Mind Locations" released over the years - a very personal, calm, but also subconsciously disturbing variety of ambient. Wolfram never explored the sounds of "post-club" or naive el-music, so his work has always been free from rainbow idyll, instead it was disturbing (without evoking ghosts or …
2025 stock ** "Very strong studio session recorded in June 2012. Free improvisation consisting of small sounds – whining, rustling, grumbling – produced by a bass clarinet (Koch, commanding techniques), electronics (Badrutt, mysterious), and percussion (Babel, excellent at playing hide-and-seek with the other two’s sounds). Seven tracks, one to ten minutes long, with plenty of enigmatic stuff going on and lots and lots of deep listening."
1993 release ** "The title of this CD might erroneously suggest something heavy, abrasive and industrial, but The Rapture of Metals is in part an elegant homage to the metallic gongs of the Indonesian gamelan orchestra. The title track is the most overtly Indonesian, with electronic drones and effects enhancing a traditional gamelan gong pattern. But on several other tracks, Paul Schütze (Laughing Hands) further personalizes his use of gongs, capturing the dreamy, otherworldly quality of Indones…