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The Keplar label presents the next instalment in a series of reissues from the catalogue of Sasu Ripatti’s seminal Vladislav Delay project. Originally released on Mille Plateaux, the vinyl edition of »Entain« from 2000 omitted two shorter tracks and included all others in an abridged form. With this reissue, the full album as it was pressed on CD is finally made available on vinyl. Besides a new remaster by Kassian Troyer, it was also given new cover artwork by Marc Hohmann that picks up on that…
Ian Elms’s cult isolationist synth masterpiece Good Night returns via Dark Entries. Originally released in 1982, Good Night blends Berlin school minimalism and BBC Radiophonic weirdness with the aesthetics of then-nascent DIY punk electronics throughout its fifteen short tracks.
According to Elms, these pieces were composed in two broad but interrelated modes: pieces with voice and synthesizer, which are obliquely narrative, and instrumental synthesizer pieces that aspire to capture fleeting emo…
Tip! *Extra signed and numbered print, envelope with 4 extra postcards, extra tape* While she was still a member of Nasmak, one of the leading bands of the Dutch ultra-movement, Truus de Groot started Plus Instruments in 1978 with herself as the sole member. When the project evolved, she found a wide range of rotating collaborators like Michel Waisvisz, Lee Ranaldo and James Sclavunos. Plus Instruments was about freedom and the live performances were largely improvised. The sound minimal but cap…
Created between March and May 2020, Does Spring Hide Its Joy is an immersive piece, positioned as a “study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns”.
Eight years after its original release in 2015, and sold out upon release, Umor Rex finally presents a vinyl repress of Sirens, by Kara-Lis Coverdale and LXV. This new edition is limited to 500 copies and comes with revised artwork.
Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform in…
*First analog LP reissue of a collection of film music works by Takashi Sekiguchi, who is linked to Hiroshi Yoshimura, Inoyama Land, and other renowned catalogs" Originally released from “Crescent”, the label of Sound Process Design Inc., founded by Satoshi Ashikawa, a pioneer of Japanese environmental music. First analog LP reissue of a collection of film music works by Takashi Sekiguchi, who is linked to Hiroshi Yoshimura, Inoyama Land, and other renowned catalogs! “Bamboo From Asia Plus” was…
Bysund is in my humble opinion one of the most interesting Danish noise projects these days. With releases ranging from minimal and dense guitar noise to sharp and unpredictable computer music. This is the first non self-released Bysund album, and probably the projects most varied output yet. One hour of meticulously composed textual exploration. This is by the way the first album in a planned trilogy of guitar-based releases.
** 160g black vinyl record housed in a full color, reverse board jacket. Color labels. Record placed in white paper innersleeves. Limited edition of 150 copies ** Celer's Being Below is a mini-album of short songs created with digital and analogue instruments, recorded in 2020. Written with a structure that reflects shifting states, overlooking the past and future as a split pathway with the present endlessly fluctuating between. The pangs of rumination. An exercise in loop-less writing. Mastere…
Thijs says: "The idea for this music started with textural, electronic meditations, where time becomes a blur and there is no need for pushing things to happen. You can zoom in or zoom out of the music at any time. This also relates to my fascination or need for longer (or shorter) periods of concentration. In reality one loses focus because of life happening and I feel this record can be enjoyed in the background as well as in a concentrated listening session. The first synthesizer recordings w…
The German pioneer of electronic music Conrad Schnitzler (1937-2011) amassed a vast archive of sounds for use in combination with each other in live performances. In 2011 the idea came up of con-structing new compositions, not remixes, from this material. The Con-Struct series was born. This release features con-structions by Baal & Mortimer who writes about it in the linernotes: It was exciting to break open existing material, peeling something out of the past and thus transgressing it and open…
Tip! For the good part of the past decade, Japanese composer-musician Masahiro Takahashi has been crafting gently spellbinding pieces that simultaneously embrace electronic abstraction and a palpable, even brittle, humanity. His delicate and evocative landscapes always seem to be illuminated in vibrant magic hour tones as golden synth lines emanate from between soft flickers of acoustic instrumentation. Since moving to Toronto in 2020, Takahashi has swiftly become a local fixture, enough so that…
Vision Songs Vol. 1 is the Laraaji album like no other, located at the intersection of new age and gospel, his outlier and magnum opus, the feel-good DIY tape of the century. Casio synth jams recorded at spiritual retreat guest rooms and a tiny bedroom on the Upper West Side in 1984, lysergically-spectacular anthems for a continually arriving new moment. “Channeled from the sky,” humbly offered on vinyl for the first time, this is where this is going on, this is where this is taking place, this …
3LP edition. Remastered A classic within the vast Celer catalogue - one of their finest. Originally issued by the Infraction label in 2008, 'Discourses of the Withered' sees the light of day once more via Will Long's own Two Acorns label, complete with a beautiful remaster from Stephan Mathieu. The album, like much of Celer's work, offers a refuge from the fast pace of modern life. The glacial ebb and flow, and swells of lush strings slows the heart rate and creates a place for introspection, pe…
Inspired by Kraftwerk's "Autobahn", Southampton-based musician Steve Hartwell, aka The Dead Goldfish Ensemble, started to craft his own music in 1983 using sequencers and the MSX computer, which could be said as the first generation of home computers available for music production. Hartwell made a tremendous amount of recordings in his home studio until 1993, reflecting his take on minimalist music of Steve Reich and Philip Glass, it featured strange imaginative polyrhythms and friendly playful …
*112 copies limited edition on transparent violet vinyl* Nifbin Circle is the fourth release by Detlef Funder, aka Konrad Kraft, on the Cologne label Aufabwegen. Sounds generated with two apps on the iPad,provided the basic structures and the sound space. The strangely enraptured textures created in this way, with a subtle percussive touch, were partly combined with supporting beats in the course of further processing. Thus, after more than 30 years, tracks with rudimentary melodies and rhythms …
*123 copies limited edition!!* *cassette edition of sold out vinyl* Properly absorbing electronic enigmas from Zaheer Gulamhusein (Xvarr, Waswaas) and JustinTripp (Georgia), following their noses down the rabbit hole into aether-chamber interzonesadjacent to Coil, Conrad Schnitzler, Werkbund, and Jeff Mills’ deep space missions. A strong case of two artists transcending the sum of their parts, String present an immersiveexploration of the unknown, realising a “virtual vacation” from which they n…
Music composed and produced by Burnt Friedman 2019 – 2022 Published by Freibank Cover photography – 1875, photographer unknown, group of Andamanese people, person in tropical suit presumably German ethnologist and explorer Fedor Jagor "The vocabulary of modern ‘Western’ music or of the so–called Global North has finally been spelled out. The ever more hasty striving to move forward led to a music that is ‘starving among this embarrassment of riches’. In those days, the music that was oscillati…
The definitive collection of Laraaji's earliest works, Segue To Infinity compiles his 1978 debut Celestial Vibration and six additional side-long studio sessions from previously unknown acetates from the same period.
Traveling extensively across Asia and Africa between 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy