I - VI
2011 release (RARE) ** Limited edition of 100 hand-numbered copies. "‘A Guide for Reason’ was how Ptolemais of Cyrene, a musicologist from over 2,000 years ago no less, saw the role of perception or sensory experience in sparking a more theoretical compositional process, perhaps suggesting that the work presented here is primarily sensual, designed to inspire the listener to form their own narratives. Meanwhile the often lengthy track titles all seem to be aphorisms optimistically guiding the li…
Quique Redux
Tip! Beggars Arkive have announced the release of Seefeel - Quique (Redux), a remaster and first ever vinyl pressing of the redux edition of the groundbreaking 1993 album, originally released on Too Pure. Releasing on 28 March, the product is available on 2xCD and 4x vinyl, with the latter housed in a special slipcase with newly imaged artwork. A remastered reissue of the standard version of Quique will be available everywhere on vinyl. Seefeel's Quique emerged in 1993 on the Too Pure label, ble…
Edge Games
Although Berlin-based musical seekers Jules Reidy and Sam Dunscombe are friends who’ve worked together in numerous contexts over the last decade or so, Edge Games is their first, long overdue collaborative album. Over two expansive, mind-bending excursions the former’s microtonal guitar lines are woven into a gorgeously unstable mass of synthesis, field recordings, and clarinet produced by the latter, but it’s important to note that the recording process was deeply collaborative, with a rigorous…
Europe in Flames
200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …
Café In The Sublime Void (Part 2)
Not only the longest one sided record you ever heard, possibly the longest 45 minutes you sat through in general!Café In The Sublime Void (Part 2) is a reference pool of sorts, a document against forgetting. 'Café In the Sublime Void' is a memory based series of artworks and editions Tyfus started working on a year ago to combine the endless stream of stories -both true and untrue - he came across in the past 45 years with whatever is happening today and tomorrow. The indication of this series c…
Ambulance
Holy Tongue (Valentina Magaletti, Al Wootton & Susumu Mukai) follow up their critically acclaimed album with a two track 7” on Trule. On the A Side ‘Ambulance Dub’ creeps in like John Carpenter at Firehouse. The B Side ‘The Bigger Tutti’ goes full on Steppers punk. They are all snakes now.
Wüste
2010 release ** "Former Mayhem front man Maniac, whose band Skitliv has proved to be a surprising departure from the Black Metal genre for which he was best known for over 20 years, has formed a side-project with Vivian Slaughter, bass player/vocalist with the Japanese all-girl band Gallhammer, Skitliv's guitarist Ingvar Magnusson and experimentalist Andrew Liles (Nurse With Wound). Unlike Skitliv, which is a noise/doom amalgam, with Maniacs vocals still firmly rooted in Black Metal, Sehnsucht i…
Like A Tree Growing Out Of A Sidewalk
2009 release ** "In this work Dream Weapon Ritual deconstructs and reassembles the thin substance of dream and vision in a performance-ritual that, moulding together organic electronics and treated acoustic instruments, takes place in an invisible and vague terrain; an unexplored territory, where the borders between song, theatre and installation blur. "Like A Tree Growing Out Of A Sidewalk" started as a multimedia performance with collaboration of visual artist Elisabetta Saiu, whose video, pro…
Music From Hi-Fi Sessions
2005 release ** Improvised music sessions, made using 4 custom turntables, edit scratched vinyls played in forced locked grooves, hand made phonograph, microphone, delay pedal, environmental feedback, mixer. Recording and mastering on PC. All Tracks sounds exactly as it was recorded.
Hanging By A Fan Over Wet Cement
*2025 stock* "Hanging by a Fan Over Wet Cement is the music of listening after listening, when water runs relative to the sound of your own footsteps, and you lean over the resonating chamber of a trashcan like it’s a campfire, then fill it with wheezy laughter. Only, the steel mesh of Hair Clinic/Max Nordile’s field microphone is all mangled and bludgeoned, and the field extends into his home garage. The same contact-foraging quality of attention goes into the beginner’s brain improvisations, w…
In Zebulon
In the early-to-mid aughts, in the Williamsburg neighborhood of Brooklyn, Zebulon Café Concert was the epicenter of creative music of all stripes and flavors. Proprietors Guillaume Blestel and brothers Jef and Joce Soubiran passionately created and curated a space where musicians and the music could fully blossom unfettered by norms and conventions. Zebulon was also the preferred haunt of legendary artist, poet and filmmaker Jonas Mekas who had recently moved back into the neighborhood after lea…
All At Once At Any Time
1994 release ** "Recorded live in May 1994 at the Festival International de Musique Actuelle de Victoriaville, All at Once at Any Time features two members of the Dense Band, drummer David Moss and guitarist John King, and an experimental DJ largely unknown at the time: Otomo Yoshihide. In the course of the next six or seven years, the first two names became less and less heard, while Yoshihide arose as a leading creative force in avant-garde music. The trio's music is made of fragmented bits of…
Kenosis
300 copies. The result of a long period of study and retirement in a house in the Bologna countryside in the first three months of 2018, Kenosis renews the meeting between Stefano Pilia and Massimo Pupillo (already together on several tours of ZU and in the Zu93 project, together with David Tibet). A Greek word of Gnostic derivation (literally meaning "emptying"), Kenosis is the result of a process of composition that saw the two musicians move away from their usual writing methods and from the …
Redefines The Meter
*2025 stock* Recorded live in Studio 4, National Danish Radio 2007 by Sune TB Nielsen. Mixing by TR Kirstein & Sune TB Nielsen. Levels, ins / outs / ups / downs and general music control by Gæoudjiparl assisted by Guido Zen and Tordis Berstrand Mastered and cut to vinyl by Lupo & Gæoudjiparl, D&M Berlin 2008 Cover by Leif Elggren
Rupt + Flex 94 — 96
2025 stock An anthology of Seefeel’s 94 - 96 work made for Warp and Rephlex, including their out-of-print studio albums Succour and (Ch-Vox), two non-album EPs, Starethrough and Fracture/Tied, and 22 bonus tracks from the Seefeel archives, many previously unreleased tracks. Housed in a bespoke package conceived by The Designer’s Republic. All bonus material remastered from original DAT transfers by Stefan Betke aka Pole.
Succour (Redux)
2025 stock Seefeel’s second studio album and their debut for Warp. This expanded 3LP edition is the first time it has been available on vinyl since original release and adds an extra LP of bonus material, mastered from original DAT transfers by Stefan Betke aka Pole.
On Seefeel’s 1993 debut album, Quique, the British quartet navigated a course between shoegaze and ambient dub—but by 1995, the electronic undercurrents of their sound had carried them to a very different place. Maybe it was th…
Peel Session
2025 stock A live band session from their Succour album period, including Rough For Radio and Phazemaze which never appeared on any other release. Warp Records release WXAXRXP Sessions featuring ten specially selected sessions recorded for radio from across the history of the label, from the very early days right up to the WXAXRXP x NTS weekend. In the age of immediate, unelected, often low-quality rips of anything that is broadcast, these releases present each session in the highest quality ado…
Seefeel
2025 stock Warp's first ever 'guitar-playing' signing make a welcome return with this, their self-titled, second album for the label. Applying less of their signature 'shoegaze' aesthetic, the addition of Boredoms drummer E-da and electronic musician Shigeru Ishihara in the line-up, has given this album much more of a palpable feel than earlier releases on Warp and Too Pure. An invigorating return.