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For decades Devo have been working non-stop at Recombo DNA Laboratories on a new kind of research to keep up with the mutating world around us. That extensive research is now ready for public consumption once again. Futurismo were the first to bring you this on vinyl and now they present unhindered access into Devo’s labs, documenting the scientific analysis and demonstrations as conducted by the band between the years 1977-2008. This tireless research has manifested itself in Recombo DNA...an u…
Futurismo present standard LP and CD versions of DEVO’s highly celebrated and sold-out box set release - ART DEVO 1973-1977. The release all hardcore Devo fans have been waiting for, ART DEVO is a vital collection housing unheard and obscure mind blowers sourced directly from the vaults of The De-Evolution Band. This anthology takes you from the bands initial conception in Akron, Ohio to the moment before the world woke up, in a collection of sonic and visual art that captures Devo at the dawn o…
1992 release ** "The 3rd and final album by Les Granules. The pieces on this album are recorded in real time and without overlays. Each of the composed or improvised pieces was subsequently the subject of serious alterations by collage. Slight differences in pulsation, tuning, and subtle shifts from one beat to another, from one type of sound recording to another, were highlighted rather than hidden, producing the effect of a mosaic or quilt. "
Jean Derome: flutes, alto sax, calls, drum machine…
CD Edition. Sonic Youth on Superior Viaduct!!! In October 1987, four months after the release of their critically acclaimed Sister LP, Sonic Youth showcased their latest work in a blistering set at Cabaret Metro, Chicago. The concert was introduced by Big Black's Steve Albini (who at the time was banned from the venue) and subsequently released as a semi-official bootleg under the title Hold That Tiger on writer/provocateur Byron Coley's impishly Geffen-baiting label Goofin' (years later the ban…
Snakefinger surely needs not much of an introduction. Born Philip Charles Lithman in London, he moved to San Francisco in 1971. His roots lie in the British blues scene, but he soon became friends with The Residents who also gave him the name Snakefinger based on a photograph of Lithman performing, in which his finger looks like a snake about to attack his violin. In 1972 Lithman returned to England and formed the pub rock band Chilli Willi and the Red Hot Peppers. After the lack of success of t…
Apodiktische Gewissheit ("apodeictic certainty") is the title of a cooperative audio-visual project from Berlin-based artist Gerhard Mantz and Wolfgang Voigt. The project is premised on a digital video piece from Gerhard Mantz. Steadily flowing geometric forms and themes move evenly around a fixed center towards the viewer. A hypnotic undertow-like effect of seductive beauty emerges - impossible to elude. Wolfgang Voigt seizes on the digital aesthetic and the mechanical flow of the images, givin…
Available again on vinyl!! A deluxe vinyl re-release of Ciccone Youth’s The Whitey Album, the full-length recorded by Sonic Youth’s Top-40 obsessed alter-ego is now available on the band’s own Goofin’ imprint. In 1988, after hinting that a tribute to the Beatles’ White Album was in the works, the band about-faced and delivered this brain-sick celebration of pop-culture and The Material Girl in particular. The album has been spectacularly remastered and manufactured to provide hi-fi reproduction…
Recorded in late 1981 at Radio City Music Hall and originally released on Glenn Branca's Neutral label, this remastered and expanded vinyl reissue includes the self-titled debut record plus live material from '81 and a track from a previously unheard studio session. Includes liner notes by original Sonic Youth drummer Richard Edson, Glenn Branca and Byron Coley.
Tip! “Sculptures From Under the City Ice is a sort of longing, I think,” Christian Winther says of his third full-length solo record. This statement is cryptic but somehow poignant, poetic, and also a little weird. And so is Sculptures From Under the City Ice. Winther is a highly sought after guitarist and tireless collaborator in the Norwegian avant garde scene. His previous solo release was awarded album of the year by Klassekampen in Norway. He has toured extensively throughout Europe, Japan,…
Debut release from this Australian modern primitive duo. With lyrics cut from dated astronomy texts & ping pong vocal rounds soaked in reverb, Primitive Motion create their own brand of spontaneous, steam-powered electronic pop. Their moves recall Joe Jones’ readymades, Joe Meek's I Hear a New World & the minimalism of The Door and Window, as preset keyboard, voices and cosmic flute intersect with machine / human beat systems across the four songs on Certain Materials. Primitive Motion is Leight…
The two songs on Visions of the Valley find Pigeons pushing further into tripped-out pop songwriting, narrowly clinging to their inner art-rock / Majora leanings. “The Postcard” is a taut exercise in dusty, westcoast flowery psych pop. With traces of Mike Nesmith and The Rain Parade, it’s the most straightforward tune they've yet issued. On the flip, “Sunset Park”, the duo stretch things out with a brilliant slice of placid, melancholy mysticism. Both songs were recorded by Clark and Wednesday i…
*2024 stock* Jennifer Gentle are one of the most idiosyncratic Italian bands ever. Led by singer, guitarist and sometimes only member Marco Fasolo, they started their career in the early Noughties as slightly stoned-out-of-their-minds teens equally able to manage short psych pop explosions and 20-minute brain melting freakouts. They quickly recorded a couple of self-released albums that raised some interest abroad and became the first Italian band to sign to American label Sub Pop, releasing two…
Following on quickly from Fear, and capitalizing on that album's energy Slow Dazzle is another fiery release by Velvet Underground founder John Cale.
This reissue faithfully replicates the original 1975 Island Records UK release and is pressed onto high quality 180 gram vinyl. Released in March 1975, initially, the album offers a false sense of mellow security: "Mr Wilson", a tribute to Brian, the leader of Cale's beloved Beach Boys starts the album on a much sweeter note than "Fear Is A Man's B…
Recorded quickly between John Cale producing Patti Smith's Horses and his going out on an Italian tour, Helen Of Troy became Cale's third and final studio album for Island Records.
This reissue faithfully replicates the original 1975 Island Records UK release and is pressed onto high quality 180 gram vinyl. Helen Of Troy is a raw, fascinating listen. The title track with its horns and spoken word is one of Cale's best: after the sweet bubblegum of "China Sea", the album gets increasingly strippe…
This reissue faithfully replicates the original 1974 Island Records UK release and is pressed onto high quality 180 gram vinyl. Fear marked Cale's return to recording in London after the best part of a decade in America. Signing to Island Records, he made fast friends with two key admirers, Phil Manzanera and Brian Eno, who assisted him in returning his music to the rawer sound of his earlier work, as opposed to the lush textures of his previous studio album, Paris 1919. The tense, clipped "Fear…
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
** Remastered from the Original Tapes. Deluxe Edition Reissue Sanctioned by John Cale Himself. Includes Previously Unreleased Outtakes & a Brand-New Recording** John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote m…
Anthony Moore's post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves another dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased OUT (1976, officially issued 2020) and the new wave-adjacent Flying Doesn't Help (1979, reissued 2022), finding Anthony's early/mid-'80s compositions drifting into the actual mainstream, just moments before it beg…