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*100 copies limited edition* ‘Ometz Homeless’ (EN- Homeless courage) is the 7th album from Ryskinder, a low-fi, Hebrew and trip-hop producer from Jerusalem and Berlin. A modern-day film noir prayer, ‘Ometz Homeless’ is groovy, cinematic and expressive, showcasing Ryskinder's unique sonic and narrative skills.
*80 copies limited edition* Tobi Wolf (pronounced a la germanique) invites you to enjoy ‘his first strudel’: free accordion samples, dodgy German yoghurt, tubas from familiar territory and thumb percussion.
Recorded by Baptiste Bruzzi and mixed by Seb Normal at La Dreche.Chorus: Anne Raymond, John Caldera and Seb Normal.
*80 copies limited edition* Marion Cousin and Eloïse Decazes are musicians, singers and friends. For some fifteen years, each of them, in their various incarnations (Catalina Matorral / Arlt) and companionships (notably Gaspar Claus, Kaumwald, Borja Flames for one, Eric Chenaux, Delphine Dora, Julien Desailly for the other), has been struggling with their own means, their own temperament, to move forward together, albeit crab-like, the chanson d'auteur and the chanson sans auteur - which is cont…
*80 copies limited edition* Recorded in autumn 2022 in the Baraque district, Louvain-La-Neuve (BE) edited and mixed at Atoma by Célia Jankowski & Valentin Noiret. Text side A taken from the children's catalogue of the first exhibition of Jean-Marie Massou's work at the Musée Arts et Marges in Brussels.
*2024 stock* "Blanche Lafuente, Jeanne Guien, Nina Garcia, Thomas Dunoyer de Segonzac: no noise quartet post no post no wave no punk post noise post mama post everything: French chanson... A crawling bass, shredding drums, a lacerating scalpel-guitar, hijacked tape loops, bits of agit-pop poetry carried by chanted, melodramatic vocals." - le non_jazz
2024 stock, rare private press LP. Plaintive and imbued with the Mediterranean-inspired air, wide-ranging, and undeniably erratic. Ramuntcho Matta could employ African tribal rhythms, discordant progressive jazz, pretty folky melodies, throat-stretching vocals, spoken poetry, channeling the sounds of improv jazz and numerous traditions across the globe, its experimental approaches stitch an emotive world that brims with tension and life
Monster Mélodies presents the second in a two-part unpublished recording of a concert by Brigitte Fontaine and Areski Belkacem at studio 102 of the Maison de la Radio dating May 21st, 1973. Areski Belkacem and Brigitte Fontaine, major artists of the French counterculture, were often be censored or deliberately ignored by the media due to their libertarian positions. Obtaining success at a late stage, it was not until the album Kékéland in 2001 and Rue Saint Louis en l'Ile in 2004, for Brigitte F…