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All sounds in this record were collected in solitary afternoons or sleepless nights, while studying electric guitar and effect boxes, an FM synth and a sampler, and were taken care of as if they were plants that you would move around the house to see where they like it best. Occasionally they met other sounds from far back in time, and they got along well. All these sounds talk to me of fragility and effort; to me they taste like gratitude and affection and joy. - FIlippo Mazzei
Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice
recorded between 2020 - 2024
2009 release ** "Lucio Capece and Sergio Merce play music together since 1993. They started out as members of a saxophone quartet dedicated to playing early and baroque polyphonic music (Guillaume de Machaut, Perotin, Josquin des Prés, Frescobaldi, J.S.Bach). A few years later they were part of Avion Negro, an ensemble dedicated to play its own music; there they worked on long music structures, combining improvisation and composition. In 2002 Merce and Capece started playing together as a duo. M…
2012 release ** "Laura Cannell and Rhodri Davies create a rich and minimalist sound, combining chords and drones on recorders and harps oscillating with different tones and harmonics. It is inspired by fragments of English renaissance music and Laura's native Norfolk landscape. The two performers only met twice before they felt that there could be a common ground to explore and the result has produced an exciting new collaborative duo. Feathered Swing Of The Raven is a collection of improvisatio…
2008 release ** Numbered edition of 120 copies. "The Crooked Pool compiles two discs of hitherto unreleased folk-magic from March 2007 to March 2008. It was recorded among cliffs, moors, streams and woods while seeking convocation with the genii locorum of the Yorkshire moors. The Crooked Pool contains eleven psychogeographic explorations with harmonium, recorder, flute, psaltery, violin and guitar. 80 minutes of feral drones, wordless hymns, death dirges and quiet rustic meditations."
2010 release ** ""«Deep Komis» by Vazhes, the project of Russian anthropologist and documentary director Sergey Gabbasov, is dedicated to authentic ethnic music of the Permian Komis. This album was made with Rapoon, Northaunt and Fanum. It dips into the hidden and secret world of ancient and primordial nature, of secret and mysterious rituals. On the fanciful turnings of the forest path we will meet authentic ethno music of the Permian Komis, Nordic ambient, ethno-industrial, dub. Interweaving l…
2014 release ** "Dunrobin Sonic Gems, a concert recording featuring Deep Listening Band founding members Stuart Dempster (trombone/didjeridu) and Pauline Oliveros (accordion/conch) with guest artists Ione (spoken word and sonic vocals), Jonas Braasch (soprano sax) Jesse Stewart (percussion), Johannes Welsch (gongs), and Jeff Pratt (live sound and 'Cistern Simulation' blend). Both recordings feature the 'Cistern Simulation', a technology developed by Jonas Braasch in 2012, which recreates the aco…
2014 release ** "The forty-four minute pilgrimage presented by Montibus Communitas is nothing if not clear in its intentions. Each of the album’s six songs – from the slow, shining “The Pilgrim Under Stars” to the album-ending title track – is a chapter in which we find the titular pilgrim (which is the band, which is the listener, which is everything at once) on another stage of this massive, mesmerizing, metaphysical road trip. Heavy, heady, be-here-now stuff, right? Without question. Yet the …
*350 copies limited edition* An’archives are proud to announce the release of the debut album by Tête de Chou, the trio of Mark Anderson, Kurumi Kido, and Arlo Wynks. Some may know Anderson for his membership of Greymouth, 番長Taste, Mysteries Of Love, and Suishou No Fune; Kido and Wynks have more personal, sporadic musical histories, which informs the intimacy and gently exploratory nature of the eight pieces contained here. The trio’s movements seem spontaneous and open-ended, which makes sense …
*200 copies limited edition.* What sets 400 Lonely Things apart is its ability to turn seemingly mundane or discarded sonic artifacts into evocative, almost cinematic experiences. The project’s work resonates with fans of dark ambient, hauntology, and experimental sound design, offering a gateway into worlds where time has fractured and memories linger like spectral echoes. Subdivisions, the latest album from 400 Lonely Things, marks a departure from the project's conceptual and thematic approac…
*100 copies limited edition* ⎤⎤⎤, the duo of Chantal Michelle and Grace Villamil, are interested in what they term "sound obliteration"—a paradoxical process that, in their hands, reveals teeming masses of sonic detail. The pair works in a variety of modes, including composition, installation, and performance. Live at Opus 40 begins with machinic drones that expand and dissolve into the warm, open-air environment where it was recorded, initially anchored by the site's rock formations. The piece …
Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
2009 release ** "Bob Rutman was born in Berlin in 1931. His mother was Jewish and had to escape from Germany with her son when the Nazis rose to power. Rutman attended refugee schools in England during the Second World War and settled in the USA after having completed his education in 1950. He worked as a salesman in Texas before enroilling in art school in Mexico City, where he married and fathered a child. Together with his wife and son Rutman returned to the US in 1962 and started an art gall…
Hidden Harmony is proud to present the first full-length LP from Estonian composer and keyboardist Volodja Brodsky. The six compositions on ‘Whispering Ln’ were entirely recorded during Brodsky's trip to the USA in 2018-2019 and showcased his passion for the transformative power of minimalism as an art form. The follow-up to his keyboard duties on psych funk/rare groove Estonian outfits Estrada Orchestra, Centre El Muusa, Misha Panfilov Septet, on ‘Whispering Ln’ Brodsky reinventing himself as a…