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I have two stories behind this beast of a record. The first one is of course the oldest type of story around, the stranger comes to town. The stranger in this story is Zach Rowden. He shows up in Bucharest, once or twice, with his band (or duo if you want) Tongue Depressor. On one of the occasions he meets one of the locals involved in Bucharest avantgard circuits, Laurenţiu Coţac. And they decide to play together. They jam their double and electric basses. And it gets recorded. 23 minutes long …
broken velocities & miss understood micro fractions ⋆.ೃ࿔*:・Henrique Vaz ~ :() # define ':' — whenever we say ':', do this: { # beginning of what to do when we say ':' : # load another copy of the ':' function into memory... | # ...and pipe its output to... : # ...another copy of ':' function, which has to be loaded into memory # (therefore, ':|:' simply gets two copies of ':' loaded whenever ':' is called) & # disown the functions — if the first ':' is killed, # all of the functions that it has …
*2025 stock* There is something really special about music based on drones. Whether it's the vocals of Pandit Pran Nath, the ARP 2500 of Eliane Radigue, or the nearly-blown amps of Sunn O))), by changing the listeners's focus on details to one that favors flow, drones are uniquely capable of transporting our brains far far away. The debut LP, 'Repeater', by this loudly droning Austin septet is a goddamn splendid example of how the process works. Using the motto, “Maximal Repetition Minimal Devia…
"This tape is the registration of a session I played on invitation by Knotwilg Records on Saturday, June 8, 2024 at the town hall of Meetkerke, a one street village tucked away between Bruges and the North Sea in the midst of Flanders flatlands. The session was broadcasted live during the Kneautwilg radioshow on Studio Néau that afternoon. I recorded the air waves on magnetic tape with a Korg CR-3, two SM57 mics and two AKG C1000 mics. This tape is the result of those analog recordings." - Knotw…
Annie A, the one-off collaborative project between Félicia Atkinson, Time is Away, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with an inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?
It is a geographically diverse yet like-minded ensemble whose seeds were sown during an A Colourful Storm show in London, where tim…
From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them. Today the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albei…
I Know the Number of the Sand and the Measure of the Sea is the first collaboration of Lea Bertucci and Olivia Block. This collaboration was set into slow motion some years ago, in 2017, when Lea and Olivia connected through an interview facilitated by writer Steve Smith. In 2022, the artists finally had a chance to collaborate, performing an improvised set at Pioneer Works in New York City. Since then, the New York based Bertucci and Chicago based Block remotely built out ideas stemming from th…
Pancrace’s latest double LP “Papotier” is the third panel of a tryptic after “Pancrace” (2017) and “Fluid Hammer” (2019). The ensemble knew at some point from their previous LP they would have to go back to church and repent confronting a Silbermann 18th century baroque organ with their custom made modular midi pipe organ : the “Organous”. After nearly 18 months of lockdown the quintet finally met in Bouxwiller Alsace a few miles away from Dangolsheim where Pancrace first formed in 2015. During …
*150 copies limited release* "A mysterious folio of sonic snapshots, as much recaptured as composed, by Jon Dale’s project, Moth, in Adelaide in the late ’90s and early ’00s.
From the ready means of guitar, amp, and tape, a congruous but diverse selection of unnamed tracks emerge - musical moments borrowed from oblivion with the as yet unfulfilled good intention of returning them. Their sounds evoke abstract polaroids of winter seascapes flecked with spare, brittle detail, or the scaly-winged fl…
*Lathe Cut, Limited Edition, 66 copies. clear, 180g vinyl* 'Eventual' is the first album by double bass player Gonçalo Almeida and 'knob twidler' Rutger Zuydervelt. It's not exactly their first collaboration though, having released two EPs, 'Doze Ruinas' and 'Jangadas', and being colleagues in Hydra Ensemble (with cellists Lucija Gregov and Nina Hitz). When film maker Lex Reitsma commissioned Rutger Zuydervelt for the soundtrack of his documentary about photographer Koos Breukel, Zuydervelt prop…
Tip! *250 copies limited edition* The Kriego is the joint project of musicians and sound artists Fernando Feria & Emiliano Cruz. Born from cultivating similar creative interests in sound art, improvisation, and composition, the duo weaves a sound born of noise, ambient, and free improvisation; exploring various formats and using the electric guitar as their main mean of expression. The project emerged in October 2021 in Mexico City with the presentation of their album I at Casa Patricio, later p…
*Limited edition of 50 copies* The Lost Tapes offers us some secret homemade gems recordings from the 1980s rich Spanish underground. The Spanish transition from fascism to democracy was not as smooth as they wanted us to believe. Still, there were many traumas to deal with, and noise music was the perfect medium to channel them. If noise in the 80s Japan was the acceleration of transgression resembling the economic boom that was going on in the country, Marcelo Expósito has worked through the u…
*2025 stock* Astro-Darien is a 26-minute sonic fiction about the break-up of Britain narrated by synthetic Scottish voices and framed as an eponymous video game. It is the 2nd vinyl release on Hyperdub’s sub-label Flatlines and its dark green 10” comes packaged in a triple gatefold sleeve, with artwork by Kode9’s long time collaborators Lawrence Lek & Optigram. Whereas the first release on the label, Mark Fisher and Justin Barton’s ‘On Vanishing Land’, wove an audio essay around a walk along t…
*2025 stock* Hyperdub launch new sub-label, Flatlines, for the vinyl and digital release of On Vanishing Land, an audio-essay by Justin Barton and the late Mark Fisher. OVL evokes a walk along the Suffolk coastline in 2006, from Felixstowe container port ("a nerve ganglion of capitalism") to the Anglo-Saxon burial ground at Sutton Hoo. A walk under immense skies, through zones of deep time and within sunlit, liminal terrains, into the eerie.
Everywhere there are charged atmospheres, shadowy incu…
Panoptikon is a suite of vocal & electronic music composed by Maria W Horn for an installation in the disbanded Vita Duvan panopticon prison (The White Dove Prison) in Luleå, Sweden. From the opening of Vita Duvan in 1856 until its closure in 1979, prisoners were detained for theft, perjury, drunkenness, domestic violence, and vagrancy. More than fifty women were charged with miscarriage & abortion (which was labeled as child murder); however, they did not spend much time at the prison before fa…
Acclaimed Icelandic theremin musician Hekla returns with Turnar, her third album of devastatingly heavy, spectral soundscape-songwriting, entering a sublime paranormal plane of haunting dread. Now augmenting her virtuosic solo theremin work with cello, voice, and the sacred church organ of Icelandic master Kristján Hrannar, the evolution of Hekla’s unique magic summons new worlds with Turnar. The album was recorded partly in (and named after) a medieval castle tower in rural France, its ruinous …
*100 copies limited edition* In his late forties, Andreas Malm is releasing his first solo album. So where has he been hiding all these years? In plain sight, it seems. The past few decades, he’s been a staple in the music scene of Malmö, Sweden. From the free-rock outbursts of Fria Konstellationen to the tapedrones of Amph, the synthscapes of Skeppet and probably best known, the minimalist rockquartet Eternal Music Society: it’s fair to say he’s been around. Just not all by himself. As Kroppskä…
*40 copies limited edition*
A wistful eye in blank space,Floated through a preposterous mess,The pupil succumbs to the darkened mirror,Asking for the angel's plea,Staring fixedly at dead screens inside an empty hall