We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Eve Essex’s solo debut is a multi-instrumental fea(s)t combining synthesizer, drum machine, alto saxophone, piccolo, electric organ/harpsichord, harmonica, slide whistle, bells, guitar pedals, and voice— composed, arranged, and performed by Essex herself.
Tip! *25 copies special limited edition with handcrafted crochet case* Organica is the new album by the Florence based artist Pietro Michi, founder of Biodiversità Records and active under the monikers FossaDelRumore and P I T since 2016. His work including his own imprint is strongly influenced by themes of biology, ecology and relationship between nature and digitalization. Topics explored by means of drone, noise and soundscape at large. The album was composed with generative synth patterns m…
"I’ll take a guess and say I first heard Alan Lamb’s Night Passage in 1999. Released by Darrin Verhagen’s seminal Dorobo label, the record birthed an approach that wove together themes of materialism, field recording and a reimagining of the abandoned utilities of human habitation. Night Passage is one of those recordings I feel has always been with me, it’s that foundational. It completely reshaped the way a generation of audio explorers thought about how sound and music might exist in the orbi…
Morgan Hall (Greece) brings a hedonistic take to dark ambient on "Hormonic B.C.". Streets lay barren and grey, buildings crumble as time passes. The atmosphere is thickened by the heat, as those left amidst the ruins revel in listless debauchery. A formidable collection of bitter truths published by way of sonic excess.
Tip! In 1973, the Sound Sculpture Show took place at the Vancouver Art Gallery. An LP audio catalogue (with a booklet) of the exhibition, entitled “The Sounds of Sound Sculpture”, was released in 1975 under the supervision of the Canadian sound sculptor John Grayson and US composer David Rosenboom. Grayson had edited an important early book on the field, “Sound Sculpture”. The LP included rare takes of Rosenboom and Grayson, amongst others, playing famous pieces by pioneering sound sculptors inc…
Mara MacDonald is a musician and performer from Melbourne, Australia. She released her debut album 'I'm just One Person' as Marara on JPEG Artefacts in January 2023. She has also self-released two EP's, has received the Signal Sound Commission grant for young artists, and is known for her chaotic, confessional live performances. Brad Rose of Foxy Digitales said of her debut: "it feels like I've uncovered some kind of hidden treasure… each word, each sound echoes into forever." August and June wi…
*100 copies limited edition* Gianfranco Piombo plays accordion, accompanied by a windscreen wiper motor as percussionist and a fan that makes two truck shock absorbers sing. This little orchestra unfolds in a hypnotic, repetitive drone. A poor man's trance, made up of vibrations, harmonics, gasps, nerves and electricity.
The sharp staccato of a cicada, stuck in a tropical stairwell, throwing its body against a fluorescent light – it keeps trying to force a solution despite it clearly not working. The submerged melodies of an 84 year old acetate echo the reflection in the play-of-light which inspired its name. A Benedictine monastery’s pipe organ in Ireland’s west sounds with and against those of a Cathedral organ pipes’ contrasting intonation at St Fin Barre’s in Ireland’s south. Voices laugh in backstreets disc…
Reconfiguring the laments from their debut album, Old Saw distill a wilted and hollow reflection from their original recordings. Lines freshly traced, erased, and reassembled from cassette and reel-to-reel machines, presented here like new writing on an old postcard.
*Limited to 100 copies* "On the solo bagpipe release "Air Drain" Henry Birdsey (Half of Tongue Depressor) creates deep, haunting pieces that entrance the listener. Simple forms that evolve with breath and time."
Augustin Soulard is a French composer, sound artist and sound engineer born in 1992. His practice is grounded in experiments in modular synthesis, computer music, sound design and live performance. Trained in algorithmic music and computer composition, Soulard studied with Yvan Etienne and Bastien Gallet. He later met Fransisco Ruiz de Infante and became a member of « Blue Sky ». His research focuses on diverse modes of sonic phenomena, the ambiguity between the synthetic and the organic, and me…
Big tip! 'Music for a Bellowing Room' is a collaborative durational work by musician Sarah Davachi and filmmaker Dicky Bahto, both based in Los Angeles. With a performance/running time of three hours, 'Music for a Bellowing Room' is an exercise in resolution, inviting the audience to shift their concentration and perception through gradual changes in sound and image. This piece was originally commissioned by the Museum of Modern Art in New York, and received its premiere performance in September…
Big Tip! Not to be confused with the In Camera who had a couple of post-PiL releases on 4AD in the 80s, this In Camera is the work of Christoph Heemann and Timo Van Luijk. Four years after they got Lost in Spice they reached the point of Arrival. An altar on the surface of the water is burning with flames. Behind it you can see a half of the Earth's globe, and on it there’s a bright throne. A pale, translucent ruler wearing a crown sits in the throne. The globe is surrounded by a ball of shadow…
Mazza Vision's 'Ohm Spectrum' represents the first album of this new project created by two founding members of Tone Rec and Dat Politics (Pailliot - Collet), joined by occasional collaborators. Recorded during the bizarre pandemic summer of 2020, the six slow-burning tracks take drone-rock-noise as rhythm to new hazy territories by stripping down the essence of acoustic/electronic sound into dry husks and organizing theminto strangely harmonic and hypnotic structures. A radical collision of ins…
Whitney Johnson, alter-ego of psychoacoustic voyager Matchess, debuts with a new composition that meditates on the duality of the human body. An instrument that collates awesome sensory pleasures, allows us to feel, and, best of all, to hear music, it’s also forever wearing on its slow death march. Using sine waves, marimba, viola, Arp Odyssey and Halldorophone, Whitney radiates healing waves to soothe and heal our flawed, but inspiring system.
Since 1983, on the labels Complacency, Die Stadt, Experimedia, Odd Size, Silent, Soleilmoon, Staalplaat, Tesco, Korm, Drone, no part of it, and Waystyx Daniel Burke and his conspirators under the Illusion Of Safety banner have traversed over the course of 40+ full length releases almost every facet of the avant sound plane, from early industrial pop deconstruction to blindingly minimal sound art to densely surreal found-sound collage, each unique approach bending and reconstituting the expectati…
*2024 stock* Inland Empire (Império Interior), or the last brushstroke in a triptych that gazed at the stars, sowed winds and, finally, sought the geographical limits of a country.
Going over the obvious lynchian reference, the last of Wasser Bassin‘s compendiums dedicated to experimental music produced in Portugal brings to light the electronic abstractions of Caranguejos; the irreverent drones of Ehxispê, creative alter-ego of Rodrigo Vieira; and from the banks of the Côa, instead of rock engr…
Tip! *111 copies limited edition in special packaging* "Last year, Martijn Hohmann bumped into Roel Meelkop (Thu20, Kappotte Muziek) at a concert, and as two like-minded musicians would do, let’s work together on music. Hohmann mailed drones and field recordings to Meelkop, who did his magic (as in processing and adding sounds of his doing). Upon completion, a second round of new sounds and new reworkings resulted in four pieces of music, each around 15 minutes, so a solid hour of music. I have …
*Limited edition in tin can with attached razor blade* "For reasons not of general interest, I re-discovered Vivenza’s music last year or so when I got some of the old vinyl and a CD again, and I played these with much enjoyment. I don’t know why Jean-Marc Vivenza never released any new music beyond 1994, but I am sure he has his reasons (a study in esoteric and philosophic movements may be the answer). The exciting aspect of his music was his recordings of machines, which he didn’t link to the …