De La Bouche à l'Abysse
*100 copies limited edition* Registered and assembled in Quimper & Anderlecht in 2023.
Concert à la Cave 12
*100 copies limited edition* "Out there Norwegian guitarist-performer-singer, Gaute Granili, a true prodigy of (de)structured psychedelic song that we have been following since his beginnings, continues his explorations of sweet madness by donning a fantastic collection of strange twisted stretched beads, filled with ghost/haunting folk music, which one has the impression of knowing from who knows where, of lyrics sung in unknown vocabularies and of pop surges deboned by a psychedelic gnome mess…
Selection De 8 Moments
*100 copies limited edition* Selection of eight moments of cybernetic self-hypnosis, observe a tiny point and enter it. Associate sound impressions and abstract emotions, Nocola Henry's laboratory avatar.
Où les observer, savoir les reconnaître
*2024 stock* Recorded and mixed by Manuel Duval at the Studio de la Grange Cavale in 2020-2021Mastered by Camille JamainText "Faire les dents repousser" by Bise LolikowskaProduction : In Paradisum, Murailles Music & La République des Granges
Bwa Ba Baw Boi
*2024 stock* Dwarf Lift Dwarf is a two-headed cerberus with crumpled masks of celestial rascals. His chirps sound like the call of a freshly deconditioned post-Hawaiian pizza. One mouthful leading to another, creepers and castrated quarterbacks arch perilously over putrid swamps where the spoils of a lucid duty-free tourist languish.
The intentions are clear: to emerge virtuous from the winter of 2020, accompanied by the priest of priests Flavio Bagnasco le Cremovo, aka Cremyeuse, on the double-…
Decay Music n.8: I Hate All the Words
“I hate all the words” by Luca Scarabelli and Michele Lombardelli’s Untitled Noise, the eight instalments in the celebrated Die Schachtel’s “Decay music” series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche: Misery, the awareness; The Time, the suspension of disbelief; and Heaven, the existential atonement through detachment. The sounds and the voice proceed alternately, overlapping, where each, in its progression, asserts itself autonomo…
Futurist Antiquarianism
Nocturnal Emissions, masterminded by Nigel Ayers, have been on the cutting edge of new music since the 1970s. Ayers has been described as a Guerrilla Sign Ontologist, cutting-up and pasting the contents of the human psyche. With a background in avant-garde art, his work has grown from audio visual installations through underground video works which changed the shape of British television. In the early eighties Nocturnal Emissions hit London with a barrage of seminal funk; pioneering the use of s…
Difference and Repetition / A Musical Evocation Of Gilles Deleuze
This new album (the tenth in their discography) was born from two ambitions: to pay tribute to Soft Machine's Third on form (4 sides / 4 titles) and to philosopher Gilles Deleuze (Difference and Repetition is the title of his thesis) on the contents. The 4 long pieces of this double concept album were developed over 2 years and each has a different style and climate. Bold and kaleidoscopic, Difference and Repetition perfectly synthesizes the musical and literary obsessions of Palo Alto.
Formed i…
Ladder To Wave
Following releases on Altered States Tapes, Bunyip Tracks and Moontown, NM presents ‘Ladder To Wave’ - a spectacular new recording from anonymous Australian producer HHOST, in high resolution digital audio.
Out Of Practice II
This tape is a weird one. We’re calling it a “covers album”, which in our fried brains it is, but you might disagree. When our first two gigs in 15 years landed on our calendar we wanted to do something unexpected, a ‘live one night only’ kind of thing. We're always improvising everything, but as OOP1 may (or may not) have demonstrated we usually go into our live sets with some kind of plan — a set of moves, themes, approaches, ideas, structures or feelings that we call “songs” but that probably…
Out Of Practice I
Getting back to playing was a whole thing. Neither of us had been playing much music and weren't sure how we'd get back to it since we live pretty far apart and had opted in to playing shows. We always leaned on improvisation in our sets and our last few years were entirely improvisational, so we decided we'd create a few frameworks for playing our live gigs to give us something to lean on. In a sense, "songs" but VERRRRY loose. So here's a tape documenting two very different versions of one of …
The Process
"Just want to emphasize that Detroit is my heart. That’s the environment of my imagination. From the beginning."
Gerald Cleaver
Arrival
Big Tip! Not to be confused with the In Camera who had a couple of post-PiL releases on 4AD in the 80s, this In Camera is the work of Christoph Heemann and Timo Van Luijk. Four years after they got Lost in Spice they reached the point of Arrival. An altar on the surface of the water is burning with flames. Behind it you can see a half of the Earth's globe, and on it there’s a bright throne. A pale, translucent ruler wearing a crown sits in the throne. The globe is surrounded by a ball of shadow…
Varder 1
Big Tip! Varder is a new LP-series dedicated to unearthing early Norwegian electronic music. When this new form of music began to spread in the 1950s, it required large studios with expensive equipment, and the outcome was often considered not commercial enough for record labels to venture into. But despite the meagre means, Norwegian composers threw themselves into new sonic adventures such as electroacoustics, musique concrète and computer music, travelling to studios in Norway, Sweden, Poland…
The Kitchen Counter Experiments & Other Electronic Works 1959-1984
Big Tip! For over sixty years Maj Sønstevold (1917-1996) and Gunnar Sønstevold (1912-1991) were a driving force in the Norwegian music scene. The couple became famous for their sonic adventures into genres such as jazz, contemporary and screen music, writing some of the most well-known soundtracks and theme songs of their times. This 2LP focuses on the electronic experiments conducted by the two composers – ranging from drone music, electroacoustics, minimalism and improvised electronics – firml…
Potapanje Brodova
The Croatian experimental virtuoso releases an album of reworks from a rusting usb stick residing at Rijeka's museum of modern art.
Vampyr and Other Stories
In the late 1980s two globetrotting Milanese composers joined forces to produce an acclaimed and prescient record made in equal parts from their own performances and ethnic field recordings, a little in the manner of Eno/Byrne's My Life in the Bush of Ghosts - but rather more evolved. This 30th anniversary release includes some early pieces, not already available on CD made this way but, mainly, features the entirety of their score for Theodore Carl Dreyer's legendary silent film, Vampyr - perfo…
RECueil
"Guibog is French, born in the 70s. He used to work as a sound engineer in France, and was involved in organising outdoor electronic music events, often playing cat-and-mouse with the police. Later, he left that life and moved to China, settling in Beijing. He works as a programmer at Douban, living with his wife and three children in the hutongs of Beijing.
Many years ago, I visited him at his house, where I discovered his robot collection. He had collected the circuit boards from discarded …
Lumières
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the S…
Return of the SAD 1024, Vol. I & II
During a 2010 stay in Stockholm, Sweden, Stefan Tcherepnin cold-called the Elektronmusikstudion (EMS) and began making frequent visits to the facility’s Serge Modular, the synthesizer system developed by his uncle. Tcherepnin secured a makeshift residency at the studio, and soon met Anders Enge, a musician and producer associated with the acid techno label Börft. For over a decade, the pair have collaboratively explored the instrument’s outer-limits in the hallowed studio where figures like Knut…