Experimental / Immersive

Outsider Portuguese artist Filipe Felizardo delivers a singular album of 21stcentury loner folk from the confines of his apartment. Performed, recorded and mixed at home over the course of two days during the Summer of 2019, the music captured on this record resonates now more than ever to our current housebound times. Construction site noises, leaking sinks, random conversations, cat meows and guitar strums all interact with each other in this origami field recording from the interiors of one’s…

The new double album from artist Sarah Davachi is an 80 minute, 17 track meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering, with two tracks featuring the artist’s own vocals for the first time.I spent a lot of time while working on this album thinking about impermanence and endings, which led me to change my understanding of “vanitas” and “memento mori.” These concepts arise allegorically across classical antiquity and Buddhist thought, amo…

Canadian-in-LA electroacoustic composer Sarah Davachi has rediscovered her muse since releasing work on her own label, Late Music. Having explored hitherto unheard realms of enchanting melodic organ and electronics drones on her 2020 album Cactus, Descant, Antiphonals further explores these ideas using a sound palette of Mellotron, electric organ, piano, and synthesizer.  Referring to church music sung or recited alternately by two groups in its title — Antiphonal is a studied solo affair in whi…

Tip! The compositions on this album, written between 2022 and 2024, form a conceptual suite and an observance of the mental dances that we construct to understand acts of passage; the ways that we commune, memorialize, and carry symbols back into the world beyond representation. To this end, The Head as Form’d in the Crier’s Choir engages two references to the ancient Greek myth of Orpheus: Rilke’s Sonnets to Orpheus, a collection of poems from 1922, and Monteverdi’s L’Orfeo, an early baroque op…

** Limited Edition Dark Green Vinyl 2LP Gatefold with a 20 page booklet. Comes with an exclusive coil bound 52 page A4 landscape score book to full album ** The new album from Sarah Davachi on her own Late Music imprint is a collection of nine extended compositions for chamber ensemble and solo pipe organ.  "The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alon…

The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens. Over the last decade, Davachi has emerged as one of the most singular voices working at the intersection of minimalism, early music, and electro…

** 4xCD edition, housed in a rigid outer slipcase Box with a 16 page booklet, with 16 tracks and features all 4 interpretations of Long Gradus, spread across 4 discs** A new longform commissioned work for any ensemble of four similar instruments. The definitive string quartet version of 'Long Gradus' is available as a 2LP and CD, and the collection of all four arrangements (strings, woodwinds, brass & organ, choir & electronics) is presented as the 'Long Gradus: Arrangements' 4CD set. 'Long Grad…

Electric guitarist and composer David Torn announces "now i imagine a place not the same," an expansive new double LP out May 29 via Kou Records. Produced by Randall Dunn (Sunn O))), Thurston Moore), the album revisits the raw electricity of Torn’s early processing language while carrying it forward with the perspective of decades of exploration. Visceral yet weightless, it deepens his long-standing dialogue between alternate tunings, looping systems, and touch-sensitive electronics. Melody, noi…

Faith Coloccia's unadorned voice over Tashi Dorji's glacial, howling guitar, with piano, organ and tubular bells: songs about land, property and loss, recorded between Anacortes and Asheville.

Sarah Davachi's commissions and longform pieces from 2023 to 2026, for The Broad, MoMA, Sonic Acts, Ghost Ensemble and NO HAY BANDA: six works across six CDs in a rigid slipcase, companion to The Will of Tongues.

On Phren, Marta Salogni and Stefano Pilia build a shared electro‑acoustic architecture where guitar, tape machines and field recordings circulate like memory in motion. Signals move through modular processes, echoes and Revox loops until origin and reflection blur, turning six slow‑unfolding pieces into a living study of sound, time and feeling.

On The Chair and the Faucet, Etelin transforms a Zen‑retreat image into 33 minutes of quietly volatile modular synthesis. Alex Cobb’s Serge system traces dry, microtonal drones and wavering harmonics that drift without resolution, making stillness feel less like peace than a lucid encounter with electricity’s own unstable, living grain.

Is art artificial, is it a rhythm, or is it an algorithm—this is the question Ulf Herold poses, and the answer sounds rather affirmative: the two are not necessarily to be understood as opposites, but as dynamic counter-poles—this becomes evident in Herold’s four-track EP Hyper Possibility. The first track, “self generating piano,” offers an image in which the piano is played without “the master”, playing by itself. This sound is “artificial” insofar as no classical melodies can be found within …

Offshore is the first solo guitar album from Half Moon Bay local Alex Pasternak, an improvisatory record built almost entirely around a single instrument and a single practice: Restraint. Recorded close to home, it carries the sound of the Pacific and the voices of his two young daughters as they stroll the shoreline, from serene minus tides to stormy shore break. "Offshore, in surfing, is used to describe the strong winds that blow from the shore to the sea, creating space inside the curl - but…

*2023 Black Audiophile Vinyl LP repress* Full-color jacket with 20-page Art Book mounted on cover. Includes QR codes for access to music DL & extra multimedia contents. Art by Roberto Opalio. Design by MCIAA. Debut release by the new Antigravitational imprint, the record label & multimedia platform created and curated by My Cat Is An Alien (MCIAA), set up with gallerist and publisher Marco Contini. "MCIAA PHASE THREE — WE BAPTIZE THE SPIRITUAL NOISE" reads Roberto Opalio’s aesthetics Manifesto: …

Ghédalia Tazartès left us in February 2021 when we had just finalized the editing and the cover art of his new album with him. Unfortunately he will never see the finished object. This record is therefore particularly important for us. He opened his archives to us so that we could select unpublished pieces with him and organize them in two long suites. This work took almost two years (finding the pieces among dozens of sometimes very old CD-Rs, checking that these pieces had not already been pub…

Big tip! Sarah Davachi returns with “Music for a Bellowing Room”, the first ever release of her audio / visual collaboration with the artists and filmmaker Dicky Bahto, originally commissioned by the Museum of Modern Art in New York. Sprawling to an incredible three hours of sublime, minimalist drone - composed for tape loops, synth and delay - that draws the ear toward microscopic shifts and details, we've adored every second of this truly monumental work.

On Canvas on Which It Is Impossible to Paint, Tungu and Hui-Chun Lin stretch improvisation to the brink of impossibility. Lin’s fiercely physical cello dialogues with Senchuk’s cut‑tape, bass and environmental ghosts, while Makigami Koichi’s voice skews the frame further, turning the duo’s third chapter into a volatile, detail‑rich sonic palimpsest.

Not Fire is the first album from Berlin-based songwriter Dean Roberts in 12 years, and his comeback arrives during apocalyptic times. It’s not an album about someone who’s found hope or love despite everything; Roberts sounds exhausted, and his album is as ugly and as bleak as life often is. For those who’ve been in the pits and succumbed to self-destructive nihilism, Not Fire is a reminder of how hellish it all can be. Sonically, Not Fire is murky and battered and melancholy. Guitars clang ince…

On Or Gare, Stine Janvin and Morten Joh slow time to a funereal crawl, reanimating Ryfylke’s “liksong” tradition as a ghost‑lit microtonal ritual where voices, synths and creaking percussion hover between lament, liturgy and quietly glowing electronics.

Bisou presents the book La Chute de l'Ange, a 48 pages book with colour photographs of Ghédalia Tazartès' "Cabinet de curiosités". The photos were taken by Ghédalia himself. Foreword by Dominique Abensour. Includes a CD of the only live performance of the trio Ghédalia Tazartès, Jérôme Lorichon and Quentin Rollet: La Chute de l'Ange, recorded live at Eglise St-Merry, Paris, 2019. Livesound by F/Lor.Ghédalia Tazartès: voice, tibetan bowl, bellsJérôme Lorichon: Buchla synth, effects, trumpetQuenti…

* 2020 Stock * For over twenty years, Mkl Anderson has curated a vast archive of recorded material for his cinematic ambient industrial soundscapes. Working for as many years under the name Drekka, he has sculpted these soundscapes using self-made field recordings of everything from insects in the mountains outside Kathmandu to a washing machine in Reykjavik, from countless sketches and abandoned projects donated by friends, from hundreds of hours of multi-track live recordings of Drekka capture…

* 2020 Stock * Remst8 is an experimental computer musician whose on-again/off-again affair with sound began in the early '90s, using tracker programs on his Amiga 500 and later a PC to create soundtracks for his friends' creations (computer games and an independent film). Following a 7 year hiatus to focus on his software engineering career, remst8 has returned to tracking music for creative exploration focusing on deep drone and dark ambient tracks with a smattering of noise and experimentation…

Huge Tip! Limited Edition Green Petrol Grey Marble Color Vinyl LP. Full-color cover artwork printed on Italian fine art 250g linen textured paper; hand-pasted on pro-printed reverse cardboard jackets. Includes two inserts. Cover artwork by Roberto Opalio (35mm slide film, Indian ink drawing). This vinyl-only follow up to the eponymous 2018 CD-only album is in memory of Auko Dijkstra, one of My Cat Is An Alien's first fans, who founded Aukam Records in 2023 appositely to release this LP in collab…

Premiered at 20th Annual San Francisco Electronic Music Festival (SFEMF) as a multichannel piece, spatialized through the exclusive 32-channel system of Envelop SF, alongside a piece by Jim O’Rourke

** Double Single-Sided Art LP. Edition of 100. ** My Cat Is An Alien releases The Secret of the Space Bubble / Eternal Beyond IV, a double album documenting two distinct collaborative approaches within the Italian duo's ongoing experimental practice. Brothers Maurizio and Roberto Opalio present new work with French musicians Talweg and Joëlle Vinciarelli, expanding their exploration of extended compositional techniques and spatial audio processing. Issued on May 2, 2025 by Elliptical Noise Recor…

On Hidden Hour, marine eyes preserves eighteen moments of dawn, dusk and chosen solitude in a full hour of luminous ambient drift. Cynthia Bernard’s guitars, lap steel, soft synths and field recordings turn nearby forests, coastlines and mountains into slow-moving emotional maps - music for stepping outside routine and hearing time soften.

On Gwethilu: Songs For The Dark Lake, Timoteo Carbone Hansson builds an otherworldly song‑cycle where experimental timbres, early‑medieval polyphony and Nordic folk roots swirl together into slow, haunted rituals of rhythm and drone.

"Messrs. Corsano and Dorji are both familiar names in the Feeding Tube discography. Chris has played drums on eight FTR LPs (and recorded two other), and Tashi has played guitar on six (details upon request if you are lazy.) But this is the first time they have appeared on vinyl as a duo, and we are damn proud to have them. Over the past years Chris has recorded with a lot of the era's best guitarists -- Bill Nace, Ben Chasny, Thurston Moore, Nels Cline, David Vanzan, Bill Orcutt, Rick Bishop, G…

On Malarial Dream, Alvarius B. drifts out of Cairo with a fevered, mostly instrumental songbook that bends late‑period Sun City Girls melancholy through Middle Eastern modes, psych‑warped folk and the quiet volatility of a hand‑picked Cairo/avant‑jazz ensemble.

On Solos II, Anton Toorell turns two simultaneously played guitars into a shimmering architecture of tone, tension and air. Recorded in an Italian wine cellar, its three extended pieces use altered tunings, open strings and resonant decay to create lucid, microtonal currents - rigorous in design, but touched with the ease of unhurried improvisation.

Manifestations in the Shadow of an Uncertain Land unfolds through aleatoric composition and intuitive process, shaped by deeply entangled political and aesthetic lineages. Rooted in lived experiences of bodies and minds navigating the localized and global weight of imperialism, the work also draws from the temporal logic of film and literature, where memory, dread, and anticipation coexist. Working with voice and modular electronics, Lowe treats sound as a sculptural and cinematic force, informe…

After more or less 20 albums on guitar released since 2005 on LPs, cassettes and CDs, the first real album on piano by Belgian singer-songwriter Bram Devens aka. Ignatz. In 1910, the illustrator George Herriman created the Krazy Kat comic strip. Ignatz, a vicious mouse, was Krazy Kat’s arch enemy, and his favourite pastime was to throw bricks at Krazy Kat’s head (who misinterpreted the mouse’s actions as declarations of love). Ignatz is the alter-ego of Belgian musician Bram Devens. Since 2005, …

On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.

New album by FLOCKS, the duo of drone specialist Werner Durand and percussionist Uli Hohmann. Musical landscapes that move between traditional as well as experimental sounds with influences from Krautrock and Jon Hassell's "fourth world" aesthetics.

Uranian Void is the new solo album from vocalist, composer, and lyricist Jessika Kenney out on Kou Records. Known for her singular approach to voice and expansive collaborations (A24's Midsommar, Alvin Lucier, Eyvind Kang, Melati Suryodarmo), Kenney here turns inward, shaping sound as memory and vibration.Blurring sine waves, hydrophone recordings, ghazal, solo instruments, and voice, the album is a meditation on resonance - where shimmer and shadow are equally alive. Produced by Randall Dunn, U…

Dylan Henner’s album "Star Dream FM" is an experimental ambient suite woven from choral textures, marimba, processed voice, and impressionistic electronics. Presented as a fictional radio transmission of Henner’s adolescence, its 41 minutes blend memory and invention, immersing listeners in shimmering sonic vignettes that blur the boundaries between personal nostalgia and collective dream.​

In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.

Recorded in a bedroom with classical guitar and 4-track tape, The Next From Field Commander is Australian folk of rare emotional density. Layered vocals, inhabited silences, a voice that lingers.

*100 copies limited edition* Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP pic…