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“Mine is the Heron” is the new Tom James Scott record, the first document of his solo work since 2017. Over the past decade, the UK-based composer has released a diverse body of recordings via labels such as Bo’Weavil, Carnivals, Where To Now?, and h…
Weaving an intricately detailed tapestry of meditative, spiritual jazz and dream electronics, Maxwell Sterling’s astonishing second album "Laced With Rumour: Loud-Speaker of Truth" blooms in the cracks between Alice Coltrane, Talk Talk and Kara-Lis C…
The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to b…
Tommaso Rolando and Jean Renè met thanks to Paul Goodwin (front cover painter) and Paolo Bonfiglio. After some live experiences together, in June 2018 they decided to try to record something: the result of a short term session eventually ended with a…
With L’Inattingible, Delphine Dora’s music unfolds by drawing upon a new palette of colors. It will not escape anyone, that after having sung, in foreign, invented languages, or through extended vocal techniques, the musician resorts for the first ti…
**CD version** "This is Annie Barbazza’s first solo album. She was a young drummer in love with progressive rock when Greg Lake discovered her talent as a singer and wanted her on stage with him for the concert which would later become the posthumous…
The Giving Shapes is a collaborative project between harpist/vocalist Elisa Thorn and pianist/vocalist Robyn Jacob that formed in fall 2017 at the Banff Centre for the Arts. This is the duo’s first release. This project triangulates aspects of new mu…
Martina Verhoeven has been working on the development of her own photographic style for about 20 years, almost parallel to this process Martina took up the electric fretless bass when recording the two criticaly-acclaimed 3 Seconds Of Air albums (wit…
William Engelen (born 1964 in Weert, The Netherlands) is a sound and visual artist living and working in Berlin. After having studied visual arts, his focus shifted over time from solely visual to multi-disciplinary works that oscillate between sound…
“The Piano has been an instrument that has woven its way in and out of my life since I was a child. I grew up listening to great classical and jazz players, prepared piano and electronic experiments, extended techniques and later the incredible works…
Liebestod, by Polish composer Stefan Wesolowski, consists of repetitive compositions written for piano, brass instruments, strings, and electronics. The title itself is derived from Wagner's Tristan and Isolde, which says a lot about Wesolowski's p…
Aidan Baker's (Nadja) Triptychs takes inspiration from Erik Satie's compositions Gymnopédies and his notion of "furniture music," which many consider a precursor to contemporary ambient music. Each "triptych" is based around a simple, slow-moving m…
2025 stock The story of Australian experimental music continues with Artefacts volume II documenting the explosion of Australian experimental music practice from the mid 1970s; from the use of synthesisers and computers, through to the radical fringe…
Conrad Schnitzler is a genuine legend in the krautrock and electronic music worlds. Schnitzler studied under Joseph Beuys before joining an early Tangerine Dream. Their first album Electronic Meditation shows a band highly influenced by Schnitzler's …
*In process of stocking. 2022 stock.* In the 1990s David Shea was a regular on the downtown scene working with Anthony Coleman, John Zorn, Zeena Parkins, Shelly Hirsch and many others. Since 1998 he has been living and working in Brussels collaborati…
Assumed Possibilities comprises of four musicians who understand the meaning and use of understatement and close listening. This quartets non-idiomatic music attains a minutely focused intensity, where the subtlest shifts in pitch, timbre and texture…
Part 9 of the ongoing re-release series of all early Tietchens albums from 1980—1991 on CD. This combines two seperate releases from 1987 (»Zwingburgen des Hedonismus«) and 1988 (»Mysterien des Hafens« on »Face To Face, Vol. 1«). »Zwingburgen des Hed…