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2012 release ** Unique hand-made covers. "Fritz Welch approaches his urge to express from many angles, regularly melding drawing, sculpture, text, sound and performance into site-specific installations that lurch at our craven consumerism and the casually accepted madness of the mundane. Texan roots via a long-time residence in Brooklyn spread to his current home of Glasgow, and as well as being exhibited across the US and Europe following his debut in New York’s A/C Project Room, you’ve probab…
"Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. She has been at it for some time now, a bit of a secret weapon all the while hiding in plain sight. As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that’s the feeling I have when experiencing Nina’s music which comes a…
300 copies. Following a creative burst in 2024 that resulted in several releases on iDEAL, New Forces and No Rent, label favorites Organ of Corti are returning to DMR for their first LP. Slowly moving into new territory, they deliver 6 bare boned surreal soundscapes. Minimal, repetitive tape loops, haunting synths and vaguely familiar vocal samples are carefully mixed for a sonic exercise reminiscent of those classic Nurse with Wound and Organum releases.
The Swedish trio of scene veterans Joach…
200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …
1992 release ** "Fifth and final installment in a series of industrial noise/experimental albums compiled by Paul Lemos of long-running New York group Controlled Bleeding, released in 1992 by Subterranean Records and Dark Vinyl Records. Features various tracks from Controlled Bleeding and associated projects (Skin Chamber, Fat Hacker and solo works), tracks from a variety of Japanese noise artists including Merzbow, KK Null, Incapacitants, Masonna, etc., plus a variety of other artists and group…
2002 release ** "Psygram is Siegfried Fischer (voice, accordion, samples, percussion) and Dirk Grützmann of Temps Perdu? who is responsible for real time audio processing, electronics, loops and engineering. The group started around the same time as Temps Perdu?, with the music focused on surreal ambient-industrial soundscapes and hypnotic live improvisations in a studio setting with influences of electroacoustic music. "All our music is recorded in those magic moments where emotions, dreams and…
2001 release ** "HXA from Chelyabinsk was formed in 1987 by Lev Gutovsky, a graduate of Ural State Conservatory. His ensemble was arguably the only professional musical act in the USSR dedicated to creating music for absurdist theatre and postmodernist happening. By the end of the 1990’s, HXA shrunk to a trio of Lev Gutovsky (voice, electronics), Sergey Belov (trombone, electronics) and Olga Leonova (voices) increasingly focused on modern improvised and electro-acoustic music. Lev Gutovsky is cu…
2006 release ** ""Their newest full length appeared hot on it's heels, containing the band's most perplexing material so far. The nine tracks here keep it very loud and very heavy, and completely instrumental in contrast to the minimal use of vocal sounds on their debut. Each song is a super complicated tapestry of dense angular math-rock riffs, lopsided rhythmic patterns, and paranoid sounds of unknown origin that will all of a sudden come together to form a beautiful Slinty passage or a creaki…
2005 release ** Improvised music sessions, made using 4 custom turntables, edit scratched vinyls played in forced locked grooves, hand made phonograph, microphone, delay pedal, environmental feedback, mixer. Recording and mastering on PC. All Tracks sounds exactly as it was recorded.
Quickly on the heels of their debut, Cuneiform Tabs return with Age, an LP that takes a massive leap forward in both melodic sensibilities and inventiveness. Bathed in late night psychedelia and the looping repetition of a drone sample, the group's experimental penchants remain, yet this time wrapped around tunes too sweet to be denied. In pulling back a little of the crackle and haze that made their first album so inviting, the Tabs have revealed more of their pop instincts. The overall effect …
2025 stock For forty-two years and counting, the long-running experimental Chicago group ONO has been committed to—as their mission statement says—exploring gospel's darkest conflicts, tragedies and premises as an experimental, noise, and industrial poetry performance band, charting a defiant course through a sea of seemingly disparate influences. One of few Black bands taking part in the ‘80s industrial and experimental underground, ONO’s first album Kate Cincinnati is a crucial document, showc…
1994 release ** "Recorded live in May 1994 at the Festival International de Musique Actuelle de Victoriaville, All at Once at Any Time features two members of the Dense Band, drummer David Moss and guitarist John King, and an experimental DJ largely unknown at the time: Otomo Yoshihide. In the course of the next six or seven years, the first two names became less and less heard, while Yoshihide arose as a leading creative force in avant-garde music. The trio's music is made of fragmented bits of…
2006 release ** "This compilation is dedicated to the 5th birthday of Ukrainian indie-label Quasi Pop. CD feautures absolutely new & exclusive tracks from the main label-mates (Andreas Brandal, Biblioteka Prospero, Peel Off The Bass, Jørgen Knudsen) and a lot of "special birthday stuff" from labels's old & new friends from different countries. Enjoy our surrealistic blend of weird pop, organic noise, neo-psychedelic, electro-acoustic, garage folk & processed field recordings!" (label info) Great…
*100 copies limited edition* ⎤⎤⎤, the duo of Chantal Michelle and Grace Villamil, are interested in what they term "sound obliteration"—a paradoxical process that, in their hands, reveals teeming masses of sonic detail. The pair works in a variety of modes, including composition, installation, and performance. Live at Opus 40 begins with machinic drones that expand and dissolve into the warm, open-air environment where it was recorded, initially anchored by the site's rock formations. The piece …
This 2025 album by sound artist Yengo is a haunting exploration of sonic landscapes. Oscillators rise as if drawing curses from the depths of the underworld, surrounded by collage noise that drifts, vanishes, and gradually intensifies in ferocity. The album weaves a chilling atmosphere reminiscent of Japanese horror films with an experimental and avant-garde auditory sensibility, converging towards a sonic catastrophe. The cassette tape edition is uniquely packaged in a sleeve wrapped in bamboo …
2005 release ** "The Nether Dawn is the ambient noise project of Anthony Milton. Whiskey Mute-Down first came out as a private CD-R on Milton's own Pseudo Arcana imprint, and here it is given its first official pressing (Last Visible Dog had already reissued two albums of Milton's avant folk songs as a single-CD two-fer a few months before). The music of the Nether Dawn relies mostly on noisy guitar soundscapes, with occasional bits of percussion and other instruments, plus vocals in "If We Left…
2025 stock ** "Temps En Terre is the fifth album release from L'ocelle Mare, and the first to have been recorded in a studio. The preceding releases were characterised by a marked acoustic: the echoey reverberations inherent to Serpentement were thanks to the protestant temple it was recorded in; Engourdissement was entirely recorded in forest expanses, upon ponds and enclosed within remote wood cabins; Porte d'Octobre was recorded entirely in urban spaces; and his first, unnamed album was entir…