Blissard
This 4CD luxury set is the second installment in an ongoing series of Motorpsycho re-issues that started with Timothy´s Monster in 2010. In a 2011 poll Blissard (released in 1996) was voted the 25th best Norwegian album of all time by 100 Norwegian artists, making it the third most highly rated Motorpsycho album on the list after Timothy´s Monster (which came in at 13) and Demon Box (placed at 21). There's no doubt that Blissard is one of their most experimental and alien albums. As Tommy Olsson…
Rimorso
Repossessed by the past, bitten once again and forced to relive drama, history, memories, tradition and roots. A past that needs exorcizing, bending and re-imagining in order to move forward and depend on. This is ‘Rimorso’, Mai Mai Mai’s colossal mediterranean gothic album. Known for his incredible blend of Southern Italian Folklore, industrial drone, proto-techno & punishing miasmic electronic music, Toni Cutrone aka Mai Mai Mai approached ‘Rimorso’ with a clean slate. Following ‘Nel Sud’ (La …
Orgulho De Ex-Buds
*2022 stock.* Four years after the opus Jovem Excelso Happy (heralded as instant classic by certified sommeliers such as Julian Cope, Doug Mosurock or Brian Turner), sparse intense live shows, and studio mishappenings, the hung torchbearers of the new stretchings of the rock spectre are back! Forged in Lisbon over three years, “Orgulho de Ex-Buds” explodes in minty tones of will, pride, and craftsmanship, and presents the listeners with a clear picture of the forces that need be, righting the wr…
Corpo Senza Carne
*In process of stocking. Limited edition of 100 copies.* There is no body without flesh, no physical presence without its most obvious substance. In a continuous process of revealing what that substance is regarding to its own sound practice, Fera has produced this Corpo Senza Carne as a transient audio document about researching new and perhaps more intimate possibilities for a bare, naked, brutally honest and direct sonic expression. After Stupidamutaforma’s recollection of ten years of resear…
Evolution Here We Come
"It’s been a minute since we’ve thought much about ‘evolution.’ Most folks these days seem focused more on change, which perhaps is as it should be—change involves things we can more readily control, or so we think. Surrounded by more global catastrophe and local collapse than we can measure, the idea of ‘evolution’ feels almost quaint, like something we literally might not have time for. But Chris Forsyth’s Evolution Here We Come suggests that we do. It reminds us that we can fight for the futu…
Lux
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Lux. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to …
Via
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Via. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to …
Hieme
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Hieme. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are t…
Distels
"Gorgeous debut LP by a new Belgian duo made up of Annelies Monseré and Steve Marreyt. Steve has been active in a lot of places. I believe I first ran into his work as a member of the folk-psych collective, Silvester Anfang, but he has had his hands in a lot of pots (as it were). Annelies has a long recording history as well, with many fine and floating sides out there to prove it. The pair have known each other for a good long while. Steve appears on a couple of Annelies' albums, and they previ…
La Vie Electronique 1
In 2009, Klaus D. Mueller and Schulze began releasing La Vie Electronique ("The Electronic Life"), a series of three-CD sets that reissued all the material previously released in these long-deleted box sets, plus a few unreleased tracks, with all the material put back in chronological sequence (the Edition sets mixed things up, time line-wise). Volume 1 covers the years 1968-1972 and is mainly very interesting. One highlight is "I Was Dreaming I Was Awake and Then I Woke Up and Found Myself Asle…
Second Skin
*Printed inner sleeve and an additional lyric sheet. A download card via Bandcamp is also included.* This is the second album by Cologne-based musician Vomit Heat. The sound and structure of this ten-part masterpiece reveal themselves abstractly in an exceedingly dense surface, in dynamic rhythms, in driving bass runs, flat guitars and synthesizers, combined with a confident and multi-faceted voice. They resound with a density that Vomit Heat created from the countless layers of layered sound he…
Heute
Vomit Heat and International Music are artistic relatives. Both come from the Ruhr area in Germany, both love psychedelic rock music and at the same time are also involved in avant-garde projects. Heute is something like a concept single, a multi-layered journey full of hints, references and danceable psychedelia. The title track is taken from the upcoming Vomit Heat album Second Skin, to be released spring 2022.
Shiny Battles
*In process of stocking* Rotorelief present an expanded reissue of Shiny Battles by The Bonaparte's, originally released in 1985. The Bonaparte's trio was born after the split of two bands, Kan Ji Zai founded by Pat Griffiths from 23 Skidoo, Ruben Azca, and Baroque Bordello. According to Giri, the boss of the Gibus, the punk public usually became agitated sitting very attentively at the Kan Ji Zai gig on October 4th, 1983. In 1984 after their first record the EP Today, the drummer Prad and the b…
Live At Henie Onstad Art Centre 1971
*In process of stocking* Soft Machine performing two continuous sets of compositions, improvisations and dynamisms. All instruments, except saxes, variously processed with electronic effect devices Henie Onstad Art Centre, Høvikodden, Norway, 28th of February, 1971. Stereophonic ambient recording technique to Studer A62 Reel-to-Reel.
Bajas Fresh
Over seven tracks that span 80 minutes, the expansive, looping, shifting synths and rhythms of Bajas Fresh mark the trio’s most diverse and ambitious record.
Paranza Corta
*250 copies limited edition* "I’ll definitely listen to Eric Arn & Margeret Unknown’s frantic, two-guitar improvisation LP Paranza Corta again for sure. When these two really get going with their unusually-tuned, well mic’d acoustic interplay, it sounds like the perfect soundtrack to an ant colony documentary, sped up 100x. It’s pretty berserk." - Jay Hinman, Dynamite Hemorrhage
Gated
There are enough ideas in the first couple of numbers to fill a whole album, with wailing sax and clarinet and lightning propelled guitar in the brief opener ‘Heat Patch’- think Zappa- then Fripp in ‘The Celebration Restriction’. It’s a whirlwind, visceral listen with the free spirit of experimental jazz and the nous of heavy rock." Phil Jackson.
Conceived and realised over an 8-month period of intense solitary work, "Gated" is Alex Ward's most ambitious musical statement to date. The ten pieces…
Issue 77: Can. Inside the Krautrock Kaleidoscope (Magazine)
We're heading for the dark side of the krautrock kaleidoscope with this month's Electronic Sound cover stars, the inimitable Can. Prompted by the release of 'Live In Stuttgart 1975', the first in a series of archive Can gig recordings, we speak to Irmin Schmidt about the band he created with Michael Karoli, Holger Czukay and Jaki Liebezeit towards the end of the 1960s. As we try to deconstruct their wholly unique brand of sonic voodoo, Schmidt reveals the inner workings of Can, together with his…
Goud
Nicola Giunta and Gioele Valenti (the musicians creating the Lay Llamas dimension) seem to communicate from a different solar system their ecstatic gaze towards an imaginary future world. They rely mainly on a narrative tone of mysterious and spectral dark-psych shades, digging abyss of glacial depht of the self, where light filters through lysergic languors and radiant progressions of luminous dust. Oneiric voices refer to the hybrid chaos of a metropolitan jungle, as a hypnotic and psychic di…
Sonescent
*In process of stocking* With Sonescent, Matchess unifies her folk-psych pop and experimental styles in a transcendent full-album trip unlike anything she's done before. After hearing songs in her head during a 10-day silent meditation retreat, Whitney Johnson gathered a band of Chicago contemporaries (Haley Fohr, Rob Frye, Tim Kinsella, Kalina Malyszko, Brian Sulpizio) to realize her arranged recollections of the tunes, the sounds of which she then passed through an atmosphere resembling the on…