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Witness to revolutions in jazz and pop, Margo Guryan earned her place in the songwriting pantheon and then some. That she was largely unknown for decades is not the stuff of crushed dreams, but a result of her own choices and priorities. From humble beginnings to the peaks of her 1968 baroque pop masterpiece Take a Picture;and the collected Demos;to the recent viral ubiquity of “Why Do I Cry”, Words and Music captures the entirety of Guryan’s career, featuring 16 previously unreleased recordings…
The founders of Cukor Bila Smert’ (Ukrainian: Цукор – Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the …
Like all good parables Jane Weaver’s sixth solo album, a concept album called The Silver Globe, is as multifaceted as it is beguiling. Part coming of age/part cautionary tale and part romantic peon, this synth ridden post-apocalyptic prog pop opus is based on tightly embroidered, non-linear recurring themes and inspired by esoteric stories, cosmic imagery and refiltered past experiences. Written from the optimistic vantage of a long-standing female independent artist, in an desperately evolving …
Originally issued as a limited CD only bonus disc for The Silver Globe album global re-release and a subsequent vinyl pressing, The Amber Light surprised fans expecting B-sides and outtakes with what for many stood up as its own isolated project including some of Jane Weaver’s best material to date including the pulsating synth anthem I Need A Connection which since became a radio favourite also appearing on film and fashion shows throughout the latter half of 2015.
The Amber Light also included…
* 2022 stock. Edition of 300* Kleine was released in 2002 on tape only. Though it was recorded over the course of five years, this is probably their most coherent output – the record starts with mostly acoustic parts, mixed with more psychedelic parts. Towards the end, the more direct songs merge perfectly with the tape and drone experiments. On this record, Karin and Jeffrey get support from an impressive list of guest musicians: Alastair Galbraith on violin, B’Eirth (In Gowan Ring, Birch Book)…
* 2022 stock. Edition of 200* Before embarking on a European tour, Boduf Songs and Jessica Bailiff re-worked one of their older songs in totally different versions. Boduf Songs presents a stripped own but electric and heavy version of decapitation blues, originally a vibrating and pulsating track. Jessica Bailiff brings a new take on Lakeside Blues, heavily relying on keyboards.
A second volume of late 50s and early 60s Cambodian slow rock, pop and R&B tracks - following the first volume's featuring as compilation of the week on Lauren Laverne's BBC 6Music show. From the late 1950s onwards a music scene developed around Cambodia's capital Phnom Penh, inspired by the prevalence of imported rock & pop records arriving in the country from US & UK and also chanson and bolero records from France & Latin America. This collection documents some of these early home-grown slow r…
From the late 1950s onwards a music scene developed around Cambodia's capital Phnom Penh, inspired by the prevalence of imported early rock & pop records arriving in the country from US & UK and also chanson and bolero records from France & Latin America. This collection documents some of these early home-grown slow rock, pop & rnb 45 recordings from the early 60s, prior to the further embrace of US psych & garage rock-orientated sounds in the mid 60s and into the Vietnam war era.