Jazz /
The Complete Live in Paris 1960, Vol. 1
This is the first time this concert has been published in its entirety. The adventure began in 2022 with a visit to a tape recorder enthusiast in Brittany. It turned out that he had the missing part of this mythical recording. It took us almost two years of traveling through the south of France and the United States to finally find the other original tapes in... Stockholm. We are proud and happy to present this first volume.
In October, on the stage of the Olympia - a legendary Parisian venue th…
The Complete Spontaneous Event: Live 1967-1969
This tracks on this album were recorded between 1967 and 1969 and include all the tracks on the five sessions Ray Russell’s Quartet recorded ‘live’ for Jazz Club in that period. Those sessions included compositions from Ray’s first two albums he made as leader for CBS – Turn Circle and Dragon Hill. Just six tracks from these sessions were previously released on very limited edition vinyl as Spontaneous Event by Jazz In Britain in 2000. That album attracted particular interest on its release, it …
1967 - Recorded Live At Montreux Jazz Festival
When I arrived in Geneva, Claude picked me up in his Aston Martin. He had a tape deck playing Lowell Fulsom – a guy who used to come to Memphis a lot and I knew some of his musicians. I grew up around the Blues, so this was a natural sound for me. Claude didn’t tell me until much, much later that he played Blues harmonica. He took us to the hotel where we had a warm and cordial welcome. Montreux was a quaint and sleepy town in 1967. However, there was a palpable excitement in the air and we coul…
Live At The 1963 Monterey Jazz Festival
Recorded September 20, 1963, at the Monterey Jazz Festival, this set featured Miles Davis's new quintet, with George Coleman, Herbie Hancock, Ron Carter, and Tony Williams. This group, minus Coleman and with the addition of Wayne Shorter, would soon go on to make some of the most highly regarded jazz LPs of all time. This smoking set features a wonderful rendition of "So What", among others. Essential live jazz classic.
Live and Radio Recordings 1957-1962
One more step into the eclectic world of Krzystof Komeda. An outstanding compilation based on Komeda's early production featuring a variety of live and radio recordings between 1957 and 1962. Four different line ups including the Komeda trio, quartet and sextet, plus another quartet shared with tenor sax player Bernt Rosengren. A bunch of true pioneers for Jazz in Eastern Europe searching for the perfect synthesis between the American stylistic influence and a distinctive Slavic lyricism.
Second Set Lausanne 1960
Lee Morgan – trumpet, Wayne Shorter – tenor sax, Bobby Timmons – piano, Jymie Merrit – bass and Art Blakey – drums. Needless to remind that this was one of Blakey’s strongest line ups ever. A powerful and highly dynamic combo featuring young and yet very distinctive personalities driven by Blakey’s unprecedented force of nature. Hard Bop fans will be delighted by the re-release of this famous concert held in Lausanne (Switzerland) in 1960, where the second set featured, among others, an intense …
Nineteen Sixty-Six
Until now, the earliest recordings anyone has heard by Joe McPhee come from the period around his 1968 debut album, Underground Railroad. McPhee had just started playing tenor saxophone at that point. A couple of years earlier, the bassist featured on all of McPhee's early recordings, Tyrone Crabb, led a band of his own, the Jazzmen, in which McPhee was featured on his first instrument: trumpet. Indeed, McPhee was a trumpet legacy – his father was a trumpeter. In the mid-'60s, Joe was a serious …
Doo's Blues (The 1967 Belgian Radio Recordings)
Sdban Records is proud to present Doo’s Blues, a collection of previously unreleased radio recordings capturing Serbian jazz trumpeter, composer and band leader Dusko Goykovich (1931-2023) at the moment he definitively established himself as one of Europe’s most distinctive jazz artists. Dusko Goykovich was born and raised in Jajce, Bosnia and Herzegovina, at the time part of the Kingdom of Yugoslavia. He studied at the Belgrade Music Academy from 1948 to 1953, playing trumpet in Dixieland bands…
5 Na Bossa
The collaborative album 5 Na Bossa was originally released in 1965 on Philips Brazil and featured some of the top player of the genre. If you are into the sound of Nara Leão, Edu Lobo and Tamba Trio this is a magical encounter, bringing together Nara's soft voice, Edu's battering guitar and Tamba's swinging vocals. Featuring classic compositions like ‘Reza’ and ‘Zambi’ this album is a must have for any fans of the latin jazz legacy. The set was recorded live at the Paramount Theater in Sao Paulo…
Joao Gilberto
*Back in print by popular demand!* Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi…
Live in Paris (1966)
A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (tenor saxophone), Larry Gales ( double bass) and Ben Riley (drums). First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio. Remastered from original tapes in high resolution.
Fontainebleau & Magic Touch "Revisited"
"Tadd Dameron remains better known and more widely admired among fellow musicians than with the record-buying public, and yet most will know at least some of his sophisticated compositions: “Lady Bird”, “On A Misty Night”, “If You Could See Me Now”. A thoughtful manner and an early death conspired to keep his reputation somewhat subdued. Here is an opportunity to hear two of Dameron's best recordings in modern sound. An intelligent rather than dramatic player himself, he nonetheless deserves…
A New Perspective
"I mean this album seriously. Because of my own background, I've always wanted to write an entire album of spiritual-like pieces. The most accurate way I can describe what we were all trying to do is that this is a modern hymnal. In an earlier period, the New Orleans jazzmen would often play religious music for exactly what it was - but with their own jazz textures and techniques added. Now, as modern jazzmen, we're also approaching this tradition with respect and great pleasure." - Donald Byrd
1964 Recordings
"A long life can contain a certain amount of waste. Live long enough and posterity doesn’t notice the occasional unproductive gap. A short life adds value to every moment and every creative act. This new issue of Albert Ayler’s brief association with Don Cherry includes further material from their time in Copenhagen, a period when the saxophonist daily reinvented the themes that were coursing through his mind, breath and fingers. These are not a collector’s fetishes. These are fresh document…
Move
Jazz in Australia at its best with incredible sessions from autumn 1960 – three masters with unbelievable musical control and understanding. This album was recorded at the El Rocco club six weeks after the group was formed, and the boys claim they were only just becoming accustomed to one another’s playing. In all, they cut thirty different titles in two 3-hour sessions, all of which were one take only. This in itself is incredible as the resulting takes never fall below top-level
Sittin' In
The hard-swinging Three Out were attracting large and enthusiastic crowds in Sydney and shared the bill with such names as Dizzy Gillespie, Coleman Hawkins, Teddy Wilson and Sarah Vaughan. Here we find them continuing in the same exciting manner as their first album, 'Move'. The Three Out are joined by four horns on the second half of this album from 1960. The session has the flavour of the hard jazz of the American Masters of the sixties, particularly the "Big Soul Band" type from Chicago and N…
Destination... Out!
"Of all of McLean's Blue Note dates, so many of which are classic jazz recordings, Destination Out! stands as the one that reveals the true soulfulness and complexity of his writing, arranging, and 'singing' voice." - All Music
Swinging Macedonia
"Mal Waldron's piano, exotic ensemble and sweltering pets. This is the definitive melancholy jazz album! Long-awaited reissue at mid-price of this masterpiece from the peak of Balkan treasure Dusko Goykovich's career! This is an unquestionably treasured album full of great songs and performances, including Nicolas Conte's cover of 1 and 9 from "Tatsuo Sunaga's Night Jazz", and it has been restored in its original German Philips jacket!
It is no exaggeration to say that "Swingin' Macedonia" is th…
The Third World
*2024 stock* Gato Barbieri is an Argentine jazz musician who won a Grammy Award as musical director for the film Last Tango in Paris. The Flying Dutchman's debut album, produced by Bob Seale, boldly incorporates elements of South American music.
Caravan
Orrin Keepnews produced Art Blakey's 1963 debut for Riverside Records, a hard-bop triumph featuring an all-aces band: Curtis Fuller, Freddie Hubbard, Wayne Shorter, Cedar Walton and Reggie Workman. Blakey drives them with power and passion as they play Caravan: Sweet 'n' Sour: In the Wee Small Hours of the Morning: This Is for Albert: Skylark, and Thermo. Back on vinyl again!