Jazz /
Falling And Five Other Failings
2025 stock Mats Gustafsson plays slide, tenor, baritone, bass saxophones. Christof Kurzmann uses special ppooll software and voice, live processing. Recorded, mixed & mastered at Garnison 7, Vienna by Martin Siewert. Artwork by Jimmy Draht. Liner notes by Ken Vandermark. Limited vinyl edition of 300 with screen-printed covers. Ken Vandermark, from the liner notes: "On the surface, its fundamental components seem to come from the 20th century: the saxophone (invented in 1846, but not coming to th…
Radical Invisibility
This is the debut album of a group dedicated to the invisible world. Some people operate invisibly by choice, some are invisible because of the nature of events in their life, some remain invisible and unknown against their will.
How Many Clouds Can You See?
How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Alto Saxophone – Mike Osborne; Baritone Saxophone, Flute – John Warren; Baritone Saxophone, Soprano Saxophone, Bass Clarinet – John Surman; Bass – Barre Phillips, Harry Miller; Drums – Alan Jackson, Tony Oxley; Piano – John Taylor; Tenor Saxophone, Flute – Alan Skidmore; Trombone – Chris Pyne, Malcolm Griffiths; Trumpet – Dave Holdsworth; Trumpet, Flugelhorn – Harold Beckett; Tuba – George Smith. John …
Ornette!
Ornette! is the seventh album by Ornette Coleman as a bandleader and the second credited to his quartet (following This Is Our Music). Though considered one of his early works, by the time it was recorded on 31st January 1961, Coleman was already an established jazz legend. His reputation had been cemented by the release of ground-breaking albums such as The Shape of Jazz to Come and Free Jazz.
These two albums embody the central, seemingly contrasting, elements of Coleman's early career: a meti…
Kawaida
A member of the radical black nationalist US Organisation, percussionist James Mtume championed the Kawaida way of life, aiming for collective creativity linked to its pan-African and Socialist ideals. With uncle Albert and father Jimmy Heath on board, Mtume cut this intense modal jazz concept album in December 1969 with Don Cherry, Herbie Hancock, Ed Blackwell and Buster Williams, yielding a masterpiece of percussion-heavy jazz, with every player on exceptional form, the five extended tracks re…
Temple of Muses
Norwegian guitarist Stian Larsen joins London-based musicians Colin Webster (alto sax), Andrew Lisle (drums), and Ruth Goller (bass) for an exciting collision of energetic free jazz, post-rock and noise that is dynamic, playful and hard-hitting.
Old Adam on Turtle Island
The Amsterdam based improvisers quartet performs a song cycle composed by John Dikeman reflecting on colonisation, and the double edged sword of religion which can lead to transcendence or tyranny.
Draw Bridge
"Sophie Agnel and Michael Zerang are relentless on every surface and in the diving pit of improvisation. You've got to hear it to see it to believe it: it's a water lily drum set in the soundboard of a pond piano. At times, it seems as if a single instrument is being played by two people, with razor-sharp clarity" - Alexandre Pierrepont
The Foreign In Us
After a wonderful concert at the Elastic Arts Foundation, Chicago, the ES Trio (Kwan/Zerang/Steyer), decided to record their music to document this inspiring collaboration. In their trio work they focused on sound oriented pieces, that were nurtured by the individual approaches to their instruments. The duo works of Zerang and Steyer also reflect the work of Steyer concerning instrumental ornamentation, that is inspired by the multi-ethnic, mostly near eastern sounds of the streets in Berlin.
Scree
"We hear harp, electronics, piano, cello and percussion convene in clash and collusion, setting forth a dazzling array of sound and expression. Plains of disarticulation and misdirection are cut by moments of inextricable entanglement, where we hear discrete sounds fuse, instruments bleeding into one another, at times taking on the warp and weft of a companion. The recording is of an extraordinary performance of improvisational prowess by four musicians working at the very limits of their techni…
Desatornillándonos
"This record has stark aesthetic shifts, going between bluesy and abstract territory. After the first two pieces, which “set the ends of the spectrum”, the others move between these two languages. What’s cool is that this allows you to pay close attention to textural qualities of Luciana’s playing. She gets good snap on her pull offs and picking. There is a personal quality to this record that comes out of the juxtaposition of these sounds. As someone who started with rock music and now improvis…
The Stone
Mega Tip! Purple Trap, the powerful trio of Keiji Haino (voice, guitar), Bill Laswell on bass, and Rashied Ali (drums), recorded live on stage at The Stone. Recorded in December 2005, this furious live album by what can easily be called a super group remained unreleased till in 2023 Bill Laswell made it accessible in a rough-mixed digital version for his bandcamp subscribers program exclusively. For this vinyl version, the music has been newly mixed by Dirk Dresselhaus (SchneiderTM) and mastered…
The Dennis Egberth Dynasty
Respected Swedish Drummer and Composer Dennis Egberth Introduces New Sextet in His First Album with 577 Records. If you love the era in which electronic elements began to enter contemporary jazz, you’ll LOVE what Sweden’s Dennis Egberth has been creating. The esteemed drummer/composer introduces us to his hand-chosen ensemble, The Dennis Egberth Dynasty, in the artist’s first album with 577 Records. The self-titled release highlights his creativity, painting a hypnotic soundscape that soothes th…
Don’t Waste Your Ancestors Time
Phil Dawson, UK guitarist and producer, learned his trade with legends like South African jazz trumpet giant Hugh Masekela, Nigerian Afrobeat co-creator Tony Allen, Ethio- jazz pioneer Mulatu Astatke, and Ghanaian afro-rock dons Osibisa as well as a large handful of Brit Jazz and cultural fusion projects.
'Don't Waste Your Ancestors' Time'creates a new blend of Afro- and Afro-Brazilian grooves, high-level improv and dub, and boasts an array of collaborators that push the music in new directions …
Dream Of Frequencies
Extempore, formerly known as Ad Libitum Quartet, is a band located in Vienna, Austria. It consists of Mark Holub on drums, Villy Paraskevopoulos on piano, Vinicius Cajado on double bass and Werner Zangerle on saxophone. The band was formed by Paraskevopoulos for a festival in Graz in 2021 as a trio, after which they became a quartet with varying bass players. Since this year Cajado is the definitve fourth member of the group, himself being an outstanding bass player that is active with many diff…
Lost Rivers 2
Sainkho Namtchylak is a singer originally from Tuva, an autonomous republic in the Russian Federation just north of Mongolia. She is known for her Tuvan throat singing or Khöömei. Her music encompasses avant-jazz, electronica, modern composition and Tuvan influences. Once the Soviet Union had collapsed, she moved to Vienna, making it her base, although she traveled widely, working in any number of shifting groups and recording a number of discs that revolved around free improvisation. Amongst th…
Live Lugano 1984, First Visit
"The special qualities of this music emerge from the focus on Lacy’s soprano saxophone in this unique instrumentation; the transparency and intimacy of the bass and guitar create a nuanced background set against the variety of improvisational strategies." - Art Lange"The removal of two recorded compositions and the editing here is based on notes originally written by Steve Lacy on the cassette he sent me to listen to and evaluate the music for release. I acquired the original recording in 1985 f…
Atlantic Puffin
"This, it seems to me, is the great strength of Sophie Lüssi’s music here on Atlantic Puffin. It is clearly skilled and doesn't deal in casual approximations. It is built on solid technique, a brilliant appropriation of classical violin methods in the interests of improvisation. But her music, which draws on folk as well as canonical forms, is one that emanates from and addresses the whole person. It's generous music, kindly and open, and in its gentle humour it engages a part of the spirit that…
Jubilation
William Hooker is a musician, composer, and poet with over 70 recordings as a leader, encompassing jazz, new music, experimental music and multi-disciplinary forms of expression (e.g. dance, silent film and spoken word). He has been recognized as “an iconoclast, and one of the most innovative musicians and drummers of his generation” - The Wire, which is evident nowhere more than on his latest album, Jubilation. The new work features collaborators Matt LaVelle on trumpet, Sarah Manning on alto…
Colla Voce
What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…