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January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business.
Over seven years of holding down that residency, Parker’s ETA ensemble evolved from a band th…
Portico Quartet / Hania Rani brings the singular Polish pianist and composer, Hania Rani, and East-London based widescreen minimalists, Portico Quartet, together for a unique collaboration. The idea was simple, each artist would rework one of each other's tunes. The result is a beautiful collaborative work that feel less like straight forward remixes and more like a new recording that brings the two acts distinctive sound worlds to a new place. The first track to be shared is Hania Rani - Nest (…
** 140g "Pot of Gold vinyl." Edition of 444. With insert. **I travelled to Los Angeles and the USA for the first time in 2019. Although I had not met Carlos Niño in person, we connected via Instagram where he saw a video of me playing a piano motif (titled ‘The One’ in this sequence) that he really liked and expressed a wish to record. This was around 2017. We tried a few times to get me over to Los Angeles, but the timing was always off. Through a performance organised by a creative collective…
MESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.
Svaneborg Kardyb are Nikolaj Svaneborg – Wurlitzer, Juno, piano and Jonas Kardyb – drums, percussion a multi award winning duo from Denmark, with a fast-rising international reputation and with an NPR Tiny Desk concert – number one on many artist’s wish lists - in the bag before even the release of their Gondwana Records debut album Over Tage last November. Their beautiful, exquisite compositions draw on Danish folk music and Scandinavian jazz influences, resulting in a joyful melding of beautif…
The meeting between Terry Riley the father of American Minimalism and free jazz pioneer Don Cherry. Two contemporary luminaries who always shared an ear for non Western music and philosophies. Joined here by Stein Claeson on violin and el. bass, and Bengt Berger on percussion, these two giants give us an example of deep organic music based on the full integration of various materials. A beautiful example of true extended sonic democracy.
*2023 stock* Following high praise for her debut release on Nice Music in 2022, a stack of live performances with an ever evolving cast of players and a collaborative release with Simon J Karis, Isobel D'Cruz makes her next move as Hantu - 'Zither Deluxe'. Puzzlingly uncategorisable, 'Zither Deluxe' is nothing short of a post-minimalist masterpiece. A meticulous capture of the Hantu ensemble in peak form, recorded in two continuous takes over a single day by Patrick Telfer (Helen Svoboda, Isolat…
*2023 stock* "Nine years passed between the "Indian Tapes" triple LP box set and this "Visions" CD. It’s a long period of time in a musician career; especially when you are continuously changing from one artistic activity to another: from solo percussion performing to orchestra conducting; from composing for large ensemble to improvising; from video making to teaching and writing books… Through the years playing percussion became just a part of my artistic vocabulary. This was not only due to th…
*240 copies limited edition* The Pitch is a quartet made up of Boris Baltschun, Koen Nutters, Michael Thieke and Morten Joh. Founded in Berlin in 2009, they play a hypnotic form of structured improvisation full of acoustic exploration and electronic intervention. On Neutral Star, The Pitch are joined by Australian guitarist/composer extraordinaire Julia Reidy for a record of star gazing electro-acoustic jazz.
Reidy's playing and compositional technique between Takoma-style fingerpicking and Gle…
ecoegoe is an ensemble led by bassist, composer, and producer Mark Ibsgaard Gregersen. During early developments, he had experiences where acoustically made sounds would resemble digital samples, echoes, and compression. Or was it just an idea? Their sound is loud and intense while also containing the fragility and closeness of an interplaying acoustic ensemble. The septet consisting of saxophones, percussion, double bass and synthesizer explore sonic, rhythmic and structural inspirations from e…
'As a musician, I've been curious for many years of how collective musical practices can provide a sense of weightlessness, as well as how a focused interplay can blur the lines between musicians and sound sources and create reconfigurations of the relations between the two. I have also tried to explore these observations in depth in some of my composed music: during 2015-2017 I experimented with ways to surprise and destabilise myself in the solo format within the compositional framework of pol…
Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, "Succo di formiche" reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form.
For Anyone That Knows You, an album of mostly piano solos by Josiah Steinbrick, was recorded not for smoothness or posterity but to emphasize the piano as object, the person playing it, and the moment it sounds. On three of the pieces, the saxophone of Sam Gendel hovers over the piano like a faint change in the light, adding resonance and gentle reinforcement rather than counterpoint. Three others are delicate renditions: “Green Glass” interprets an untitled recording by Quechuan folk musicians …
Neil S. Kvern’s Doctor Dancing Mask: Pianoisms is a near mythical marker on the map of late 20th century experimentalism transpiring in America’s Pacific Northwest. A sublime, spacious effort of left field DIY minimalism constructed from recurring piano pieces, hypnotic percussion, and a peppering of diverse instrumentation, vocals, and invisible effects, Doctor Dancing Mask illuminates a hidden but remarkable legacy of a young composer at the height of his creativity and consciousness.
Original…
Gondwana Records and Portico Quartet announce a strictly limited edition collectors-item. Featuring an expanded version of their long-form composition Terrain and re-arranged for the Portico Quartet Ensemble and recorded live in Studio One
The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians might be known as improvisers but in this project they develop and perform exclusively their own compositions crafted with an extreme care for detail and precision. The duo's works have been released on f…
The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians are well known as improvisers but in this project they develop and perform exclusively their own compositions.
The duo’s progression from release to release is subtle, but with "The Dark Side Of Success t…
The International Nothing is a Berlin-based psycho-acoustic clarinet duo formed by Michael Thieke and Kai Fagaschinski in 2000. They collectively compose multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their language. Both musicians are well known as improvisers but in this project they develop and perform exclusively their own compositions.Every four years the duo releases an album on the Japanese Ftarri Label. In 2018 they are pres…
*In process of stocking. 2022 stock.* For as long as I can remember, Christian Wallumrød's piano touch has done something to me. We met early. The peculiar and surprising, but still somewhat self-evident, melodic twists. Not to mention the far above average well-weighted ornaments. He manages to create completely unique universes, either with his own ensemble or alone. In recent years, he has also returned to electronics and he treats them with a gentle rawness. There has always been something h…