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*2022 stock* "Hidehiko Matsumoto Quartet – Sleepy released by Three Blind Mice. Album recorded in 1976 and it was DSD mastering from the original analogue master tapes. This record, made in 1976 in a one-horn quartet setting, showcases Matsumoto’s brilliant playing on both tenor saxophone and flute. He is a true master of both instruments and it is a great pleasure to hear him beautifully recorded by the people of Three Blind Mice. A masterpiece, with great sound." - Audiophile Music
*2022 stock* "This is a live recording of "5 Days in Jazz 1976". The album features the seventh release of TBM's "5 Days in Jazz 1976," which concentrates the charm of Tsuyoshi Yamamoto, including his signature tune "Misty," "Summertime," featuring Oyui, and "Cookin' the Blues", which shows off his signature blues feeling to the fullest." - Koki Hanawa
*2022 stock* Masayuki Takayanagi, who has a free jazz pioneer, gives his answer to the turbulent 1970s. His homage to Tristano-Konitz, a return to his roots, is a ritual to reach new heights for a new era." - Koki Hanawa
*2022 stock* "Mindblowing sounds from Japanese bassist Isoo Fukui – one of a handful of 70s players on that scene who really helped reinvent the sound of his instrument in jazz! Isoo really drives the group here up from the bottom – by playing both bass and cello with these well-inflected notes that are heavy on soul and rhythm, and which often enforce a modal sensibility that's carried out perfectly by the vibes of Kazuhiro Matsuishi and piano of Hideo Ichikawa! A few numbers feature guitar fro…
*2022 stock* Amazing 1976 record by drummer George Otsuka, Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: George Ostuka (drums), Shozo Sasaki (tenor and soprano sax), Fumio Karashima (piano, electric piano and synthesizer), Mitsuako Furuno (bass), Norio Ohno (percussion).
*2022 stock* Naosuke Miyamoto Sextet's Step!, originally released in 1973. A fantastic modal jazz album, led by Naosuke Myamoto on bass, with Masayoshi Yoneda on the piano and Takashi Goto on saxophone. On One For Trane, the group delivers a strong and amazing moment of spiritual jazz. Also features Kunji Shigi (trumpet), Takashi Furuya and Shoji Nakayama (drums). Produced by Takeshi Jujii. Recorded on August 25, 1973.
** original copy ** Altschul is the common denominator on these two excellent reissues of early ’80s records, and if anyone is unconvinced that he is one of the great drummers of his generation, there’s proof on every track here. He is joined on Irina by Enrico Rava, John Surman and Mark Helias in a program ranging from originals to “Jitterbug Waltz.” It’s great to hear the two hornmen in such fine fettle. Their solos are excellent, and much of the music involves group improvs with the horns in …
** original copy ** Recorded in Italy in 1986, this solo set by Mal Waldron draws from a rich range of sources and traditions. Update songs An inventive composer, arranger and player, these six pieces combines melodic directness with percussive harmonic support. Update album for sale Opening with his own "Free for C. Update CD music T., " he moves into the realm of standards for most of the set, visiting works by Dizzy Gillespie, Sammy Cahn, and Frank Loesser, among others. His "Variations on a …
2020. Full On Lockdown: Musician Laurence Mason puts together this off the wall idea meshing together two of his biggest musical heroes, Dave Greenfield of the tough 1970's proto-punk band The Stranglers with the oh so cool 1960's jazz of Dave Brubeck. He puts up his demo on Youtube not really expecting much in the way of feedback. And gets one million hits. And hundreds of requests for a release. Jazz Room Records Head Honcho Paul Murphy says "Do you wanna record that and release it?"."Affirmat…
Here is a chance to hear Miles Davis in something close to real time. Small matter that most collectors of hard bop will have these sides already and will be familiar with a particular running order. Perhaps those who have invested in the complete sessions will have a clearer sense of the continuity of these remarkable sessions, but that now familiar obsession with the burrs and snarf of the studio process may win out over musical appreciation. What happened at Van Gelder’s on October 26 1956 is…
This is a wonderful rediscovery, and one of the great lost sessions of the 60s. Drummer Pete LaRoca made only three albums as a leader during his heyday in the 1960s and now this long forgotten session is available once again. Although best known for his Blue Note debut Basra in 1965, LaRoca recorded two albums for Douglas Recordings in 1967, the previously released Bliss! and this obscure date. This session is a fascinating slice of late-60s modally influenced Jazz featuring an especially welco…
2022 Stock The arrival of English tenor saxophonist Tubby Hayes in New York during the autumn of 1961 caused a sensation in American jazz circles. The first British jazz soloist to ever make a guest appearance in a US club, his opening night at the Half Note was attended by figures including Miles Davis, Al Cohn and Zoot Sims, with Metronome describing Hayes as a swinging ambassador from Britain who definitely can hold his own in fast company. At the end of his visit Hayes recorded the album Tu…
TIp! *Tone Poet serie. Highly recommended audiophiles new master* Muscular tenorsaxophonist featured several times in recordings for the blue label, Harold Vick signed only one album as leader for Blue Note: here it is, and it is a fine album. The company was of the most inspiring: Blue Mitchell (another underrated...) on trumpet, the tandem of friends Grant Green (on guitar) / John Patton (on Hammond organ) and Ben Dixon on drums. An album to rediscover.
TIp! *Tone Poet serie. Highly recommended audiophiles new master* An album as representative as ever of the most avant-garde wing within that extraordinary laboratory called Blue Note: the reinventor of the vibraphone Bobby Hutcherson here (this is 1966) joins Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on double bass and Billy Higgins on drums to record a memorable album, including original compositions and a danceable 'Una muy bonita', a well-known Tex-Mex flavour track by O…
This release presents one of John Coltrane's last preserved live performances ever. Taped in Philadelphia with excellent sound quality, this set presents Coltrane playing probably the freest version of Naima, along with readings of two more of his compositions: Crescent and a powerful version of Leo. Coltrane died shortly after this performance at the age of 40 on July 11, 1967.
The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong i…
For most though, this Detroit Soul Jazz veteran will likely be unknown, and unfortunately so because not only was Sanders a great saxophonist with his own warm and lyrical post-bop sound, he was an important fixture of historical significance in the Detroit jazz . "Prior to forming Visions, Sanders and trumpeter Marcus Belgrave fronted a band with pianist Harold McKinney called the Creative Profile. Belgrave and Sanders would continue to perform together, often with Sanders' big band, the Pionee…
Tip! "It is my great pleasure to introduce you to the second volume of the "Japanese Jazz Spectacle" series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives. It is almost impossible to capture the whole picture of Wa-Jazz in a couple of compilation albums since it is such a broad and deep genre, however, by extracting tracks from the Nippon Columbia and King Records collections - both labels hav…
2025 Repress. Dorothy Ashby album from 1961 that also features female vibes player Terry Pollard. Comes with a version of The Skatalites 'Guns of Navarone' which is a pretty surreal listening experience. From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompa…