Jazz /
Smile
*Limited Edition* Hiroshi Hatsuyama's presence is invaluable in Japan's jazz vibraphone scene. His ability is evident in his achievements alone, as he has brilliantly colored the works of musicians such as Shoyuki Akutagawa, Koichi Matsukaze, Yoriyuki Harada, and Fumio Itabashi, all of whom have been difficult to dislodge from the scene. This is his first album. This is his first album, and it is a delightful work, sometimes bluesy, sometimes swingy, and filled with beautiful sounds. The "melanc…
Roy's World
Chicago vibraphonist Jason Adasiewicz leads and composes for this magnificent quintet, driven by Hamid Drake’s powerhouse drumming and Joshua Abrams’ deep-in-pocket bass, with Jon Doyle and Josh Berman’s horns bringing the shine.Eight tight, swinging tunes featured in the film Roy’s World, based on the short stories by Barry Gifford.
The Mess Is Here 1958, Revisited
Recorded live 1958 in Stuttgaert. First time on CD. Performed by: Eddie Williams, Art Hoyle, Eddie Mullens, Dave Gonzales, Macky Kasper trumpets; Louis Blackburn, Wade Marcus, Larry Wilson, trombones; Leon Zachary, Bobby Plater, alto saxophones; Andy McGhee, Gerald Weinkopf, tenor saxophones; Lonnie Shaw, Werner Baumgart, baritone saxophones; Lionel Hampton, vibraphone & piano; Oscar Dennard, piano; Billy Mackel, guitar; Julius Browne, fender bass; Wilbert Hogan drums; Cornelius "Pinocchio" Jame…
Penguin Bids
*2022 stock.* Hot, hot and even hotter! Thrilling big-band recordings from the 1960s, made with the Polish Radio Dance Orchestra… The music is full of energy and swing, and is an evidence of Jerzy Milian’s artistry as an arranger, and above all, as a great vibraphone player.
After Edward Czerny took over the leadership of the Polish Radio Dance Orchestra in 1959, he took it to a level unattainable to his predecessors. Until 1974 he regularly performed with the Orchestra in Poland and in other Ea…
Optima Fide (1968-70 • More Belgian Scores - Third Stream Tales)
The Belgian jazz orchestra run by BRT radio was one of Europe's most interesting workshops, allowing composers to experiment at will with the sound or structure of works. Jerzy Milian exploited the possibilities of this composition to its absolute limits, and "Optima Fide," the eleventh installment in the "Jerzy Milian Tapes" series, chronicles this turbulent period in his career. Beginning in the mid-1960s, Milian regularly wrote large forms bordering on jazz and avant-garde for Belgian radio. …