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* 2025 stock. With Obi. * Love Hurts / Beautiful Doll is the fifth and most important record by He6, the leading band of the 1970s golden age of ‘group sound’ bands in Korea. It features the band's notable funk/psychedelia track ‘Beautiful Doll (Get Ready)’ which was sampled by DJ Shadow in ‘the Number Song’. It also includes ‘You Don't Know’, the hit number led by Choi Heon's heartfelt vocals, as well as another He6 original track to listen to, the lively brass rock number ‘I Can't Tell’. The d…
This psychedelic nugget wrapped within a lovely hippie album covers offers to an interested listener both conventional San Francisco psych pop rock, and also experimental material, proving that they were among the rock artists searching the boundaries of their art and style. The composition is interesting and quite innovative within the 1960's American garage scene.
The Outsiders' final LP is one of the finer unsung psychedelic records of the late '60s. Heavy echoes of Syd Barrett-era Pink Floyd, Hendrix, and psychedelic-era Pretty Things, with adroit shifts from crunching rock and soft, almost folky passages to spacy phase shift bits and just plain dementia. The album has an ominous and creepy, but rocking, ambience that still cuts deep.
In 1980, Fujio Yamaguchi joined Les Rallizes Dénudés for a legendary studio recording session. Now, the fiery intensity of those early sessions will finally be unleashed from the archived tapes!
Reissue of the Californian psychedelic band's only album released on Acta Records in 1968. Their sound was influenced by early Rolling Stones and Yardbirds (not coincidentally, guitarist Randy Holden, later on also in Blue Cheer, was offered to replace Jeff Beck). Their name gained attention after their single ‘Mr. Pharmacist’ was included in the famous Nuggets collection.
Psychotic works of L-R-D from 80 & 81. Noise bliss and sad feedback. Pivoting into a more rich toned psychosis of sound, these sessions have been lightly remastered lovingly by Polish engineer Kurzweil Holownia.
Ripped from who knows where… 1966 Velvet Underground. Lou Reed isn’t even playing on Heroin or Venus In Furs, and reportedly it’s Angus Maclise on drums, Moe Tucker on bass. John Cale is singing & playing the organ. Do you need to know much else? Couldn’t wait to get our hands on these. Bless NAGCZ.
Sensational reissue for the first volume of iconic compilation Simla Beat 70. A psych garage manifesto, the record consisted of groups who appeared at the All-India Simla Beat ‘battle of the bands’ contest held in two years (1970 and '71) in Bombay. The annual event and the records were sponsored by The Imperial Tobacco Company. Bands from all around India would compete for first prize. The album - indeed - was not recorded live on the stage but in a primitive makeshift studio using very little …
Les Rallizes Dénudés with Fujio Yamaguchi as a member, burst into a historic live performance at Shibuya Attic in October 1980, and this is finally officially released!
*200 copies limited edition* "What remains so remarkable about the band's album is that... the performances retain an energy, but also a naivety, that somehow evokes both the Jefferson Airplane and the Velvet Underground — often within the same song." —Shindig! Magazine
In 1968, the Plastic Cloud released one of the greatest underground psychedelic albums ever made: a swirl of gossamer vocals and Tolkien references swathed in the some of the most relentless fuzz guitar you will ever hear. It is …
Disperú is the first independent record label in Peru and South America that was founded and run by a woman. In the space of five years Rebeca Llave turned not only Disperu into a successful company but also transformed it into an amplifier and showcase for unique Peruvian popular music projects including the raw, wild and visceral sound of Los Saicos, 60s punk pioneers. This compilation comprises 14 amazing tracks, ranging from cumbia or boogaloo to beat and garage, to celebrate the music legac…
Here's for the real thing! A late 60s Japanese compilation investigating the so-called "group sound" movement. Includes early recordings by a series of musicians later to perform with legendary bands such as the Flower Travellin' Band, Speed Glue & Shinki, Les Rallizes Denudes and Foodbrain. Must have !
Corbett Vs. Dempsey presents the third release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
A wild, loud, raw New Jersey hard psych beast that’s been a favorite target of record collectors, dealers, bootleggers, and swamp dwellers for the past two decades, originally released on the Zonk! label.
Happy End's eponymous debut is a crucial piece of the J-Rock puzzle and a turning point for Japanese music. Originally released in 1970 on URC (Underground Record Club), Happy End finds creative mastermind Haruomi Hosono aborting the short-lived psychedelic rock project Apryl Fool, for a new direction in sound. Here the future YMO head teams up with former Apryl Fool drummer Takashi "Rei" Matsumoto and two new guitarists, Shigeru Suzuki and Eiichi Ohtaki, to deliver pioneering Japanese folk rock…
Previously unreleased live soundboard recordings from this groovy group from the '60s San Francisco Bay Area scene. Along with The Sopwith Camel, The Beau Brummels, The Mystery Trend, The Great Society, Jefferson Airplane, The Warlocks and The Grateful Dead, The Final Solution were part of the first wave of San Francisco rock bands having formed in 1965. They were very popular all over the Bay Area and appear on countless early posters of the period, but they never released anything. If you dig …
"Tokyo psych monsters Up-Tight come out of the classically wasted/drug-damaged school of excessive fuzz and reverb, giving the nod to the endless jam style of Les Rallizes Denudes while spiking their sound with dark downer ballads that owe as much to The Jacks as they do to The Velvet Underground. If you can picture Spacemen 3 circa “The Perfect Prescription” produced by Ghost circa “Temple Stone” then you’re close to the outrageous levels of psychedelic excess captured here. Tomoyuki’s guitar t…