Psych /
Slow Motion
LP version. The 1960s weren't just about The Beatles, the Rolling Stones and hippies; they also ushered in new forms of art: happenings, Fluxus, Neo-Dada, video art, to name just a few. As borders blurred, pop influenced art and art influenced pop. Many protagonists of the time chose to ignore borders altogether. This chaotic, euphoric atmosphere of extreme innovation lasted well into the 1970s and continues to resonate today. All manner of trailblazers shaped the soundscape of the era. Conrad S…
My Solid Ground
My Solid Ground were a German progressive rock band active in the 1970s. This obscure krautrock album called “My Solid Ground” from 1971 has long been considered a classic of the genre. The first track, the 13-minute ‘Dirty Yellow Mist’, certainly lives up to its reputation as the group embark on a dark space rock journey. It sounds like a mixture of psychedelic rock and progressive rock. With lots of long keyboard tones, a crunchy guitar riff, some acid guitar sounds and distorted chanting as w…
Zuckerzeit
Limited Anniversary Edition: 180g vinyl, hand numbered, 1000 copies. In 1974, Cluster entered the sugar era. This doesn't mean that they had finally arrived in their promised land, but they had simply moved from Berlin to the country, to a small place called Forst on the river Weser. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio an…
Vampire State Building
Reissue of this German rock classic album from 1971 by Hamburg quintet Alcatraz, coming with an additional track, recorded in 1972 at the Windrose Dumont studio in Hamburg. Alcatraz largely instrumental music was related to Miles Davis "In A Silent Way", early King Crimson and Soft Machine. Most successful was the 12 minutes "Simply Headphone Mind". The 13 minutes title track was a long improvisation with lots of fuzz guitar. According to Dag Erik Asbjornsen "Vampire State Building" is currently…
Soft Power
Ezra Feinberg’s third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single ‘Future Sand’.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding member of the San …
Tone Float
Grey-area reissue of Organisation's Tone Float, originally released in 1970. German rock band, Organisation, is often referred to as the prototype or predecessor of Kraftwerk -- the godfathers of electronic music. In fact, it was the first iteration of Kraftwerk and if the band had managed to overrule its record label, RCA, Tone Float would have been credited as such. But given that the album was to be released only in the United Kingdom, the label opted for the more Anglicized name, "Organisati…
Live in Aston 1977
"Live in Aston 1977" is a completely new lens through which we can see a unique band with a seemingly inexhaustible energy for live performance. It comes at a difficult time for Can; their recently released eighth studio album, 'Saw Delight', was was poorly received and although posterity has been kinder, the reviews at the time of release have been savage. One might expect the live performances of this period to reflect some of the criticism levelled at the album, that they were slowing down, p…
Sunbirds
Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually released on MPS …
Wiesbaden 1972
*2024 stock* Musical collective from Munich (Germany), founded in 1969 by Christian Burchard and Edgar Hofmann. Considered as one of the most important German jazz-rock bands during the 1970s. In 1981, Uve Müllrich and Michael Wehmeyer left Embryo to form "Embryo's Dissidenten" who soon became Dissidenten. Embryo have continued for over 50 years with Christian Burchard always in charge and an ever changing international cast of musicians including talents from North Africa, India, China, etc., a…
Wiesbaden 1972
*2024 stock* After Uli Trepte had left the band, Guru Guru had one of their first gigs with Bruno Schaab on bass in the assembly hall of the Germania-Heim in Wiesbaden on November 4th, 1972. They played in front of about 200 to 300 people. The whole concert was recorded expertly and in stereo, with the consent of the band and the promoter, Robert Huth, by Muck Krieger, sharing a flat with Xhol (Caravan), a band they were friends with and which had just broken up. The equipment used - an Uher tap…
Essen 1970
2024 Stock. Like Xhol Caravan: the well-known blend of jazz and psychedelia. Their gig at the third Essen Pop & Blues Festival in the Gruga hall (10/24/1970)
Altena 1970
"Still with their black singer James Rhodes. A concert from spring 1970 in the lovely town of Altena. The cover shows sax player Tim Belbe in Charles Manson style. Good quality."
Missus Beastly
Missus Beastly from Herford were among the most famous German psychedelic and jazz-rock bands, with the most confusing history of all of them. Their first LP released on CPM in 1970 - without any title, just like the second LP in 1974 - had a beautiful red cover artwork and is traded today at around 1000 €. The vinyl edition on Garden of Delights comes in the original red gatefold cover and with four-page insert in LP size.
Bremen 1974
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Spaceguerilla
Instrumental jazz-rock, recorded perfectly in the Stuttgart sound studio Zuckerfabrik in April 1978. Its style resembles that of its predecessor, 'Dr. Aftershave And The Mixed Pickles', but with distinctive jazz-rock/Embryo alike touch. 'Space Guerilla' (originally out on Schneeball) was the fourth and last LP by Missus Beastly. All of the eight tracks were written by the band members themselves. The 24-page booklet in LP size contains a detailed band history in German and in English language, a…
Night Works
"This disc offers the only known recording of the first version of Gila, a group that gigged constantly to build a considerable reputation as a formidable live act. Taken from a live Cologne radio broadcast from February 26, 1972 (a few months before the group's demise), Night Works is all that one could hope for, long space rock acid jamming and much better fidelity than one would get from a recording by an audience member. Swirling organ tones and acid guitar burnouts surge out of the throbbin…
Bremen 1972
Superb live recordings of a heavily underrated early '70s band from Germany, playing a sophisticated style of progressive krautedelic jazz-rock, mostly instrumental. Eiliff's guitarist (and sitar playr) Houschäng Nejadpour would later become part of an embryonic line-up of Kraftwerk.
Close encounter with their third one
Superb live recordings of a heavily underrated early '70s band from Germany, playing a sophisticated style of progressive krautedelic jazz-rock, mostly instrumental. Eiliff's guitarist (and sitar playr) Houschäng Nejadpour would later become part of an embryonic line-up of Kraftwerk.
Klopfzeichen
Kluster was a short-lived project of three musicians/artists/performers: Dieter Moebius, Hans-Joachim Roedelius and Konrad ler. They recorded two albums with Conny Plank in 1970, unprecedented in their experimental radicalism. Chaotic, apocalyptic (noise) improvisations (a sound later termed industrial), enriched with recited lyrics in places. The trio split up not long afterwards. Exchanging the K for a C, Roedelius and Moebius continued as a duo under the name of Cluster, whilst Conrad Schnitz…
Live In Paris
* 2CD. Includes audio download code.* Mute and Spoon Records present the next instalment of the curated Can live concert series, Live in Paris 1973—the first in the series to feature Damo Suzuki's vocals. The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. This record captures the band’s 1973 performance in Paris and features Irmin Schmidt on keyb…