Psych /
We Are Ever So Clean
Released in October 1967, We Are Ever So Clean was the wonderful debut album by Blossom Toes, one of Britain’s most imaginative bands of the late 1960s. Originally known as The Ingoes, the band featured Brian Gooding (guitar, vocals, keyboards), Jim Cregan (guitar, vocals), Brian Belshaw (bass, vocals) and Kevin Westlake (drums, percussion). Signing to Giorgio Gomelsky’s newly formed Marmalade Records in 1967, the band recorded their debut masterpiece throughout the Summer of that year.
Upo…
Carpet Of Fallen Leaves
»Carpet Of Fallen Leaves« is an introduction to the folk-pop world of Eddie Marcon. It follows in the footsteps of other collections of Japanese artists on Morr Music, such as yumbo, Andersens, and the »Minna Miteru« compilations. »Carpet Of Fallen Leaves« draws together songs from Eddie Marcon’s twenty-two-year history, including fragile, yet rich in melody material, collected from a prodigious run of limited edition, self-released CD-Rs.
Eddie Marcon is the project of Eddie Corman and Jules Ma…
Aunt Sally
*2025 repress* Aunt Sally were an avant-punk-psychedelic-rock group from Osaka in Japan, active in the late 1970s. Members besides creative heads Phew (vocals) and Bikke (guitars, vocals) were Kataoka (bass guitar), Takashi Maruyama (drums) and Mayu (keyboards). Lead Singer Phew later earned some underground popularity when working with members of D.A.F, Einstürzende Neubauten and Can.
Add Some Music To Your Day
The reissue of Tatsuro Yamashita's Add Some Music To Your Day marks a significant moment in music history, resurrecting a rare gem from 1972 for contemporary audiences to enjoy. With only 100 copies originally produced, this analog LP offers a unique opportunity to experience Yamashita's early musical journey.
What A Beautiful Place
This recorded autobiography of Catherine Howe, age 20, briefly appeared in 1971. Too young for memoirs, most artists have barely established any sort of musical competence by the age of legal adulthood, let alone compositions matching the maturity and complexity of Howe's. What A Beautiful Place, however, is a prodigious effort wrought from the melancholy ruminations of post-adolescence. The album's twelve songs unfold like a classic bildungsroman, beginning in the smoke-stained industrial count…
Scott 4
2024 Repress. Scott 4 is Scott Walker's fifth solo album. It was released in late 1969 under his birth name, Scott Engel, and failed to chart. Reissues have been released under his stage name. It has since received praise as one of Walker's best works. Scott 4 was the first Walker album to consist solely of self-penned songs. The preceding Scott (1967), Scott 2 (1968) and Scott 3 (1969) albums had each featured a mixture of originals and covers, including several translations of Jacques Brel son…
Scott
Remastered from analogue tapes. No one could deny Scott Walker is an unpredictable artist. Once the lead singer for the Walker Brothers (famous for their string laden Sixties defining hits "Make It Easy On Yourself" and "The Sun Ain't Gonna Shine Anymore") he released his first solo album Scott in 1967. Eschewing all Pop trends at the time, Walker stepped it up a notch, crooning with a nod to Frank Sinatra, Tony Bennett and chansonnier Jacques Brel. A pretty bold move indeed, in a time when Pop …
La Mia Poca Grande Età
“La mia poca grande età” is Alice's first studio album, originally released in 1975. Reissued for the first time in this new edition on black vinyl / 180 gram, limited and numbered edition 500 copies.
Barbara E Altri Carella
"Barbara e Altri Carella" is the second studio album by Italian singer-songwriter Enzo Carella, originally released in 1979.
Il Tuffatore
* 300 copies, machine-printed numbered edition, 180gr vinyl *A beatiful reissue of Flavio Giurato's second album released in Italy in 1982, whose original edition usually sells for crazy prices on the second-hand market. This undervalued piece of work was perhaps too unusual during the time of release to get the full attention it deserves. The powerful image of the high diver re-emerging to the light and air after his performance orchestrates and subsumes the spirit of the whole work, in which s…
Gelato Metropolitano
“I was born in the sun of a big country that free maybe never was, a big country of happy people, of big forests and big cities.” This is how Alberto Camerini's second album opens, and it is clear from the outset that one is dealing with something not easy to categorize, wild, but equally enveloping and fascinating. The overall sound, while diverse, retains its own continuity and comes across as a blend of Brazilian sounds, singer-songwriter songwriting, and DIY bedroom electronics, with Camerin…