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2005 release ** "Combining rock, improvisation, and contemporary classical music with a distinctly exploratory spirit, the group is part of a small, but not necessarily insignificant, movement, sharing similarities with other projects from the late 1990s and early 2000s such as Prolapsus, Dolores Fiuler, and Turangalila. Their only studio album, "Álbum 1 (descuento)" (2005), is characterized by its unique approach focused on experimentation, with an interesting range of influences that, as we me…
2010 release ** "The Shipwreck Bag Show are Roberto Bertacchini (Starfuckers, Sinistri) and Xabier Iriondo. Survivors in the ocean of pop, refugees in a land without time with their suitcases full of metal, wood and electronic circuits. Avant-garage-rock with no time nor borders."
1993 release ** "Sahara Dust is Lindsay Cooper and Robyn Archer's collaborative score for a music theater production based on the Gulf War, and was recorded in 1992. Her accomplices number five and include vocalist and trumpeter Phil Minton. Scored in five movements, each with a textual element that serves as a meditation for the music, Cooper, who has long scored collaborative projects involving film, television, voices, dances, and theater, has outdone herself this time. The brooding score whi…
2025 stock ** "Recorded on 2nd and 3rd July 1970 in Munich for German Television, the music on this CD is the complete soundtrack of the short movie of Abelard and Heloise's story. The album contains six tracks - all untitled."
2025 stock ** "Ende vom Lied is a genre-spanning collection of punk, post-punk and avant-garde bands from the former East Germany, chronicling the work of free spirits pitted against government restraints and implied genre limitations. The underground scene in the GDR was a hydra, a noisy mix of musicians, poets, pain¬ters, photographers, filmmakers, punks and freaks. In the immediate aftermath of the primal scream that was punk, music often bred with poetry or painting in short-lived liaisons o…
Rare original 1971 edition on Landesarbeitsgemeinschaft Musik with gatefold sleeve by the experimental improvisation group featuring members of Annexus Quam album, Kollektiv and Bröselmaschine. In perfect condition.
Original copy in great condition with laminated gatefold sleeve of the superb 2nd album from 1972 by Wolfgang Dauner's fantastic avant-garde jazz-rock band Et Cetera featuring Larry Coryell and Colosseum's Jon Hiseman.
Original 1976 UK first pressing on Caroline of the expanded 2LP re-issue of the Limited Edition compilation of various unreleased tracks from 1968 to 1974 by Can. Simply essential.
Original copy in perfect condition of the 1982 double-album by one of the most radical groups linked to krautrock, the free improvising duo of Paul and Limpe Fuchs. Gatefold sleeve.
First CD re-issue on Spalax from 1988 of the debut album by one of the weirdest and most radical groups linked to krautrock, the free improvising duo of Paul and Limpe Fuchs. Digipack cover
A further collection of missing pieces uncovered since the release of the 18 CD Henry Cow Box that fills in parts of the story still undocumented - even on the bootleg circuit. Contents: 1: The earliest and only known stage recording of the band as it was in June 1972 (Martin Ditcham, Fred Frith, John Greaves and Tim Hodgkinson) at the first Glastonbury Fayre. The recording is quite clean, though the mix heavily favours bass and guitar but, in a way, this makes it of special interest, both music…
This seminal, eponymous post-punk album by Japanese group Aunt Sally, fronted by experimental singer Phew, was first released by the iconic Vanity Records label in 1979. Over the past forty-plus years, Phew has forged a singular path through a wide range of styles - from free improvisation to pop - and has collaborated with the likes of Ryuichi Sakamoto, members of Can, DAF, Einstürzende Neubauten, The Raincoats and more. But Aunt Sally is where she got her start and, despite the members’ young…
*100 copies limited edition* Ava Mendoza plays these songs. She makes them sing. Her technique is impeccable, but her playing is astonishingly expressive. She doesn't just bend blue notes; she wads them up into a ball and throws them up against a wall. She manipulates raw lightning, giving us a sound that is fluorescent and powerful enough to leave a trace of ozone in the air. Mendoza knows what she does better than almost anyone else on the planet, which is tell stories with her guitar.
New Spe…