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“Integral” marks the second collaboration between German electronic music pioneer Asmus Tietchens and sound artist Fabio Perletta. The album follows 2017's “Deflections”, released by German label aufabwegen. Recorded by Fabio Perletta and Asmus Tietchens, respectively at Tokonoma Studio, Roseto degli Abruzzi, and Audiplex Studio E, Hamburg, between October 2022 and August 2023. Artwork by Fabio Perletta. Mastered by Okko Bekker.
"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound. It is now clear that life, the matter we are made of, and the objects we use every day cannot be considered…
Interstitial Spaces (F90111) is the follow-up to Fabio Perletta’s 2013 CD Field: Atom(s) Entropy. With this new work Perletta investigates the physical phenomenon of the “Interstitial Space” which is the point in a crystal lattice where the perfection of the atomic structure is broken or suspended resulting in open spaces for unexpected resonances.
After his investigations of entropy with Field: Atom(s) Entropy, here the underlying inspiration is anomalies within atomic structure such as vacuums…
*In process of stocking. Edition of 80 copies.* "Microbiology plays such an essential role in my life. Recently, I’ve been reflecting a lot about cells’ lifespan, and how they originate, evolve, transform and eventually die. One of my best friends was diagnosed with metastatic lung cancer months ago. From our perspective, cancer is such a bad thing but life, for sure, is not anthropocentric. It seems to follow its own path, mostly out of our control. Today, thanks to recent studies of epigenetic…
“Un Fiocco Di Neve” (Italian word for snowflake) is one of the possible crystallisations of an ongoing project called Nucleazione (Nucleation), started in 2017 and consisting of the accumulation of over 200 sound files and silences pulled together and randomly overlapped with no control. The five compositions of this album originate from a series of auto-generative methods, which I found brought me to new listening experiences in the process of composing. I trace my steps back to a decentered, l…
** Limited Edition of 50. Glass mastered CD. 6-panel digisleeve (uncoated 300gms cardboard). Colours: 3 Pantone. Debossed insert card by Tipografia Pesatori (Milan). Designed by Mote Studio. ** Fabio Perletta and Luigi Turra’s "Ma" marks their first collaboration. The project began with Turra inviting Perletta to re-work his piece "Texture.Vitra" (Koyuki, 2008), a sound study featuring recordings collected at various architectural spaces designed by Japanese architect Tadao Ando. The resulting t…
Fabio Perletta and Luigi Turra’s "Ma" marks their first collaboration. The project began with Turra inviting Perletta to re-work his piece "Texture.Vitra" (Koyuki, 2008), a sound study featuring recordings collected at various architectural spaces designed by Japanese architect Tadao Ando. The resulting three pieces were crafted in an attempt to perform an active dialogue between Tadao Ando’s aesthetic principles and sonic practice. The album unfolds as a temporal, environmental experience of …
"The cold December day freezes the atmosphere, making it eternal. Birds pass by. A construction site. The sound of the shijou opens the zazen. Humble gestures and wooden marbles. Steps across the hallway. The floor creaks break the audience’s breathless silence. Air flows between the maple branches. Frogs, water, and forest remind us of the transient beauty of nature. The organ’s mechanical imperfection and resonant glass tubes echo, warming the space. Raw tones, distant spaces, sound molecules …
Fabio Perletta and Asmus Tietchens’ hermetic micro-cosmos of Deflections unfolds by exploring instability and physical decay of sound. Built upon liminal forms and atonal passages, the six near-silent pieces of the work traverse empty space by means of elementary sonic emissions and drifting nano-structures. Among sound collisions and evanescent masses, the almost immaterial yet corporeal nature of Deflections, embodies sound in its most subliminal and contradictory form.
Fabio Perletta cr…