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This collaboration was bound to happen someday! Out of mutual respect and admiration for each other’s work Asmus Tietchens and Frans de Waard decided to work on some music together. The result is “Oordeel" (dutch for "judgement") – eleven tracks of d…
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tel…
In October 1984, Frans de Waard started his Korm Plastics label and his music project Kapotte Muziek. Shortly after, a fellow student, Christian Nijs, joined him as a musical partner. They quickly released a few cassettes and contributed to internati…
Wood Land is a story of a nameless worker caught in the mundanity of placid bureaucracy. Wood Land is a story of buried towers and subtle rebellion. Wood Land is a story of unsubtle rebellion and totalitarian overthrow. Wood Land is a story of deep s…
Mini-lp gatefold sleeve courtesy of Stoughton Printing. It will also feature an extensive booklet featuring the artwork of Bertin. Edition of 200 copies. Frans De Waard. When he is not writing reviews for the long-running Vital Weekly column he helms…
*200 copies limited edition* "On Equal Weights, Dutch sound artists Frans de Waard and Martijn Comes are tightening the bond of their collaboration without ever actually responding to each other. This paradox was made possible by a remarkable creativ…
** Hardcover Edition ** In late 1983, Frans de Waard published the first edition of De Nederlandse Cassette Catalogus, listing all known, independently released cassettes in The Netherlands up to that point. No images, no descriptions, just a list. I…
In sound art, concepts often take precedence over the actual music. Here, there were none. For their first collaboration, Frans de Waard and Martijn Comes decided on a strikingly simple approach: Each artist compiled a pool of sounds for the other to…
Massive edition, 580 pages, hardcover. Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. …
Hardcover, first edition. Frans de Waard is perhaps best known for Vital Weekly, his online weekly review magazine for all things musical in the realm of experimental, electronic, improvisation, ambient, and noise, distributed for free, since 1995. O…
In 1992, Frans de Waard (of Kapotte Muziek, Beequeen and the Korm Plastics label) was asked to work for Staalplaat, then one of the biggest independent labels for experimental and electronic music. Staalplaat was the home for bands like Muslimgauze, …
**50 numbered copies + 18 un-numbered copies** "On December 7, 2014, Z’EV opened up for Steven Wilson & Thomas Köner as part of the Extrapool program Brombron at the local Doornroosje venue. Z’EV was an earlier guest, recording with KK Null in 2009, …
**60 copies** All music by Sindre Bjerga and Frans de Waard. Recorded February 2019 at Worm Studio, Rotterdam. Mastering by Claus Poulsen, Design by Red Bol.
Zonder Stroom, meaning 'sans electricity', was a short-lived program curated by Extrapool with performances that were completely without electricity (no amplification, no lights, no fridge) and one bleak and damp winter's afternoon we drank coffee an…
Frans de Waard (1965) has been producing music since 1984. First as Kapotte Muziek, but throughout the years, he also worked as Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop & Peter Duimelinks, both of whom are also a member of Kapotte Muz…
The second solo CD under his own name, following the widely acclaimed 'Vijf Profielen'. Six pieces from the period 1995-2005 dealing with field recordings and sparse electronic processing. 'This disc consists of 6 pieces, all realized between 2002 an…
The Dutch word zondag translates as Sunday in English and indeed these improvisations were recorded in a single day, a Sunday in January 2005. Quite in contrast with the speed of the recording, the recordings themselves were then shelved for no less …