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*Limited edition of 500 copies, handmade numbered edition.* Nearly half a century after its original release, Franco Battiato's seminal 1976 compilation Feed Back is receiving its first faithful vinyl reissue as a lavish double LP set. This collector's edition meticulously recreates the original release that captured the Sicilian maestro's radical early period, now presented on 180g marbled vinyl in a strictly limited numbered edition. Feed Back stands as a crucial bridge in Battiato's evolution…
Tip! “I Racconti di Aretusa” is the result of the encounter between Lino Capra Vaccina, a legend of Italian minimalism, and Mai Mai Mai, the alias of Toni Cutrone, a key international figure in the avant-garde/drone scene. A work that weaves together experimentation and Mediterranean echoes, creating a sonic journey of rare intensity. The collaboration was born during an artistic residency for the Ortigia Sound System (Syracuse, Sicily), a festival dedicated to the dialogue between traditional s…
*2025 repress. 300 copies limited edition* 1973’s Sulle Corde Di Aries was Franco Battiato's third release and showed his fascination for electronic, minimalist and systemic musics, as well as his third chapter in Battiato’s foray into esoteric pop. While the artist would venture further out into avant-garde terrain on subsequent releases, his early records enjoy a lyrical and playful spirit—eschewing traditional, song-based composition in favor of kosmische voyages. On Sulle Corde Di Aries, Bat…
*2025 stock* Every Franco Battiato song is a universe to be rediscovered: Battiato is one and a hundred thousand, so many are the faces shown by the Sicilian artist during his long career and dozens are the songs that have been indelibly stamped in the memory of the Italian public.Franco Battiato's creations have never been “simple” songs but true sound journeys that in just a few minutes take the listener to discover cultures of faraway places, mysticism, philosophy, fragments of memories, quot…
*2025 stock* Every Franco Battiato song is a universe to be rediscovered: Battiato is one and a hundred thousand, so many are the faces shown by the Sicilian artist during his long career and dozens are the songs that have been indelibly stamped in the memory of the Italian public.
Franco Battiato's creations have never been “simple” songs but true sound journeys that in just a few minutes take the listener to discover cultures of faraway places, mysticism, philosophy, fragments of memories, quo…
*2025 stock* Every Franco Battiato song is a universe to be rediscovered: Battiato is one and a hundred thousand, so many are the faces shown by the Sicilian artist during his long career and dozens are the songs that have been indelibly stamped in the memory of the Italian public. Franco Battiato's creations have never been “simple” songs but true sonic journeys that in a few minutes take the listener to discover cultures of faraway places, mysticism, philosophy, fragments of memories, quotatio…
*2025 stock* Every Franco Battiato song is a universe to be rediscovered: Battiato is one and a hundred thousand, so many are the faces shown by the Sicilian artist during his long career and dozens are the songs that have been indelibly stamped in the memory of the Italian public.
Franco Battiato's creations have never been “simple” songs but true sonic journeys that in a few minutes take the listener to discover cultures of faraway places, mysticism, philosophy, fragments of memories, quotatio…
*2025 stock* Franco Battiato's 1980 album Patriots, his first for the major multinational company EMI, found him moving to more of a synth-based pop/rock sound, the better to create stirring anthems like the opening track, "Up Patriots to Arms." The 40th anniversary edition of the album adds four bonus tracks, including English- and Spanish-language versions of that song. Later Battiato albums would enjoy widespread commercial success, but Patriots set the stage for that mass popularity.
*2025 stock* L'Era del Cinghiale Bianco (The White Boar Era) marks the clamorous Pop turning point of Franco Battiato. Created with the fundamental help of violinist Giusto Pio, this work is widely considered a masterpiece, and in 1979 it changed the destiny of Italian music forever.Essentially, it is an album of transition: between past and future, between Prog experimentalism and a new intellectual form of Pop influenced by the New Wave.
The title of the album draws inspiration from a Celtic m…
300 copies. Double LP, gatefold cover + inserts. After Juke Box (1977), between September 1978 and March 1979, the inseparable Giusto Pio and Franco Battiato committed to three pieces that should be interpreted as a single work since they both pursue and envision a sound that is independent of any form of language: Motore immobile, L’Egitto prima delle sabbie, and Rappel. Motore Immobile by Pio (completed in October 1978) was published only in 1979 to avoid interfering with the release/publicati…
CD edition. There is no figure in Italian music, nor within the country’s shimmering, expansive avant-garde, who demands the respect and awe offered to Franco Battiato. He is the beginning and the end. An artist whose output, stretching across six decades, is so diverse and singular, that it defies any concrete definition - darting from psychedelic Prog, definitive gestures in the history of Minimalism, to the heights of explicit Pop. Like many of his contemporaries, Battiato’s journey toward av…
Franco Battiato's wonderfully lively 1973 concept album Pollution is an audaciously psychedelic album drawn from the space rock dimension with good portions of electronics and keyboard layers. Drawing heavily on the VCS3 synthesizer, Battiato and company (besides himself, three backing band members play synth as well) give Pollution an extreme electronic edge. With comparisons to Ash Ra Tempel, Faust, and Pink Floyd, Pollution was declared 'genius' by Frank Zappa.
Franco Battiato moved into the 1970s on the crest of the progressive rock wave. This 1972 impossibly strange record inhabits that nether world of pop music, electronics, politics and experimental rock. Fetus is an album beyond all definition. It's a masterpiece of daring and wild risks that work every single time. Battiato takes us through eight uniquely super-detailed songs that tug at the heart strings as no other experimental record ever could."Fetus is an album beyond all definition. It's a …
*300 copies limited edition* Once again Lino surprises us. Always a poet of silences and strictly acoustic sounds, now he offers an album where synthetic sounds are the protagonists. On the other hand, since the time of the collaborations with Franco Battiato, the VCS3 has been in the poetics of Lino and Franco. Thus, as often happens, even the new and the old are in sympathetic symbiosis. And this album is the definitive proof of this. What makes it truly incredible is that it doesn't matter wh…
"In 1980 the Italian musicians Piero Chianura (bass guitar, samples, synthesizers) and Luciano Margorani (electric guitar, devices) founded LA 1919 in Milan, Italy. False Memory Syndrome is their sixth album on which guest drummer Federico Zenoni can be heard on all tracks. Una Giornata Particolare - Ore 18 contains the screams of Enrico Salvi. It's not easy to describe the musical style of LA 1919; it's undoubtedly progressive, but without the rock references, nor is it freestyle jazz, backgrou…
Limited Time Offer Deluxe ltd. ed. LP edition with original gatefold cover artwork and 180 gr. Clear Red Vinyl. One of the best italian progressive rock/experimental album released in Italy "Vietato ai minori di 18 anni?" is Jumbo's third album from 1973, is their most ambitious work, containing strong lyrics and fragments of avantgarde-inspired music, with the help of Franco Battiato's great VCS3 oscillators and Lino Capra Vaccina's (of Aktuala fame) bells and chimes' sinister tolling. Long spa…
*White vinyl repress* Mindblowing! The last album of what could be called Franco Battiato's "experimental prog" period, L'Egitto Prima Delle Sabbie consists of two sidelong compositions strictly arranged for piano only, without any vocals; and even more intriguingly, neither of the performers on the album are Battiato himself. He limited himself strictly to the roles of composer and producer. After Battiato's many different sonic explorations and efforts throughout the '70s, such an effort may s…