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Friedrich Gulda, Ursula Anders, Barre Phillips, John Surman, Cecil Taylor, Stu Martin, Albert Mangelsdorff
Nachricht Vom LandeFriedrich Gulda (16 May 1930 – 27 January 2000) was an Austrian pianist, composer and musical crossover artist. Coming from a classical background, he began playing the piano at the age of seven. At the age of 12, he began his musical education with Bruno Seidlhofer (piano) and Joseph Marx (music theory and composition) at the Vienna Academy of Music, now the University of Music and Performing Arts in Vienna. At the age of 16, he won the Geneva International Music Competition and quickly rose to…
Mise En Abîme
2014 release ** "On his second octet release, Mise en Abime, Lehman continues his pioneering amalgamation of spectral harmony and jazz improvisation. Lehman’s music is that rare thing: experimental and avant-garde but also accessible. There’s a lot of academic information which flows beneath Lehman’s musical productions, but in simplified form, he composes microtonal music with ample harmonic movement. This is a unique kind of fusion, where a chord based on a harmonic spectrum can be easily modu…
Parasite
2009 release ** "The works of Antanas Kučinskas collected on the album "Parasite" are based on the method of re-composition, i.e. processing material with a strong historical and stylistic identity using techniques that are completely "alien" to him. I am talking in particular about sampling, loops and scratches, which make up the aesthetics that Kučinskas himself called "parasitic music". I am an omnivorous parasite: my works feed on existing music and develop at its expense until the complete …
Like Music To Their Ears Vol. 2
2004 release ** "This is a compilation from the French label Mechanoise Labs and, as it says in the subtitle, it’s ‘an international gathering of extreme electronics’. These extreme electronics are often presented in a noise form, but it’s not only about that. Some of the tracks, by Cutman (from France), Control (from USA) and others, are like a harsher noisy side of (post)industrial. Sometimes there’s use of talking samples or the noise atmosphere is building up with voice shouting in Cutman’s …
Into The Void
2005 release ** "Into the Void is a reflection upon the history and the recent changes in the Krakovian neighborhood of Kazimierz. The center of this meditation is the seemingly contradictory development of the last few years, which shows the attempts to re-animate Jewish culture. This piece is an attempt to reverse the seasons from summer to winter in the 700-year-old Jewish district of Krakow. What struck Meissner at first sight, was the glaring contrast between the rich, the rise of the mater…
Sparks
2007 release** "«Sparks», like the marconimen who occupied radio stations on ships at the beginning of the twentieth century. And this extraordinary album was essentially born on the radio, in the well-deserving Rai studios of Audiobox in 1995. Brooded over for over ten years, contaminated by subsequent experiences, these sound materials now return on CD, in a sedimented and coherent object, where cultured experimentation goes hand in hand with Central European popular music and new ethnic cross…
Ye Shanghai
2014 release ** "This recording features a concert by Italian composer and multimedia artist Roberto Paci Dalò entitled Ye Shanghai, recorded at the ORF Funkhaus in Vienna for Kunstradio. This complex and poignant sound collage is comprised of recorded voices that quickly dissolve into ambient electronic sound that grows increasingly in intensity over the course of this reflective piece. With mysterious instrumentation and vocal recordings, Roberto Paci Dalò creates a powerful composition of swi…
Pink Elephant
2015 release ** "The members of Nikolaus Neuser's "5tet" are new Berlin residents, some of them from the post-reunification era. The bandleader is a trumpet player in Silke Eberhard's two Eric Dolphy Project bands, and Eberhard, in turn, is the featured soloist in Neuser's ensemble, which also includes trombonist Gerhard Gschlößl, Mike Majkowski on double bass, and Bernd Oezsevim on drums. In her witty liner notes, Eberhard references the free jazz of the GDR; and the "Pink Elephant" respectfull…
Natural Incapacity
2016 release ** Relay For Death are the twin sisters Rachal and Roxann Spikula, whose noise mantras transcribe the harsh realities of urban blight that complicate and threaten their own survival. It was in the context of two month medical study that the Spikulas composed their debut album in 2009, amplifying the emptiness of hospital rooms into a ghostly pall worthy of the classic works by Maurizio Bianchi. Natural Incapacity sprouts from a similar research and development, manifesting from the …
Decay And Demoralization
2005 release ** "MAAAA's "Decay and Demoralization" comes at you with 6 tracks well over 60 minutes in length. This stuff is harsh and without a doubt the most extreme band coming out of Poland's underground today. Decay and Demoralization includes tons of power electronics and bizarre recordings that create an odd, otherworldly atmosphere stuck in a white noise frenzy. Banging metal, shrieking, dying, the cover of this album should say it all. These guys like to take the energy of punk rock and…
Wildflowers Under the Sofa
2007 release ** The third release by Italian duo consisting of sound artist legend Gianluca Becuzzi along with relative newbie Fabio Orsi, “Wildflowers” is a surprisingly passionate mix of found sounds, acoustic and electronic, along with some guitars to flesh out the vision. There are three fairly long pieces, which offer the duo the opportunity to develop the tracks through various moods and pitches; here, the traditional and the experimental dance around each other, with rhythms both borrowed…
Nowhere Campfire Tapes
2005 release ** "Third release under the pseudonym Punck for Adriano Zanni, an artist active in the Italian electroacoustic scene since the first half of the 90s. After his debut "Mu", released in 2002 on cd-r support, follows the 3-inch "A Movie Without Images" on the Ctrl+Alt+Canc label, a small netlabel founded by Zanni himself and dedicated to the diffusion of experimental sounds that, among other things, also includes in its catalog Ovo di Bruno Dorella and Sinistri. "Nowhere Campfire Tapes…
Ou
2015 release ** “OU” is the result of the collaboration of two atypical creators. Electronic composer Bob Meanza (“Cicadas”, 2013) meets sitar player Filipe Dias De in a cycle of musical performances in which they fearless blend improvisation, experimental electronics, drones and beats. In Berlin, city of electronic music, the two musicians are moving through different languages: Mediterranean background and Indian roots, with a Mitteleuropean perspective. Their music is the sound of a hypotheti…
Tone Redust
2006 release ** "There are a lot of spontaneous and “fortuitous” sounds from casual urban life in that music on the face of it. But it is impossible to be sure that these sounds are on the background of other elements or these sounds serve themselves as a background for something main… There are also some naive and unaffected chords played on acoustic guitar as well as some clinking and iridescent synth waves & gentle drones. Generally speaking, any tunes, any beats. But, on the whole the struct…
Today, This Moment
1994 release ** The Mosaic Sextet is Dave Douglas on trumpet, Michael Jefry Stevens on piano, Mark Feldman on violin, Michael Rabinowitz on bassoon, Joe Fonda on bass, and Harvey Sorgen on drums.
Actual Music
1996 release ** "Actual Music Now is the first recording in eighteen years by Dave Pavkovic and Tatsu Aoki. Their partnership is rooted in the myriad possibilities of a particular time and place, but there’s nothing rehashed about it. Between 1994 and 2004, they often worked together in Chicago’s jazz, post-rock, and theater scenes. The grave vibes, considered interplay, and elemental rhythms conjured here are spontaneous expressions of an encounter lived fully in the moment. While both men are …
Music 4 Flutes
1993 release ** "Sur cette gravure, Irmela Nolte propose un beau jeu allié à une technique nécessaire quant à ce répertoire, agile, au service des œuvres regroupées ici et dont l’on n’entend pas outre mesure son souffle ni sa respiration. Un panorama intéressant, avec 2 des 4 pièces en solo (1,3) et l’autre moitié où la flûte sera aidée d’un autre dispositif (synthétiseur en 2, bande et enregistrements préalables en 4) qui diversifie les procédés et rompt une monotonie possible dans ce genre de …