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Parts of Some Sextets, Yvonne Rainer’s 1965 performance for ten people and twelve mattresses, represents a turning point in the American choreographer’s oeuvre. “My mattress monster,” as Rainer calls it, was built in her formative years with the experimental downtown New York group Judson Dance Theater. In this work, she asserted her exploration of “ordinary” actions as well as her disregard for narrative constructions to create an intricate choreography that unfolded with a new scene every thir…
Starting with the film Monelle (2017), music has been a fundamental part of almost every work by the artist Diego Marcon. Federico Chiari’s compositions emerge from his ongoing dialogue with the artist. The music and the imagery take shape together, riffing off one another as they are interwoven to define both the structure and the emotional temperature of the pieces. The collaboration between Marcon and Chiari revolves around the deconstruction of codified genres, such as the aria, popular jazz…
From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.Six years after the exhibition From Concrete to Liquid to Spoken Worlds to the Word, and after a disastrous pandemic, the Centre d'Art Contemporain Genève presents the catalogue for this complex, ambitious proj…