*In process of stocking* Marco Fusinato is performing live in the Australia Pavilion for the duration of the 59th International Art Exhibition La Biennale di Venezia. He uses an electric guitar as a signal generator into mass amplification to improvise slabs of noise, saturated feedback and discordant intensities that trigger a deluge of images onto a freestanding floor-to-ceiling LED wall. The images are sourced via a stream of words that have been put into an open search across multiple online platforms. There is no theme as such, rather the immersion of sound and image is open for the audience to interpret and make sense of. The intent is to create some kind of hallucination, elation in disorientation and exhaustion from confusion. The work is an invitation for audiences to come together within a high-intensity concentration of energy. What can't be seen, can be felt: sound as physical matter which creates a transformative experience.

This expansive publication features a new essay by Branden W. Joseph, professor of art history at Columbia University and an extensive interview by curator Alexie Glass-Kantor with Marco Fusinato. It also includes texts by critical theorist and filmmaker Elizabeth Povinelli, AI researcher and author Kate Crawford, writer and curator Chus Martínez, and musicians/outre-guitarists Thurston Moore (Sonic Youth), Stephen O'Malley (SUNN O)))) and Bruce Russell (Dead C).