★Sub Rosa
Electronic Works & Voices 1961-1979
This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds. Leo Kupper was born in Nidrum, Hautes Fagnes (Eastern Belgium) on the 16th of April 1935. He studied musicology at the Liège Conservatory, then became the assistant of Henri Pousseur who, in 1958, had just founded the Apelac Studio in Brussels. Kupper started to work on his first pieces there, but he would final…
Film Scores
Classically trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improvisor, producer, writer and teacher based in Seattle. Her voice as a cellist, amplified or acoustic is full, textured, committed and original. A perpetual inquirer, she wanders recklessly across borders that separate genre, discipline, time and geography, performing in clubs, cafes, galleries, arenas, concert halls, sheds, ceremonies, barbecues, and sanctuaries.
Europa
Reissue of their 1982 mythic album: Europa. In that time, the onset of the eighties, we had the opportunity to create from sound itself instead of notes, from noise, screams, any chord, relevant or irrelevant.Xavier (with Stéphane Barbery, Digital Dance), had been in one of Brussels' first punk bands, Thrills. Alain had over 10 years of music experience and was influenced by Kosmische musik and all kinds of weird and experimental music; he had put together several improvisation ensembles in the …
Eselsbrucke
Cristian Vogel is a composer, music producer and music theorist. His work is known worldwide through state-of-the-art DJ and Live performances to compositions for choreography and many studio productions. Born in Chile 1972 and raised in the UK, he is now based in Berlin. Cristian Vogel has been a long-term innovator in the composition, mixing and performance of electronic sounds. Over a 20 year career at the vanguard of European electronic music, his work has been highly acclaimed for its quali…
Infinitesimal
Berangere Maximin was born in December 1976 on the remote French colonial Island of Reunion in the Indian Ocean where she resided until the age of fifteen. Performing first as a singer, she later studied electroacoustic music with the composer Denis Dufour (a member of the Ina-GRM from 1976 to 2000) at the Perpignan Conservatoire. Her first professional experiences occurred in Paris, and in 2002, she moved there permanently. From 2002 to 2007, whilst running the organisations Motus (concerts pro…
Correspondances
I had heard so much about the machine created by Daniel Aspuru that my curiosity turned to desire. The transductor eolico is not an easy item to move around and as there were no concerts on the horizon I decided to follow my intuition and invite Steven, Daniel and Manrico to spend some time in La Perrera, located in my house in Oaxaca, Mexico in order to experiment with the TE and eventually produce material for a record.During this ten day residence La Perrera was transformed into a recording s…
Neuroplanets
Neuroplanets' is a project by Novi_sad (Thanasis Kaproulias) which explores the aesthetics of information on sound. Initially based on multiple ways of audio analysis in rare sonic phenomena taking place on other planets, this project has been developed and executed by applying data and numerical elements from Neurosciences, on tracks commissioned from BJ Nilsen, Daniel Menche, Francisco López and Mika Vainio.
Neuroplanets is the follow up of Inhumane Humans (Sub Rosa New Series Framework 3/SR30…
YZ3Z2Z1S2, a Five-Letter Sufi Word
"My second complete Sufi word -- or cycle -- consists of five contrasting letters -- or movements -- calling for various combinations of soloists [2, 3, 4, 5], instrumental ensemble [1, 3, 5], and real-time electronics [2, 4, 5]. It confidently extends a global poetic design made of a quest for meaning, a taste for extraordinary adventures, an interest in the perfume of mystical ecstasy, and the pleasure of carefully sculpting the time and shapes that make up writing." Jean-Luc Fafchamps i…
Lith
New Series Framework is an extension of Sub Rosa's Concrete Electronics Noise, a mix-up of unusual conceptions of sound material by young unknown composers, well-known not-so-young composers and old but clever composers. Limited editions. For Lith, Francisco López and Aernoudt Jacobs shared their original sound recordings from the Brazilian Amazon, Mexico, and the UK and created four compositions with each other's recordings. Francisco López is internationally-recognized as one of the majo…
Processor
This is #12 in Sub Rosa's limited edition Framework series -- an extension of their Concrete Electronics Noise series. Antimatter is the sound work of Xopher Davidson -- an ongoing exploration into the material of sound. Xopher builds his experiments in electronic sound from a basis in painting, photography, and film, and through an interest in electronic circuits going back to building radios and homemade circuits as a kid. Over the last 11 years he has built and explored the sound world of…
Rubhitbangklanghear Rubhitbangklangear
DOUBLE CD EDITION: For the second time in 20 years Charlemagne Palestine and Z'ev performed together, and this was the first time they recorded it. Part of the Sub Rosa/Laboratoire Central sessions, this is unreleased material from Charlemagne's lair -- a place now called "Charleworld," where both fellows spent three days in June 2010. "I first started to play the bells while at a high school for music and art in the '60s at St. Thomas Church across the street from the Museum of Modern Art…
Programme Commun
Red vinyl edition, limited 250 copies. to Sub Rosa presents two substantial pieces from electro-acoustic musique concrete innovator Luc Ferrari: "Programme commun pour clavecin et bande magnetique" (1972), performed by Elisabeth Chojnacka, and another previously-unreleased piece that he held dear: "Les emois d'Aphrodite" (1986/1998), performed by San Francisco's MC Band under his direction. "'Programme commun...': Although cheerful, this piece of music asks a serious question: can one separate …
An Anthology Of Noise & Electronic Music Volume 7
These seven volumes represent a strong listening base, as incomplete as it may be, the basis for a near-infinite exploration through one's self, in the present tense.All in all, if I add up all these tracks, there are 176 of them, created between 1921 and 2012, for a total of almost 18 hours of music. The sphere of geographical propagation was kind of programmed at the start (between 1952 and 1970 there have been over one hundred national studios, mostly tied to radio, on all five continents), b…
Colofon & Compendium 1991-1994
Gatefold double LP version. Telephone terrorism tactics and voyeuristic ambience from the Scanner archive 1991-1994. Exclusive unreleased material. An eavesdropper's delight. "In the summer of 2010, I worked through my extensive archive of DAT tapes, cassettes and mini-discs, which had accumulated since 1977, and with the help of my ever-capable and patient interns, began the process of digitizing these materials. The result -- over 600 hours of largely unreleased material -- was overwhel…
Quintet
Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-piercing. At times, the music seems to lead us to a meaning that is deeper than the textual level. or is it the depth of another possible song? That's when the music takes us to areas that seem perpetually urging, more than their simple addition of voi…
By the Stream
A study of free-form improvisation, rhythm and language using vocalizations, cello and analog electronics. These recordings in two movements can be taken as, on the one hand, pieces for two voices and improvisation chamber orchestra (which is what the musicians felt throughout the recording session) and, on the other hand, pure free improvisation. Both voices in interaction, perpetually urging the other on, producing more than their simple addition, producing a third voice -- like a semi-au…
Rythmes d'etain
This CD represents the end of his trilogy, but certainly not the end of his adventure into Sound. Concerning this new opus, he says: I was going for a raw sound, close to the actual sounds made by the instruments and sources, with minimal dressing-up. The organ's sub-bass frequencies include extremely low frequencies. His range of instruments: Church organ, tympanies, bass drum, large drum, tubular idiophones, toms, cymbals, hi-hat, voices (sped-up, slowed-down, texts in Latin) + stokes and hits…
Musique pour l'Odyssee
LP version: This second Art Zoyd cult album has been unavailable for many years. Originally released in 1979, it is now re-released with new artwork and additional tracks. Released almost three years after Art Zoyd's first LP, Symphonie pour le Jour où Brûleront les Cités (SR 330CD/LP), Musique pour l'Odyssée (trans. "Music for the Odyssey") presented a slightly different version of the band. The nucleus of Gérard Hourbette (violin), Thierry Zaboïtzeff (bass guitar, cello, vocals), and Jean-P…
The Cloud Doctrine
Restocked: Sub Rosa presents a real sensation: 159 minutes of minimal electronic music, readings, and soundtracks from the archives of composer, poet, occultist, calligrapher, and original Velvet Underground drummer Angus Maclise from 1963-1976, featuring Tony Conrad, John Cale, Piero Heliczer, Beverly Grant Conrad and Hetty Maclise. This deluxe 2CD set features rare music, performances, soundtracks, and spoken word by this seminal poet and musician who was active in the New York avant-gar…
Nerve Cell_0 (For Cello and Computer)
"This work is not music in a conventional sense, it does inhabit that world, but in a new way. The cello is treated fundamentally, as a resonating body, transmitting sounds elementally. The bow on a string, the flux of weight, pressure, speed and angularity releases a myriad of complex sound phenomena. The juxtaposition of multiple sounds on adjacent strings creates fluctuating and rhythmical beatings. The detuning of the instrument increases its pitch potential and basso profundity. In combinat…