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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the USSR’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.
“This record is a labor of love and a long…
Jim Strong is a US based artist and musician who in recent years has left a trail of enigmatic releases on labels such as Vitrine, More Mars and Chocolate Monk. He will also be familiar to some for his past work with Melkings, Eyes of the Amaryllis, and Weyesblood. Now HoP is pleased to announce Jim’s first solo vinyl outing. My Enemies Are Mine To Keep is Jim’s most clearly defined statement to date. Its sides illustrate his self-sufficient, world-building methods through a mixture of orchestra…
Lee Ranaldo and Rob Menard have been friends and collaborators for years and this split cassette release on Important Records' Cassauna label amplifies their unique musical personalities and sonic compatibility. Both artists contributed over 30 minutes of music making this a pair of mini-albums on one tape. Ranaldo plays Farfisa, electric guitar, tres, marimba, bass and bells, taking the listener on a lyrical, hazy, ride full of life, time and echoing riff shimmer. Massive vibes from author, art…
Led by his childhood experience, Jorge Queijo prints memories of travels and paths on the album themes with no limits in the discovery of new spaces and sound possibilities of the instruments used.
*2024 stock. 150 copies limited edition*
Susana Santos Silva: Trompete, Flauta Irlandesa, Caixa De MúsicaJorge Queijo: Bateria, PercussãoCarlos Guedes: Electrónicas
Convidado Especial: João Menezes – Electrónica on “Desert Rush”
Gravado na NYU, Abu Dhabi, 2017, por Sami NacachMasterização: Miguel CarvalhaisCapa: SupercobraDesign: Jettoki DB
*2024 stock* Inland Empire (Império Interior), or the last brushstroke in a triptych that gazed at the stars, sowed winds and, finally, sought the geographical limits of a country.
Going over the obvious lynchian reference, the last of Wasser Bassin‘s compendiums dedicated to experimental music produced in Portugal brings to light the electronic abstractions of Caranguejos; the irreverent drones of Ehxispê, creative alter-ego of Rodrigo Vieira; and from the banks of the Côa, instead of rock engr…
Loris S. Sarid is an ambient composer and artist born in Rome but now resides in Glasgow. His previous release, "Music for Tomato Plants", was a quiet exploration of kalimba, glockenspiel and plucky synths. On his debut LP, "Seabed-Sunbath", Loris submerges into aquatic terrain with an expanded palette of virtual pianos, soft horns, kalimba, strings, synthesized voices, textural field recordings and a wide array of soothing electronic tones. On “Oats with Sarah” and “Lobster Island”, he also inc…
""Structurally Sound" is the fourth and final release by Baltimore/Australian band Smoke Bellow. Written over 2022 and 2023 at home in Baltimore, this record was born of the collaboration between founding members Christian Best and Meredith McHugh. "Structurally Sound" saw the duo partner with Baltimore percussionist Jen Kirby (Strange Times People Band) who had joined the band on many tours to promote 2021's "Open for Business" (Trouble in Mind).
"Structurally Sound" is the self-assured melding…
Tip! *111 copies limited edition in special packaging* "Last year, Martijn Hohmann bumped into Roel Meelkop (Thu20, Kappotte Muziek) at a concert, and as two like-minded musicians would do, let’s work together on music. Hohmann mailed drones and field recordings to Meelkop, who did his magic (as in processing and adding sounds of his doing). Upon completion, a second round of new sounds and new reworkings resulted in four pieces of music, each around 15 minutes, so a solid hour of music. I have …
*Limited edition in tin can with attached razor blade* "For reasons not of general interest, I re-discovered Vivenza’s music last year or so when I got some of the old vinyl and a CD again, and I played these with much enjoyment. I don’t know why Jean-Marc Vivenza never released any new music beyond 1994, but I am sure he has his reasons (a study in esoteric and philosophic movements may be the answer). The exciting aspect of his music was his recordings of machines, which he didn’t link to the …
De Fabriek Teams up with the great Ausland (Roberto Auser) for this wonderful journey. It's an album that travels the globe in search for a common language, only to find a Babylonian Confusion of Tongues
The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.
Icelandic composer Snorri Hallgrímsson releases "Longer Shadows, Softer Stones", his debut for Deutsche Grammophon. The EP will be released on 180g vinyl and contains six tracks written and produced by him. The multi-instrumentalist Hallgrímsson, who has already impressed with his skillful reinterpretations of works by Satie, Schumann and Boulanger, takes on the vocals and plays piano as well as electronic elements. He is supported by strings from the Reykjavík Orchestra under the direction of V…
An icon of Brazilian popular music, Tim Maia was a musical polymath and prolific recording artist best known for introducing American soul to the Brazilian music scene, pioneering the sambalanço style by blending elements of soul, funk, rock, and samba. Maia recorded four self-titled albums for Polydor Brazil, this fourth release from 1973 arguably the best, with its outstanding hits ‘Réu Confesso’ and ‘Gostava Tanto de Você’; ‘Do Your Thing, Behave Yourself’ shows how the soul form fitted him p…
For the first time on cassette, the soundtrack of this pure 1960s sexploitation film is available. Directed by Russ Meyer and starring Tura Satana, the film follows three infamous go-go dancers who go on a spree of kidnapping and murder in the California desert. The soundtrack of the 1965 sexploitation cult classic "Faster, Pussycat! Kill! Kill!" combines rock, surf, and jazz with the infamous dialogue from Russ Meyer's legendary masterpiece.
Heaven’s Gate, an American cult founded in 1974 by Bonnie Nettles and Marshall Applewhite, was known by various names over the years, including Human Individual Metamorphosis, Bo and Peep, and Total Overcomers Anonymous. The group advocated extreme self-renunciation, even to the point of castration. It gained widespread attention in March 1997 after 39 members committed suicide in a suburb of San Diego, California.
Acting on an anonymous tip, police entered a mansion and discovered the bodies of…
Elizabeth Clare Prophet's "Mass Against Rock Music" comprises recordings that document Prophet's spiritual campaign against the negative influences of rock music. These masses were hypnotic drone chants aimed at promoting spiritual protection and purity.
Prophet claimed to be a messenger of spiritual hierarchy known as the Ascended Masters, who she asserted communicated with her and through her. The teachings covered topics such as karma, reincarnation, and spiritual enlightenment, taking inspir…
Kieh! Kieh’s! Traumático Desmame, “Pseudonosologia da Psicopatologia” (2xK7 release, limited to 50 hand-numbered copies. Includes the 2nd issue of the “Berzerk” fanzine.)
From the catacombs of sludge comes an unprecedented monstrosity that will have you dunking your face in sulphuric acid while vomiting your guts out.
Raw sounds from spontaneous playing, singing, and shouting by children aged 5 to 7, recorded on various occasions at home and in public spaces. They use (sometimes brutalising) pianos and synths, electric and acoustic guitars, percussion instruments of all kinds, analogue gear such as radios, vacuum cleaners, and old TVs, as well as anything else they can lay their hands on.
“Sonny Clark’s music, in one of jazz’s truly magical periods, provides as good an example as any of both the music’s most lasting qualities and its transcendent nature.”