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Tip! An orchestra that played for Nazis. A silence that lasted for generations. A work that lets this silence speak, sing, and scream. Motvind Records presents John Andrew Wilhite’s monumental piece, Bristol Silence, written for the Motvind Festival and premiered at Hotel Bristol in Oslo in the summer of 2023. In this work Bristol Silence, the double bassist and composer brings to light a chapter of Norwegian music history that has remained in the shadows. Wilhite writes: "Having known that Nazi…
*2025 stock* A beautifully recorded session at Germany's Club Lila Eule for Radio Bremen from 1969 by the Marion Brown Quartet, his touring band at the time with AACM legendary drummer Steve McCall and German double bassist Siggi Busch and trombonist Ed Kröger, performing eight solid free jazz pieces including "Ode to Coltrane" and "Juba Lee"; a spectacular addition to Brown's discography.
"In 2016, I invited Norman Westberg to Australia for his first solo tour. He’d been in Australia a few years before that, touring The Seer with Swans, and it was during this tour that I’d had the fortune to meet him. Since that time Norman and I have worked on a number of projects together. He very kindly played some of the central themes on my Cruel Optimism album and I had the pleasure to produced his After Vacation Album. Last year Norman shared a multichannel live recording with me from a to…
"What remains after mutilating and reassembling an essential historical recording? How is it connected to a particular event in a grotesque and cyclical novella riddled with medical procedures of an aesthetic and deforming nature? Malakoot – this spiral, centres on a decision made one afternoon by a character. On a similar afternoon, full of anxiety, pressed by an unknowable presence in this city , I decided that the soundscape for such an inspiring work of fiction was a mutilated one; things co…
Sitting in a darkened room in Dalston, London… the music pushes across a very nicely tuned sound system, (a la Cafe Oto). The crowd is captivated by this multi-instrumentalist maestro Jimi Tenor. He plays smoky sax, juxtaposes it with some crazy Moog, all the while underlaid by a funky electronic looping groove. It's a conversation piece! At the end, Jimi says "I'm not quite sure what to do with this track, or what to call it"….
In a moment of 'bravado' one shouts out in reply "Release Me!", the…
Ramiro Rodriguez—Son Bayoú accordionist–shouted into the microphone: "We started at the pulga and now we're here!" The crowd erupted. He adjusted his red Hohner accordion to lead his band into a blistering rendition of Andres Landero's "La Pava Congona."
"Here" was the Contemporary Arts Museum of Houston: the Bayou City's preeminent modern arts museum which invited the group to perform their barrio cumbia inside their hallowed spaces. When I first met them, formerly as Reyno Sabanero, they had i…
*250 copies limited edition* After several killer EPs and tracks on labels such as Tresor, Multi Culti, Hard Fist, or Playground Records, Antonio De Oto aka A-Tweed finally delivers "Spring Music" his first solo LP via Abstrakce Records, changing perspective on his music and way of producing. A minimal approach, where echoes and reverbs become some of the main characters of the full journey, mixing up weird acid, experimental downbeat, electro, dub, and tribal vibes across a wide range of tempos…
"First visit to the audio equivalent of a graphic novel. Follow A Very Heavy Person is more than an album—it is an experience, an inquiry, an adventure into the unknown, defying easy categorization and existing in the liminal space between music, poetry, and philosophy. Armaroli and his quintet have crafted something truly singular—a journey through sound that is both timeless and profoundly rooted in the ephemeral beauty of the present moment." - Mark Corroto
Reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat. Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown. The result, …
Paul Wallfisch has played in bands like Firewater and Little Annie, while Dana Schechter has logged time with American Music Club, Angels of Light and her own Insect Ark, among others. They’ve been friends since meeting in New York in the 1990s. Years later they forged a stronger connection as bandmates in Botanica and palying with Swans. Over the years Paul Wallfisch has been a prolific composer for film and TV, including Dummy, with Adrien Brody and Milla Jovovich (which the musician also appe…
In times when arbitrariness, absolutist madness and the pressure to reject each other are boiled up into some kind of new normality, it sometimes feels as if you are doomed to drown in your sea of sorrows. Until you manage to resist the maelstrom, once again. To focus on the good and the beautiful, and to nurture it stout-heartedly. Nobody said, it’s gonna be easy. On his fifth album, Bruch seems to draw an analogy between the sea and life with his choice of title. The sea itself has never been …
One of the most important 'lost' music recordings out there, this is the original version of the classicl album - recorded in April 1966 - that Andy Warhol eventually presented to Columbia Records, who chose to reject the demos. The track order is different from the release, and the band didn't record "Sunday Morning" and "There She Goes" until later, so those songs aren't included here. Some tracks sound the same as the released tracks, and others are markedly different, and even a little rawer…
*Back in print!* By the time this album was released, Antonio Carlos Jobim was already an international superstar. Having recently won a Grammy (1965) for "The Girl From Ipanema", by 1967 all the big name stars from up north were breaking down his door to work with the new "Gershwin of Brazil." In fact, Jobim had just finished working on an album with Frank Sinatra when he went into the studio to record this album. Recorded in 1967, Wave is actually one of the lesser known masterpieces of Brazil…
When a limited edition 45 single landed on the desk of Jazz Room Head Honcho Paul Murphy he contacted the guys straight away. "Do you want a 45 piece of wax released on Jazz Room Records?" Bells were ringing! The A Side is a Latin Afrosound version of the Sun Ra Classic "Watusa". Featuring members of the Los Angleles based Afro Latin Beat Collective "Jungle Fire". You might have noticed this getting quite a few spins on the Gilles Peterson show on BBC 6 Music. The B Side is a funky version of th…
With Réminiscences (2017–2019), Jean-Claude Éloy embarks on an ambitious journey through memory, transformation, and pure listening. This vast electroacoustic cycle—comprising Incantation, Confrontation, Contemplation, and Oppression-Libération—draws deeply from the sound world of his seminal work Yo-In. Éloy recycles and reworks electroacoustic materials originally created at the Institute of Sonology (Utrecht, 1979/1980) and incorporates an extraordinary archive of percussion samples recorded …
A landmark archival release documenting Jean-Claude Éloy’s radical 20th-century innovations. This collection brings together three seminal works showcasing the French composer’s dual mastery of concert hall abstraction, cinematic narrative and GRM-era experimentation.
A long-awaited reissue of one of the most compelling scores in 1970s French cinema. Originally released in 1973, L'héritier reveals Michel Colombier at his most cinematic and experimental—blending downtempo funk, psych-prog atmospheres, and early electronic abstraction into a rich, dramatic soundworld. Now officially reissued for the first time by Transversales Disques, this deluxe 2025 edition restores the original recordings and expands the experience with five previously unreleased tracks fro…
A captivating compilation of eight tracks by Drissi El-Abbassi, Rai Sidi Bel Abbes – Volume 2 explores the fusion of traditional Raï music with modern electronic elements, highlighting El-Abbassi's soft vocal style and innovative approach to the genre's evolution
Two masters of free improvisation—Evan Parker and Jean-Marc Foussat—meet live in Insolence. Soprano sax and electronics intertwine in deep, lyrical tension. A vital transgenerational document.