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This is Electro 80's minimal punk at its very best - think Grauzone meet D.A.F. meet Suicide!Stephan Eicher recorded the totally 7 songs (only 5 were later released on the debut 7") on a simple dictaphone recorder with no overdubs or mixing and purely with 'stolen' equipment (after the Police stormed the Spex club where Stephan worked, and where the band that was supposed to play had to leave behind their equipment.).With almost no equipment he tried to reproduce tracks by his short living first…
Restocked, very last copies around: Doyle is another matter. This man is dangerous - he never plays anything you could recognize, just furious blasts of rage. His solo on "Domiabra" couldn't be written down, or even sorted out. It sounds more like raw energy than anything I've ever heard. He's nasty, man." These liner notes to the original issue of Noah Howard's 'The Black Ark' may define perfectly also this new, incredible album by Arthur Doyle, this time 'in solo' for sax, flutes and voi…
Ignored upon its release in 1974 and celebrated upon its reissue in 2001, Shuggie Otis' fourth and last album Inspiration Information exists out of time, a record that was of its time, but didn't belong of it; a record that was idiosyncratic but not necessarily visionary. It was psychedelic soul that was released far too late to be part of any zeitgeist and it was buried at the time. Yet no matter what David Byrne claims on the sticker - he says Shuggie's "trippy R&B jams are equal to Marvin's a…
A cerebral exploration of the intersection between rhythmic and ambient music, drawing together ideas of movement and stillness, psychedelia and presence of mind. On Chance Of Rain dance tracks are imbued with unpredictable structures, ambient drift and deep harmonic passages, while keyboard-based interludes reinforce both the far-out and contemplative aspects of the record as a whole.” The tracks on the album are apparently fleshed out versions of live hardware improvisations, a move not unknow…
Some cream for your acid-folk tea - hitherto unreleased sides from the two and a half bards (well, two bards and a maiden - forsooth!) who self-released All On the First Day back in '72. These include studio recordings from later in the 70s, a couple live songs and an outtake from the legendary album itself! Well, the first legendary album anyway - for Blue Clouds is clearly another.
Two unreleased long tracks recorded in 1982. These tracks were originally submitted for the Mail Art Music Project compilation LP. Only one minute of each track was published on the now extremely rare compilation album.Remastered from original master tapes. Cover photo taken in 1982 in Milan. Numbered edition with paste-on cover.
Patricia's warm, fuzzy post-techno-house slots neatly with the Opal Tapes aesthetic on his debut album, 'Body Issues'. Six tracks come off like a boosted 1991 or Huerco S, pushing malleable bass hits below swirling streaks of melody bursting with ferric quality. There's firm parallels to be made here with Anthony Naples, albeit with a noisier bent in 'Hissy Fit', whilst on 'Melting' juicy acid forms over a brittle jack track and the sweet-but-slamming 'Jospehine' and 'Plural' appear like some GH…
The hidden meanings are those that are at the origin of things. In an interview to Blow Up magazine in 2010, Venetian sound artist Enrico Coniglio, commenting on his aesthetic approach to the soundscape (it is the result of the aggregation of clusters of elements that have reason for existence in relation to their own specific function), marked off the traces for a path that some time later would take him to collaborate with the photographer and field recordist Giovanni Lami, from Ravenna, in …
Gabriele Giuliani has distinguished himself in the 90s for multiple activities in different territories. As Drif, runs through electronic environments, as Discordance instead are more ominously violent sides to emerge, while as Dead Body Love the sharp points of the ultra sound reached dizzying heights. Audiocide ‘95 is one of his first tape released on Slaughter Productions with his main moniker. Two tracks of hellish distortion and saturation, stripped of any frills and reduced to the p…
A 12' Vinyl with two remixed tracks from the CD "We know Chris Watson mostly from his works dealing with sounds from nature, animal wild life and stormy weather. A decade ago he worked as a sound recordist for the BBC who were doing a documentary on the Ferrocarriles Nacionales de Mexico, a train company with a trail from Los Mochis to Veracruz, coast to coast, through cities and wild life. All of that sound material is now used in 'El tren Fantasma', the ghost train (since it no longer ex…
Historical recordings made by Harold Norse when he was living with William Burroughs, Brion Gysin and Gregory Corso at the notorious Beat Hotel in Paris during the early sixties. By the time Norse arrived in Paris he had traveled extensively in Morocco and Europe and his poetry was already championed by people like W. H. Auden, William Carlos Williams and Tennessee Williams.
Together with Sinclair Beiles, Burroughs and Gysin, Norse was one of the first to apply the cut-up method. He made the tec…
Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
In our ongoing quest for music from the home of Alain Neffe and Insane Music Contact, we are extremely proud to release this CD. For about thirty years now, we at Plinkity Plonk have been great fans of the music of Pseudo Code, a trio of Alain Neffe, Guy Hinant and Xavier S. Electronic, minimal, desperate, lonely, frightful, and simply beautiful. Music that can only be fully identifief as Potlatch Music. Over the past thirty years a number of releases have been available displaying their unique …
Live recordings from Barcelona, summer 2009. Frankensteins Ballet features Mik Quantius (Embryo) speaking-in-tongues and Thomas Hopf on drums. Other members have played with Damo Suzuki, Michael Karoli, Michael Rother etc. Some serious damaged krautrock jams happening on this one, not to mention the weird dub space some of this is floating into. Edition of 70 copies.
Our Head Technician returns with the keenly awaited follow-up to his amazing 'Black Mill Tapes Volumes 1 & 2' as Pye Corner Audio, including the previously digital-only Volume 3 and the as-yet-unheard Volume 4. Lurking in the shadows between deep house, slow techno, Carpenter soundtracks and classic electronica, these sibling LPs transcend genres with hallucinatory, shape-shifting effect, trudging forth from the pastoral whimsy of the first volumes to a darker, less certain point on the horizon.…
In March 2005, drummer Teun Vergruggen (Jef Neve Trio, Flat Earth Society) invited the eccentric guitar player Mauro Pawlowski (dEUS, Somnambula) and Rhodes/piano wizard Jozef Dumoulin (Määk Spirit, Magic Malik, Octurn) to play a single session based on pure improvisation. The result left most people wondering how to categorize this music, and brought Othin Spake on the stage for many concerts. Six years later, the band has played in many jazz and alternative venues in Europe, released three …
...Mindblowing!!!! "Perpetually rolling, Japanese-American master percussionist Tatsuya Nakatani holds a relentless schedule, road-bound in continuous dedication to his passion. His solo sets thunder with coaxed nuances from his kit, overlaid in staggering bounty. Nakatani is also fearless when it comes to collaboration, and seeks it out adventurously during his extensive tours. In this spirit of combined efforts, Nakatani Gong Orchestra shines a different light in each new location it arises. N…
Nate Wooley, trumpet, amplifier. C. Spencer Yeh, violin, voice. Audrey Chen, cello, voice, electronics. Todd Carter, piano, electronics, edit. Blurring the lines between electronic and acoustic music, as well as composition versus improvisation, NCAT is an unique quartet consisting of an improvising trio whose music has been mutated and structured in post-production by its fourth member. The bulk of the musical material on this LP was recording at Steim in Amsterdam, during a residency of …
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
For many years now there is a strong connection between the three members of Kapotte Muziek – Frans de Waard, Roel Meelkop & Peter Duimelinks – and Rotterdam based visual artist Ben Schot. The first time they worked together was when Schot asked Kapotte Muziek to perform at a festival about Detroit/MC5/etc festival in 1998 (released on ‘Praag/Rotterdam’ CD by Kapotte Muziek) and since then there have been various collaborations and constellations. This CD, while technically a compilation, collec…