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*2023 stock* "Big Jim Sullivan's rock'n'roll credentials go back as long as British Rock's family tree existed. Big Jim's career started in 1959 after meeting Marty Wilde in the 3'i's coffee bar. He's played on fifty nine number one UK hit singles, and his lengthy career included stints with Tom Jones and the James Last Orchestra. Naturally, his Sitar technique was far superior to virtually anyone elses in the western world (yes even Bill Plummers!), although he still is no Ravi Shankar of cours…
Long-awaited compilation of hard-rocking, psychedelic songs from Indonesia's premiere rock outfit Panbers (Pandjaitan Bersaudara) culled from their most fertile years with Mesra Dimita Records.
Som Imaginário are the stuff of MPB mythos. Integral to Brazil’s Clube Da Esquina movement in the early 1970s, a heady blend of progressive rock, folk, psychedelia, jazz and traditional Brazilian rhythm flows through the three studio albums the band recorded between ‘70 and ‘73. Flying the countercultural freak-flag amid the context of military dictatorship, the Brazilian prog lords shared much of the sense of experimentation and bountiful fuzz bequeathed by their tropicalismo forbearers. But ar…
Stunning private press album from 1981 by Minas Gerais singer-songwriter Fernando Oly. Fernando Oly is a musician who was part of Lô Borges' band and took part in the recording of the album "Via Láctea" in 1979. He placed one of his compositions among the album's tracks: "Chuva na Montanha," whose original version was also included on “Tempo Pra tudo.”
"Modular synthesist William Simkin aka Nikmis returns to Third Kind with his fifth electronic outing for the label. His approach to songwriting is both classical-leaning and DIY, as he built his own synth in part using bits and bobs from his own ice cream van. One of his most charming and breezy efforts yet, it's analog ambient-electronica at its most deftly melodic." - Norman Records
Music From Memory is excited to introduce the self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschyar.
"Since he emerged in 2014, Tzusing's style of techno, tough and tactile, has differed from the grungy lo-fi with which L.I.E.S. is associated. Though the Malaysian-Chinese producer's music is loud and authoritative, he eschews the noise that defines some of his labelmates' music. On his first album, 東方不敗—named after a character, Dongfang Bubai, in a Jin Yong novel—industrial and EBM is the name of the game. Incorporating ideas from a vast array of artists across those genres, Tzusing's debut alb…
"Delmore FX (moniker of poet and artist Elia Buletti) is a purveyor and craftsman of avant-world and post-world sounds. His sophisticated but straightforward electroacoustic language made of experimental novelty and folkloric ancientness has the oblique capacity of making one listen, dance and think astray at once. "Scompaio" (I disappear) is the new full length work by Das Andere Selbst label’s bright spark. Built around the mundane but magic disappearance of shapes, things and beings alike in …
*2023 stock* Norma Tanega’s I’m the Sky: Studio and Demo Recordings, 1964–1971 is a comprehensive survey of the pioneering folk artist’s two commercially released studio albums, an unreleased album, and a trove of unheard demos. Before playing a pivotal part in folk music’s cultural crossover in the ‘60s, Tanega was a curious little girl born at the very end of the ‘30s to a multicultural Navy family in Long Beach, California. Her parents often brought her to Los Angeles for piano lessons, and e…
*300 copies limited edition* Inner Roads and Outer Paths is Herefordshire born Vic Mars’ third release on Clay Pipe Music. It follows last years ‘The Soundtrack To The Hospice’ commissioned by Gideon Coe for BBC 6 Music, and 2015s critically acclaimed ‘The Land and the Garden’.
Inspired by in part by Alfred Watkins words and photographs of Herefordshire, the record also harks back to a period in Vic’s youth spent exploring the abandoned houses and factories on the fringes of his home town; the i…
Standards of Living is a multimedia work that investigates the relationships between the desire for comfort and the forms of living in neoliberal society. The work highlights how our “standards of living” are reduced to surrogates for the utopia of contemporary comfort, with the aim of satisfying the global commodification of living. Standards of Living compares the authentic appeal of parquet flooring with replicas made of synthetic composite materials and adhesive laminates, which proliferate …
*200 copies limited edition* “Future Chorus is a conceptual release curated by Eleni Ikoniadou, researcher in Digital Culture and Sonic Arts at the Royal College of Art. A collection of readings, spoken word, nonlinguistic sound, poetry, MCing, cello and animal sounds were combined with machine learning processes to artificially generate a new voice speaking a nonhuman language. The vocal database and AI voice then became the raw material for five remixes by AGF, Chino Amobi, Harrga, Savvas Meta…
Tip! First reissue of these cult 1974 recordings of a Mayan brass band playing funeral dirges and popular songs in its distinctive extended harmonic and rhythmic style. The members of the San Lucas Band lived in the mountain village of San Lucas Tolimán, Guatemala, playing local events of both religious and social nature. The pride of their town since 1922, the band represented a fast disappearing musical tradition when these recordings were originally released in 1975. Their unique sound deriv…
The second part in a collection encompassing Akan blues, palm wine and early guitar-based highlife music, with recordings dating from the late 1920s through to the end of the 1950s.
*150 copies limited edition* In 2010 Giovanni Di Domenico formed a band called “Mo(ve)ments Ensemble” and released a CD on Belgian independent label Spocus. The concept and repertoire of that band reflected Di Domenico’s love for subtle orchestration and chamber music sensibilities, the basic idea behind it being the dissertation of the organic elements that form the instruments involved (in that case the wood of the strings and clarinet) and the re-construction of them by means of musical ideas…
Tip! For José Manuel López López it is essential to approach the works on this album with an open mind and to explore other forms of instrumental expressivity and sonic emotionality. He draws significant conclusions from these seemingly fragile figures, gestures and minimal elements, which evolve and multiply to achieve a great expressive and formal perspective. All this affirms a hallmark that reveals a great continuity and coherence among the works included on this album.
This record is a nice summary of some of the band's earlier work -- when infamous bassist Moriaki Wakabayashi was still playing before he went and hijacked a plane (he was a member of the "Yodogō Group" of the radical New Left Japan Communist League's "Red Army Faction" that carried out the hijacking of Japan Airlines Flight 351 in 1970, ultimately forcing the plane to fly to North Korea, where Wakabayashi currently resides). A seemingly endless sonic flame-throwers of phased white noise streak …
Temporary super offer! Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust -- formerly of the Holy Modal Rounders -- on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945 -- 1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later a…
“Repeated listening discovers more and more nuances in the subtle interplay and the clever and endless sonic games of these pioneers of European improvised music.” - Eyal Hareuveni, Salt Peanuts