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The classic, genre-defining 1993 album from Lull - the pioneering, isolationist dark ambient project of Mick Harris of Scorn, Fret, ex-Napalm Death - is a dark journey through the Stygian netherworlds of Hell. The listener is left with the impression of a final escape into reality; a return upon waking, with only wispy trace memories and the heavy rush of blood-pumping fear as a keepsake. With this album, we are plunged back into a dark pit of noise - all escape barred, all hope dashed. The nigh…
*200 copies limited edition* In a recent interview, the california artist Jim Haynes was asked to name his top five noise albums. In quick fashion, he listed Off Kill the King, Send, Desnos, Persona, and Carcinosi. Since then, he's equivocated on which albums to choose, but the artists behind such works remain as the adjacent signposts and landmarks to his own constructions of industrial noise. How those records connect to the output from haynes is found in their unique combination of smoldering…
*Edition of 300 copies* The original release of Nurse with Wound's gargantuan "Thunder Perfect Mind" in 1992 coincided with that of Current 93's homonymous genre-defining album. Legend has it that the gnostic name initially appeared to Steven Stapleton in a dream as the title of Tibet's then still nameless upcoming album. Both records feature contributions from David Tibet, Colin Potter, Rose McDowall, John Balance of Coil, Alan Trench of Orchis and Joolie Wood amongst others. The title and the …
*250 copies limited edition* Mostly known for his work as founder, vocalist and main songwriter for The Legendary Pink Dots, Edward Ka- Spel has long forged an equally prolific career as a solo artist given to sometimes exploring similar sonic realms as his group but clearly working at such a pace the need to channel ideas and songs in this capacity must be enforced. And just as well too, because Edward Ka-Spel is one of those rare and exceptional artists whose high workrate doesn’t betray a kee…
Huge Tip! 400 pages, 387 Images. The story of the legendary Swedish psych rock band Träd, Gräs och Stenar is also a defining story of alternative culture. Across multiple incarnations, the musicians of this iconic group (whose name translates to “Trees, Grass and Stones”) have drawn on their roots in jazz and the avant-garde, the iconoclastic art and theater of the 1960s, and the back-to-the-land “green wave” movement to blaze a pioneering trail across fifty years of endlessly improvisational, r…
Edition of 50 copies, in a special spray-coated box edition. The second release from the archive of the series “Bricolage” by music critic Agi Yuzuru (of Vanity Records fame)who passed away in October 2018. The latest “cutting edge music” was transformed by Agi’s original interpretation. This edition includes the complete set of four discs recorded at four events in 2014. Mastering by Kentaro Hayashi, highly appreciated by Agi in his later years. In outer bag with the same file hole as the 0g se…
The five-channel sound installation "Stolen Scars" by Eiki Mori was exhibited in the "Takamatsu Contemporary Art Annual vol.10 There Is No Boundaries Here./?” at the Takamatsu Art Museum from February 11 to March 21, 2022. And this is the documentary soundtrack of that work.
“There is a boy who has been deeply hurt, heartbroken and has not recover yet. You can’t talk to him or rub his back. Instead, you can only ring this bell for him.”
When Mori created "Stolen Scars,” he first sent a handbell …
Composed by Takahiro Kawaguchi. Performed by Shinjiro Yamaguchi, Satoshi Kanda, Kanako Kawaguchi and Takahiro Kawaguchi. Droplets of water are set to drip from three infusion containers suspended from the ceiling, each at a different speed. Each of the three players produce sound by rubbing with their fingers a wine glass that catches the droplets from one of the containers, with the scale changing according to the amount of water that accumulates. The first track documents this process for te…
English/German. Kunsthalle Fridericianum between 1 April and 10 June, 2001. The booklet includes many images, a foreword in German by René Block; an essay entitled "Pictures of Sounds" by Volker Straebel in German with a side-by-side translation by George Goodman; a transcription of a conversation between Julius, Straebel and Aki Takahashi in English; Julius' chronology up to 2001, in German; and credits in German
Rolf Julius has frequently been compared to John Cage for his attempts of integrating the world of common noises into the realm of sounds. "The surface of a sound interests me. Is it round or angled, grinding and raw, or smooth, etc." Julius thus creates extraordinary sound installations which can be described as "music for the eyes" and have secured him an unmistakeable place in the spectrum of contemporary art.
Art-Record / Handmade Art Edition of 100 Copies in Box with 4 Prints & 2 Inserts. This is the first vinyl record by the legendary Rolf Julius (1939-2011) whose work is largely focused on “small music”, or sounds so subtle they’re barely discernible. One of the most significant artists in the border areas of music and fine art, Julius, like John Cage, works with the term of "silence", and sound is a liminal listening experience. The sounds in Julius' works have spatial and physical qualities such…
If any one musical act of the rock and roll era can be said to have transcended the simple categorization of “band,” the Grateful Dead is it: by the time they stopped performing in 1995, the Dead had become an international institution with a vast backing organization, a massive and devoted fanbase, and archival recordings both official and bootlegged. The cultural significance of these bootlegs—live concert cassettes which solidified the Dead’s legendary status even as they occupied a legal gra…
How can thoughtfully and intentionally listening to our world inspire our creative practices? What insights can we gain when we delve into the immersive world of sound, which permeates our every moment? In Transcendent Waves, sound healing practitioner, meditation teacher, and artist Lavender Suarez outlines how listening can unlock moments of creative spark, self-awareness, and mindfulness in a work that is equal parts how-to guide and contemplative artist’s workbook. Suarez's illustrated medit…
416 Pages, softcover - Published by Steve Lawrence and edited with Peter Hujar and Andrew Ullrick, Newspaper was published in New York City between 1968 and 1971. Newspaper was a wordless, picture-only periodical that ran for fourteen issues and featured the disparate practices of over forty artists. With an editorial focus on placing appropriated material alongside new works, the periodical sought to codify a visual language of high and low culture that represented contemporary society in the …
Filled with artworks, photos, and memorabilia, this epistolary portrait depicts Wojnarowicz's development as a writer and artist via his heartfelt letters to his Parisian lover.
* 2023 Stock * Exhibition catalog published by Mela Foundation presenting Jung Hee Choi’s Ahata Anahata, Manifest Unmanifest VIII. It features large-scale multimedia installations including Environmental Composition 2014, an installation version of Color (CNN), and a sound environment, Tonecycle Base 30 Hz, 2:3:7 Vocal Version with La Monte Young, Marian Zazeela and Jung Hee Choi improvising over the 77 sine wave frequencies that are imperceptibly changing. The relationship of their improvisatio…
*100 copies limited edition* Second edition of these early ambient recordings by Stijn Hüwels. Originally released on cassette by Dauw in 2014, in a hand-numbered edition of 50 copies.
*102 copies limited edition* For anyone who's spent real time in the heavier quarters of the many-chambered underground in the last three decades, Andrew Nolan is a recognizable name. "Black Creek" represents an early entry in his most recent strain of solo work, which draws on dub and hip hop filtered through a studied lens of industrial dread (or maybe vice versa). Originally released as a cassette in 2021 by Seith Communiti, it's now presented as a limited LP in screen printed covers. The mus…
Tomáš Niesner has been making a name for himself in recent years by way of his solo ambient/drone excursions and the intricate melodicism of his collaborations with Jakub Šimanský. But it was “India Vibrations,” a digital self-release of lo-fi manipulated field recordings captured during a trip across North India, that really caught my ear: the cacophony of street festivals juxtaposed with the solemnity of houses of worship, all recorded on an “obsolete cellphone” and then looped and layered, ab…