New Arrivals

Tip! To get a good handle on ‘Aslope’ look no further than the intricate ‘Scattered sprinkle, no turn’, a 12+ minute collage of moonlit organ vamps, stifled voices and disembodied, robotic poems. Heaving from smeary abstraction to penetrable drama almost imperceptibly, featherlight rhythms are cut short by uncanny voices: “stop, turning, a page,” like some rogue navigation assistant, slicing into ticking clocks and xerox noise. It’s like listening to a film without access to the visuals - all th…

There is a delicacy and a passionate hardness, stripped bare of cloying sentiment. Its rawness is the exuberance of sound overflowing, basking in its self-created luxury…. It is, every bit of it, composed the same moment you hear it.

Pedal steel innovator Susan Alcorn combines Chilean folk and nueva canción with free improvisation and contemporary classical on breathtaking new album.

Maromas is the debut recording of the duo of Ingrid Laubrock and Cecilia Lopez. Recorded in April 2022, the album is a collection of improvised pieces for tenor and soprano saxophone, processing and electronics. Maromas refers to the doing of tricksters, conjurers and acrobats. The music is dark, harsh but also playful in its pirouettes. The electronics process the saxophone as much as the saxophone plays the electronics. Both voices became a third two-headed creature sometimes alienating the so…

"If you're feeling pressed by the demands of the Imaginary Empire's vicious circuitry, whether you're on the outside or a little too inside for your comfort, here's an opportunity to experience something real, satisfying, and original. Most of the world may be going all wrong, but The Fully Celebrated Orchestra are always 'Right On.'" - Brad Lingham

*2024 stock* This music is improvised and inspired by Judith Schalansky’s book "Atlas of Remote Islands: 50 islands I never set foot in and never will." The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics.

Mature Defense Mechanism is an improvised experiment in the relationships between rock and jazz characterized by whimsy amidst seclusion. It’s natural territory for guitarist Kirsten Carey and drummer Aaron Edgcomb, who are both gaining reputations for adventurous and wide-ranging approaches to music making.

We maneuver through woody sounds created by individual movements and decisions. Our cello playing is free from classical patterns, a real achievement! It is not natural to develop one's own approach to this high culture instrument. In this trio there are three multi-layered variations of personal expressive will and power.

Tip! French free vocalist Isabelle Duthoit and trumpeter Franz Hautzinger recorded these highly unusual duos to celebrate Hautzinger’s 60th birthday year. Using extreme techniques to create 11 uniquely aberrant accompaniments to your most subtle and strange dreams.

Space is the trio of Lisa Ullén, Elsa Bergman and Anna Lund based in Stockholm, Sweden.This is their second album. Their music is totally improvised and has a strong connection to the traditions of free jazz and European contemporary music.

Silver Dawn is an ethereal collection of improvised vignettes performed on solo Hardanger d’amore, a sympathetic-stringed relative of the Norwegian Hardanger fiddle. Resonant strings and wordless vocals are gently guided by the cyclical momentum of dance and the instrument’s lingering overtones, magnifying moments of transience in suspensions of time.

The ensemble is all powerhouse performers but, like a stream is one stream with one name below the confluence, though they may lend their distinctive voices, this is a singularly cohesive unit that subsumes individual style. Each musician recorded themselves separately, except Angharad Davies and Magda Mayas, who were recorded by Tony Buck.

This is the first collaboration between Australian improvisor Chloë Sobek who plays the Renaissance precursor to the double bass, the violone and New York saxophonist Time Berne.

* 300 copies, machine-printed numbered edition, 180gr vinyl *A beatiful reissue of Flavio Giurato's second album released in Italy in 1982, whose original edition usually sells for crazy prices on the second-hand market. This undervalued piece of work was perhaps too unusual during the time of release to get the full attention it deserves. The powerful image of the high diver re-emerging to the light and air after his performance orchestrates and subsumes the spirit of the whole work, in which s…

“I was born in the sun of a big country that free maybe never was, a big country of happy people, of big forests and big cities.” This is how Alberto Camerini's second album opens, and it is clear from the outset that one is dealing with something not easy to categorize, wild, but equally enveloping and fascinating. The overall sound, while diverse, retains its own continuity and comes across as a blend of Brazilian sounds, singer-songwriter songwriting, and DIY bedroom electronics, with Camerin…

Big Tip! From 1969 to 1972, Third Ear Band released three albums on the progressive Harvest label, of which "Music From Macbeth" (1972) was the best known and most commercially successful. On April 24, 1970, the Third Ear Band performed at the 2nd Essen Pop & Blues Festival. For some reason, they did not appear on the official poster for the event or in the festival program. The line-up was packed with acts like The Flock, Ekseption, Rhinocerous, The Groundhogs, It"s A Beautiful Day and the stil…

For the biggest artists to the most underground, field recordings have become the vital spark of electronic music. Whether documenting nature, sampling the city or capturing the atmosphere of archaeological sites, musicians are using found sounds to make sense of our world. Ears To The Ground explores the relationship between electronics, landscape and field recordings in the UK, Ireland and around the globe, discovering how producers and artists evoke the natural world, history and folklore thr…

2024 stock 180gr pure virgin vinyl LP in Gatefold packaging. "Mingus Ah Um", featuring an all-star group including Jimmy Knepper, John Handy, Booker Ervin and Curtis Porter (aka Shafi Hadi), was Charles Mingus’ first LP for Columbia. The Penguin Guide to Jazz called this album “an extended tribute to ancestors” and awarded it one of their rare crowns. Reception was also good when "Mingus Ah Um" was first issued. Leonard Feather gave the album a five-star rating in Down Beat, stating: “First let’…

Tip! This well recorded and carefully mastered set captures the most famous version of the band (the ‘classic quartet') on their final European tour on two consecutive nights on February 27 and 28, 1971. While the two sets from the second night (February 28, 1971) have been released before, this is the first time that the entire two-night stand has been released. So half of this is previously completely unreleased. This is a excellent, stereo recording of the band performing in a relatively smal…

Hannah is a project written, recorded and mixed by Cole. It was composed for David Ryan's exhibition Civil Hope (l'eau qui fend la pierre avec l'herbe - Acte 1). It was heard in the exhibition space at the Maison Salvan (France) from October 14 to December 16, 2023. Hannah is David Ryan's Irish aunt, a central and beloved figure in the vast world of the visual artist's work. Cole's sound creation is tinged with mythology. Powerful forces seem to confront each other on different scales. The prota…

*2024 stock* This 7-inch record contains two audio adaptations by Josie Perry of her performances 'Retainers' and 'Toy Shop'. Josie is based in Glasgow and works mainly between drawing, sculpture, performance and publishing. The performances connected to this vinyl were part of a series made between 2019-20 involving absurd narration, audio loops and suggestive props. 'Beautifully Formed' is a short extract from the longer piece 'Retainers', while 'Toy Shop' uses the full transcript. Both works …

**250 copies** Mastered by Scott Konzelmann, cover art and letterpress printing by Patrick Barber, label art put into form by John Hubbard. "When Small Cruel Party was active in the early 90s (before going on a long hiatus), there were several 7" releases, a format William Ransone seemed to enjoyed for his somehwat conceptual releases. Now there is a new 7" and in both pieces he uses sounds from a radio. First there is 'Qui se poursuit dans le vide et substitue à son accomplissement une horrible…

*2024 stock* 180-GRAM SOLID BLUE VINYL " Ahmad Jamal’s sometimes reputation – now mercifully long since put to bed – as a cocktail pianist suggests only the most superficial listening to his work. Take the effective title track of this album “But Not For Me”. Jamal and drummer Vernel Fournier give the theme considerably more rhythmic dynamism than the original score suggests and with the implicit hint of a Latin beat already running through the music, Jamal sets up a propulsive series of musical …

*2024 stock* "This Is Our Music" features Ornette Coleman’s (1930-2015) wonderful piano-less quartet with Don Cherry, Charlie Haden and Ed Blackwell. The group consisted of modern players working with the same concept: a freer way of playing jazz, which transcended the strict confines of melody, harmony and rhythm. They would create a whole new idiom by constructing music via the interplay of simultaneous collective improvisation. Coleman had made his debut on records in February/March 1958 with…

Huuuuge Tip! Gustavo Costa is a central figure in the experimental Portuguese scene, being active as a musician, composer and promoter for the past three decades in diverse musical configurations, and also renown as one of the leaders of Porto’s collective Sonoscopia. Following his first solo percussion record Entropies and Mimetic Patterns, released in 2020, on Natura Mimesis the original composition techniques, which are mostly based on musical transcriptions from natural phenomena, are now ap…

Third in a series of ten reissues of the cult French underground Futura label. Featured on the legendary Nurse With Wound, this is one of Steven Stapleton’s favorite. Semool were the trio of Philippe Martineau, Olivier Cauquil and Rémy Dédé Dreano. Comprising Philippe Martineau, Olivier Cauqui, and Remy Dede Dreano, Semool turned in a pretty hard to swallow set of tunes, recorded between 1969 and 1971. For the most part, the disc is populated by a series of cut up and spliced together tape pie…

Souffle Continu Records present a reissue of Jean-Francois Pauvros and Gaby Bizien's No Man's Land, originally released on Un-Deux-Trois in 1976. Whether it is with the label Palm, or for Un-Deux-Trois, Jef Gilson has produced some of the best albums of French free jazz and improvisation. But that's not all: he also offered perfect recording conditions enabling some of the fresh young talent to emerge, including Daunik Lazro, André Jaume, and Jean-François Pauvros, all three of whom released …

Double-LP with 20-page booklet with all Crumb previous artworks for the band's albums plus unseen photos. Nicknamed the Primdufs, the group have a passion for the obsolete French "valse musette". But their take has nothing in common with the smutty chords of popular balls and singalongs in little town halls. This is "bal musette" with balls, it's genuine, virile, and authentic. Though these noble savages like rummaging around in 1920s Paris, they don't shy away from including rhythms from all ov…

Limited edition of 700 copies. Obi strip, reverse printing, 12 page booklet.. Souffle Continu Records present the first ever vinyl reissue of Free Jazz Workshop's Inter Fréquences, originally released in 1973. The Free Jazz Workshop came into being in 1967 but their first album, Inter Fréquences, only appeared in 1973. Unfortunately, there is no recorded trace of the group including the first drummer Pierre Guyon before he was replaced by Christian Rollet in 1970. One of the slogans doing the ro…

Douglas Ewart is no stranger to present moments. He has been a creative force – and AACM pillar – for decades and brings his life-affirming energy and formidable artistic prowess to bear wherever he goes. Emphatic Now finds him in Provo with fellow improvising gurus, Christian Asplund and Steven Ricks. The E A R Trio (get it?) found time to record their musical encounter at Brigham Young University during Ewart’s 2022 residency there (12 years in the making). They planned for a long session in M…

Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs. The music of this album from MC Maguire’s apocalyptic aural imagination, is poured into tw…

In 2021, the Galan Trio – an epic classical piano trio hailing from Athens – built a bridge from Greece to the USA in the form of ten new works for piano, violin, and cello from composers based in the Southeast and Northeast. The project, aptly named Kinesis, met with such acclaim that their odyssey now continues with another phase: twelve commissioned works covering the Midwest and South Central states. Praised by Fanfare magazine for the “open ears and flexibility they display in so many idiom…

Violinist, Hanna Hurwitz, is a musician who champions the very latest contemporary classical works – she is a member of Chicago’s cutting-edge Grossman Ensemble and Ensemble Dal Niente after all – but she is equally at home among solo and chamber works from past eras. For this album, she goes back one hundred years into neglected jewels of the repertoire from that time, bringing her fresh perspective to current ears. She writes, “I wanted to highlight my orientation toward collaboration through …

Crescent is the first solo album from acclaimed composer and performer Kamala Sankaram. Summoning a wide array of timbres and styles, the album traces the impact of human technologies on the natural world, fusing the sounds of steam engines, helicopters, and electromagnetic static with field recordings from across New York State in both composed and improvised settings for voice, percussion, and electronics. The song cycle Crescent is a showcase for Sankaram’s expressive singing and use of exten…

Big Tip! Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a revised, remastered reissue of famous giallo score composed by Ennio Morricone in 1971 for Cosa avete fatto a Solange?, directed by Massimo Dallamano and starring Fabio Testi, Joachim Fuchsberger, Cristina Galbó and Camille Keaton. Morricone’s thriller scores remain some of his most distinctive and original works. As demonstrated in his scores for Dario Argento’s efforts in the genre, Morricone’…

Robert Carl is no stranger to space. Standing on the shoulders of such visionaries as Charles Ives, Carl’s early compositions ranged far and wide through musical history, the “ultramoderns,” and beyond. Recently, however, his works have forged a new direction: a personal take on the ever-expanding spiral structures of the overtone series. Infinity Avenue offers six of these monumental sound experiences, taut in their simplicity yet expansive in consciousness. A state of being “close to nature” i…

It is often said that the cello seems like an extension of the human body; the intimate, resonant pairing melds the two into a larger instrument. It is said too that the cello ‘sings’ when played well. In this album, however, it becomes an even larger whole and enters the realm of speech and language, melody and narrative. In the hands (and vocal cords) of Bryan Hayslett, the cello-human bond takes on new dimensions. Cello Unlocked is a foray into the synthesis of language and melody, blurring t…

If music grows out of a sense of place, then it follows that related places might have related musics. That idea is the springboard for this album that nods at 400 years of links between two vibrant cities. When the Dutch founded Nieuw Amsterdam in the 17th century, they provided the impetus for the growth of a city that shared many values of its model. The multitude of languages, ethnicities and nationalities, as well as an atmosphere of religious tolerance, made for an astounding uniqueness of…

During the Covid doldrums of 2020, the wind faculty at the University of Massachusetts Amherst, like so many of us, experienced acute loneliness and isolation. As musicians accustomed to the musical and social connections that come from the intimate art of chamber music, they longed to channel their creative loss into something meaningful. Bandwidth – a mission as much as a group – emerged to champion chamber repertoire for wind instruments, foster connections between faculty, and provide a mode…

To the bemusement of the rest of us, mathematicians often describe certain equations, processes, and proofs as “elegant,” “beautiful,” or even “sensuous.” Artworks based on algorithms, conversely, might seem less predisposed to such descriptions. But what if those complex calculations actually produced perceptibly emotional qualities? Take, for example, the work of Spanish composer-mathematician Juan J.G. Escudero. His cult classic, Shapes of Inner Timespaces (Neuma 134, 2021), evoked such respo…