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Sketchbook, September 1977 is an early journal by Greer Lankton written during her time as an art student at the School of the Art Institute of Chicago. It offers key insights into the artist’s mind before her move to New York in 1978, where she would go on to have a prolific career making lifelike dolls, theatrical sets, photographs, drawings, and paintings.
Containing drawings, behavioral diagrams, and occasionally confessional writing, the journal is a record of imagining the body and mind re…
“It was only with Partch that a music began to take shape that could do equal justice to the physical desire for rhythmic pulse and a curiosity for new, unheard sounds; a music that enthralls us despite, or rather, precisely because of its unfamiliarity. A music for which we have no category, and which has no location, and yet in a strange way is grounded.” – Heiner Goebbels
The American composer Harry Partch (1901-1974) is considered a pioneer of the Just Intonation movement and was far ahead o…
*2024 stock* At the end of the 1960s, a group of excellent musicians formed in Germany that soon attracted the attention of the music world. They all not only came from different countries of the world, but also had different musical backgrounds: musicians from the Berlin Philharmonic played with musicians from Africa, South America, Asia. They came together to compose and improvise together. What happened musically was (according to a German expression) "between all stools", hence the group cal…
*2024 stock* “Between stood and still stands for the simultaneity of things that are really mutually exclusive” (Peter Michael Hamel, 2005). “Originally we wanted to call the project B.A.C.H.,” Peter Michael Hamel re-calls, when, in 1970, they were looking for the most unusual name possible for a extremely unusual formation. “Naturally we chose in it in part in allusion to the immortal baroque composer of that name, but above all the letters stood for “Between All Chairs.” That’s exactly how we …
For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works.
Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…
*2024 stock* Live recording of the piano recital for the eightieth birthday of composer Hans Otte that Philipp Vandré and Elmar Schrammel presented at the Akademie Schloss Solitude in Stuttgart. A selection of John Cage's "Sonatas and Interludes" for prepared piano was interwoven with selections from Hans Otte's piano cycles "Das Buch der Klänge" (The book of sounds) and "Stundenbuch" (Book of hours). This concert experiment, conceived by Ingo Ahmels, paid quiet homage to the "beautiful piano so…
"Materia Breve" is composed of residues. Fragments of field recordings; still images of small landscapes, enlarged to show their grain. The simple gesture of gathering what remains, stirring the embers.
A new art book covering similar themes and ideas as Black To Comm's At Zeenath Parallel Heavens album. Plus a free to download new Black To Comm track collaging various elements from the last album into a 13-minute aural trip.
• Open thread binding with fold-out 4-page cardboard cover• Thick tip-on cardboard backcover• Green thread• Size: 13 x 17 cm, 88 full-colour pages + 4 cover pages• 1st edition: 100 copies
This is a lovely handmade edition made by a quality printhouse - thus the slightly h…
* Double CD set containing both albums - Music for Save Rooms 1 & Music for Save Rooms 2. First edition of 150 copies * John Also Bennett’s Music for Save Rooms 1 & 2 compiles two volumes of minimal music conceived as infinitely looping and morphing compositions for “save rooms” - temporary safe spaces within video game maps. The compositions primarily stem from a week spent at work in a former military barn in the Marin Headlands just north of San Francisco, spurred on by multimedia artist and …
** Deluxe Vinyl Version Vinyl 180 gr. remastered from original analogue tapes. Single cover with 30cm 8-page booklet. ** From Gleam Records, one of Italy's most engaging imprints dedicated to the outer reaches of jazz - comes a true marvel: the first ever vinyl reissue of Modern Art Trio's lone self-titled LP, originally released by Vedette in 1971. A rare and thrilling artifact that utilizes serialism and 12 tone technique within the idiom of freely improvised jazz and hard bop, its absolute s…
2024 stock. Released in 1976, Rhythmania and Other Electronic Musical Compositions spotlights the sounds of a specially assembled Moog Synthesizer (a type of analog synthesizer). The variety is impressive: from birdcalls and the sounds of machines in a factory to waltzes. Pieces such as “Cosmic Dance of Shiva” and “Hear the Clock Tick” are “composed of natural sounds recorded through a microphone,” rather than generated electronically like the “Triptych” fugues. This album also highlights electr…
2024 stock. On this one-of-a-kind record, Jim Nollman showcases his experiments with "interspecies communication." Using a variety of instruments and vocalizations, Nollman improvises with turkeys, wolves, and orcas. The interactions are sometimes funny, often surprising, and always fascinating. The liner notes include essays by Nollman on his environmental theories and experiences trying to communicate with animals.
2024 stock. "Ingenious use of echo, artificial reverberation and electronic alterations gives the music in this category a weird, spooky futuristic, 'out of this world' quality, well-suited to super-natural happenings of any kind. Piano, drums and electronic instruments are used to achieve the strange atmosphere and spatial sounds." Vaclav Nelhybel crafts a supernatural world, describing nebulae, meteors, star clusters and craters on Mars with sounds natural and manipulated to tell the story of …
** 2024 Repress. The complete official lifetime releases of This Heat: This Heat, Deceit, Health and Efficiency, Made Available and Repeat, re-mastered and re-packaged, with a substantial (48pp) book of interviews, recollections, information, documents and photographs in a sturdy box, PLUS a new CD of concert recordings ** This Heat were born in the years immediately preceding punk rock. Severe young men Charles Bullen and Charles Hayward were making things go pish-ding-whoosh on London’s free-…
Tip! These Rites are designed (realised and situated) – through/in – the saxophone, as:
(conic) vessel,text,structure,lens,‘kitchen’,nexus,body/organ(s),rhythm,ecology/knot,speculative (entrepreneurial) invention,(and shadow).
For the first time ever, the Bobby Wellins Quartet albums – Jubilation and Dreams Are Free - expanded with bonus tracks. The original albums, and the extra tracks, were all recorded by the same quartet in 1978 or 1979. Released in partnership with Spike Wells, the drummer in the quartet, who provided the extra recordings from his own tape archive, and wrote the booklet notes as well as providing many previously unseen photographs, Fiona Wellins, Bobby’s daughter, and the bassist in the quartet A…
Prompt 1: Pascal Comelade's toy piano falling down the stairs , Hector Zazou pushing from behind, laughing Prompt 2: Cool jazz played on antique mellotron, low in fidelity, and sad, Glenn Miller‘s grandma crying silently Prompt 3: A hippie commune version of jazz as played by a cheap computer fed by Chat GPT with medieval buisine fanfare information and samples, trained on the entire Amon Düül II history, heavily looped yet unsynchronized Prompt: 4: Same, but flutes and synths and trance and cha…
*150 copies limited edition* Nate Scheible makes amorphous music that evades easy classification. Whether working with electronics or as a drummer, his fascination with tone and texture results in a sense of playful exploration, undercutting the stoicism that defines so much contemporary ambient music and free improvisation. Sounds quiver at the edge of existence, flickering imperceptibly between presence and absence. The boundary between the familiar and otherworldly blurs as he approaches the …
This album is the sonic representation of diverse episodes experienced by a being called Sameer during their life. Chronologically, the music heard in this work was created before such events, without conscious awareness of those who produced it. This is also the recording of the first time Felice Furioso, Jorge Nuno and Felipe Zenicola played together. All tracks were arranged and produced by the 3 musicians.