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2024 stock The very first art monograph in print on the ‘aliencentric world’ of visionary outsider duo My Cat Is An Alien (MCIAA) and their interdisciplinary universe. Radical instantaneous composers, shamanic live performers and iconoclastic visual artists, brothers Maurizio and Roberto Opalio unveil a rich and astounding selection of their own paintings, drawings, installations, Polaroids, b&w photos, sculptures, cinematic poetry film stills, artist books, intermedia objects and phonographic a…
The extracøntinent that Damien Mingus invites us to visit on this new album from his My jazzy Child project is by no means an imagined or imaginary space. It's the palpable space forged by the musician's 25 years of activity, where popular and traditional music, free music and learned traditions collide. And don't confuse the ∅ (empty set) with the Ø (island in Norwegian) used in the title of this album and some of the tracks - it's insularity that's being asserted here. An island-continent made…
This music is the result of a friendship established in Mexico between Marius Houschyar, Fabio Levi, Mazatl Alvarez and Mich Rubio who came together in the gardens of Central Mexico for spiritual and sonic exploration. All songs were recorded outside at the ranch of Mazatls father in Michoacán and the magical garden of the wise Abuelos in Mexico State between cactus plants and gigantic trees. The music contains mostly indigenous instruments such as flutes and ceremonial percussion instruments, a…
*200 copies limited edition* Wild broken heart healing procedure through time distorted tape recordings by T. Delaunay (Panoptique), D.L. Byrne (Charmaine's Names) and J. Warmenbol (Kabaal). A new emanation from the Simple Music Experience collective (Fiesta en el Vacìo, Helen Island, Parasite Jazz...)
Minimalistic mystery pop by the clue chasers De Klok, who recorded their spontaneous first album under one moon and one sun during an intense session of investigation, bribery, calculations, doubt…
The exhibition, "Old Instruments From the Future, New Instruments From the Past (and Characters)((by Artificial Intelligence))," was held from May 27 to August 4, 2024, as the 15th-anniversary celebration of Kanazawa Art Gummi. This project involves faithfully constructing physical versions of instruments designed by AI, interpreting the playing methods suitable for these instruments, and drawing music from them.
This special edition will be added a CDR reissued long out of print his early w…
I See / You Mean is an experimental novel about mirrors, maps, relationships, the ocean, elusive success, and possible happiness. Through a collage of verbal photographs, overheard dialogue, sexual encounters, found material, and self identification devices (astrology, the I Ching, palmistry, Tarot), it charts from past to future the changing currents between two women and two men: a writer, a model/stockbroker/maybe dictator, a photographer, and an actor. A lot happens between the lines. Art …
How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Alto Saxophone – Mike Osborne; Baritone Saxophone, Flute – John Warren; Baritone Saxophone, Soprano Saxophone, Bass Clarinet – John Surman; Bass – Barre Phillips, Harry Miller; Drums – Alan Jackson, Tony Oxley; Piano – John Taylor; Tenor Saxophone, Flute – Alan Skidmore; Trombone – Chris Pyne, Malcolm Griffiths; Trumpet – Dave Holdsworth; Trumpet, Flugelhorn – Harold Beckett; Tuba – George Smith. John …
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
Produced and engineered by Jah Wobble at home in his bedroom (hence the title), the album was originally released in spring 1983, showing a different side in the bass player evolution. His proper 2nd album after a major label stint with Virgin - for his debut - and the stratospheric collaborations with Holger Czukay & The Edge. A mystical hybrid of dub fusion, ethereal wave and global beat, still ahead of his time.
Norwegian rock trio Crossbreeze’s self-titled LP is one of the rarest of all beasts to emerge from the Scandinavian rock scene of the 1970s. Pressed in minute quantities on Experience, the label and studio founded by engineer/guitarist Nils Johan Øybakken in the small northern town of Mosjøen, Crossbreeze moves between acid rock and prog-y folk-influenced rock, Terje Nilsen’s fuzz guitar and Walter Albriktsen’s Moog bleeps adding shades of psychedelic space-rock. Crossbreeze disbanded after this…
This psychedelic nugget wrapped within a lovely hippie album covers offers to an interested listener both conventional San Francisco psych pop rock, and also experimental material, proving that they were among the rock artists searching the boundaries of their art and style. The composition is interesting and quite innovative within the 1960's American garage scene.
The Outsiders' final LP is one of the finer unsung psychedelic records of the late '60s. Heavy echoes of Syd Barrett-era Pink Floyd, Hendrix, and psychedelic-era Pretty Things, with adroit shifts from crunching rock and soft, almost folky passages to spacy phase shift bits and just plain dementia. The album has an ominous and creepy, but rocking, ambience that still cuts deep.
The reissue of Tatsuro Yamashita's Add Some Music To Your Day marks a significant moment in music history, resurrecting a rare gem from 1972 for contemporary audiences to enjoy. With only 100 copies originally produced, this analog LP offers a unique opportunity to experience Yamashita's early musical journey.
10 Anos Depois is the tenth album by Brazilian musical artist Jorge Ben, released in 1973. It is a collection of popular songs from the first decade of his career re-recorded as medleys.
Secos & Molhados is the debut album of the group of the same name, released in August 1973. The album includes poetry works of authors such as Vinícius de Moraes, Manuel Bandeira and João Apolinário, and dances and songs from Portuguese folklore and Brazilian traditions. The album, as well as the band itself, emerged in the midst of a time of censorship and military dictatorship in Brazil, inspiring the band to portray themes such as freedom of expression, racism and war as a form of protest. It…
During the mid-1970s, Jorge Ben could do no wrong. Known as the father of samba rock, Ben gained an international audience with an infectious singing style marked by bright optimism and funny satire; A Tábua de Esmeralda deviated from the script by delving into the alchemy of the Middle Ages, as well as the second coming of Jesus, but the production is so nuanced and his voice so agreeable that the album was a surefire hit, and Ben manages to squeeze in some groovy numbers saluting womanhood, an…
Construção (Portuguese for 'Construction') is the eighth studio album by Brazilian singer-songwriter Chico Buarque, released in December 1971. It was composed in periods between Buarque's exile in Italy and his return to Brazil. Lyrically, the album is loaded with criticisms of the Brazilian military dictatorship, especially with regard to the censorship imposed by the government at the time. It is widely regarded by music critics as one of the greatest Brazilian albums of all time.
The long unavailable ninth album by Brazilian star Jorge Ben. Released in 1972, "Ben" comes from one of Jorge Ben’s most artistically important phases, the early 70s. The album has some of Ben’s most famous songs, “Taj Mahal” (plagiarized by Rod Stewart on his song “Da Ya Think I’m Sexy?”, as the British singer admitted himself in 2012), and “Fio Maravilha”, paying homage to Flamengo’s iconic football player Fio Maravilha.
This recording is roughly 80 minutes of the A&E three day performance superimposed. Performed by Paul McCarthy (Adolf / Eva) and Lilith Stangenberg (Eva / Eve).
*20 copies limited edition* Melantónia presents its first album on the label, a concept LP produced in Matera and inspired by the rock sedimentation process in which the southern Italian city was built. Strata is an experimental electronic music composition combining electro-acoustic improvisation with cutting-edge sound design. This daring project brings together a collective of accomplished musicians and sound designers, who have crafted an immersive auditory experience, building upon the iter…