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Beat Records Company is glad to present the expanded version of the original motion picture soundtrack of the movies L’Anticristo (Alberto De Martino, 1973), featuring the music by Ennio Morricone and Bruno Nicolai and Sepolta Viva (Aldo Lado, 1974) by Ennio Morricone, already available in the classic Collector Releases series, out of production since a while. This album, very popular among the two composer’s fans offers two OSTs realized for excellent movies, the first, on the Excorcist (Willia…
Beat Records is relaunching on the market the classic Western OST by Nora Orlandi and Robby Poitevin for the film La morte non conta i dollari (aka Death at Owell Rock), directed in 1967 by Riccardo Freda (under the pseudonym George Lincoln), with a screenplay by Giuseppe Masini and Riccardo Freda, photography by Gábor Pogány, editing by Anna Amidei, music by Nora Orlandi and Robby Poitevin, produced by Enrico Cogliati Dezza for Cinecidi, distributed by Warner Bros., and starring Mark Damon, Ste…
"Side A : percussive like an ongoing emergency. Side B : electrifying, from after the recomposition. A heavy atmosphere, a combative start. A fiery physicality emerges from each piece. Ripit progresses through a cluttered sky. Rough, thick raw material, a ceiling with pale lights passes at breakneck speed. A space roaring with sirens screaming. We are making good progress in the meanders of a troubled psyche, in the spiral of a bubbling world. Finally, the rhythms are reassuring; the noises and …
“Some of it sounds so pure and clear and I am picturing him huddled around all that gear, simply magical. In my memory he didn’t play ‘for’ the audience but was rather trying to perfect these various permutations of sound within himself…and a few of us just happened to be present.” – Tom Lee
Open Vocal Phrases, Where Songs Come in And Out & Sketches For World of Echo offers two intimate unedited Arthur Russell solo live performances recorded at Phill Niblock’s Experimental Intermedia Foundation …
Long overdue, here is the fourth volume of the Mighty Mellow collection, from the editors of The Mood Mosaic series. Mushy funk, abstract jazz, with tracks by Pete Jolly, Annete Peacock, Dusty Springfield and many others.
Tip! Kuunatic’s hotly anticipated 2nd album “Wheels of Ömon,” takes another adventuresome deep dive into their self-made fantasy mythology, proposing whole new worlds of psychedelic drama and ritual. In addition to their core sonic palette of tribal drums, pulsing bass, atmospheric keyboards and grouped female vocals, the acclaimed Japanese psych-rock trio played an array of Japanese traditional instruments on "Wheels of Ömon." The result is a thrilling, kaleidoscopic album that brushes against …
Tip! "With « A Bright Sun Shining Down Through All The Opaque & Toxic Layers Of The Underground », Tzii attempts a breakthrough in opacity. Close to emotional ambient, sometimes with slight touches of medieval trad («muxu» means kisses in Basque) and close to raw and mineral materials, Tzii rubs on airy atmospheres, in warm colors, looking for an altered state, almost gaseous. Muffled harmonies, melodious drone, reverb melodies, modulated distorted voices from elsewhere sounding like liberating …
Mermaids Are Real is the collaborative project between Niki Dimitriadi & Selfish Limbs, based in Thessaloniki, GR. Their debut self-titled album explores themes like love, loneliness, and death, where the existential anguish alternates with a light-hearted playfulness. Spoken word, vocal live-looping, and drone soundscapes blend together with repetition and improvisation approaches. Somber fairy tales meet the dark ambient textures and together create a world where magic and reality can’t be dis…
Maciej Śledziecki and Marion Wörle show just how exciting the world of the pipe organ is today as the ensemble gamut inc. The retro-futuristic duo uses self-programmed software to dock onto the MIDI consoles of church organs, control their stops in a manually impossible way and perform sound synthesis with surprising results. Their annual AGGREGATE festival in Berlin is a meeting place for the international “New Organ Movement” scene: electronic musicians, composers and organists from different …
2025 stock In 1985 György Ligeti created six piano studies. The exceptionally new of these studies is the possibility of having one player generate the vision of several different simultaneous tempo layers. The extremely high level of difficulty of these studies demands the pianist's utmost virtuosity. With Volker Banfield, Ligeti found the right pianist for his studies. The fourth study, 'Fanfares', is dedicated to Banfield. Olivier Messiaen's 'Vingt regards sur l'Enfant-Jésus', too, makes hug…
2025 stock When Pablo Casals rediscovered the cello suites of Bach at the beginning of the 20th century and firmly established them in the concert and record repertoire, the novel thing about it was that he played them "senza basso", i.e. without piano accompaniment - something that seemed quite unimaginable in the 19th century. In a time of music-historical over-maturity and experimentation, renowned composers soon came up with their own attempts, among them most famously Max Reger's "Solo Suit…
2025 stock Under the title of “studio reihe neuer musik”, WERGO released outstanding recordings in the 1960s, thus creating a trademark of advanced contemporary music in the label's early days. On the occasion of its 50th anniversary, WERGO now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.“studio reihe” now continues with works by Karlheinz Stockhausen:On this CD, “Zyklus für einen Schlagzeuger” [“Cycle for One Percussionist”] can…
2025 stock With “studio reihe neuer musik”, WERGO created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, WERGO now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.
“studio reihe” now continues with a work by Igor Stravinsky:
Stravinsky's last ballet composition “Agon. Ballet for Twelve Dancers” was written over a period of three years (1954–1957). During…
100 copies on red vinyl w/ envelope including 14 extra inserts. Between 1978 and 1984, Fluxus artist Willem de Ridder did a weekly radio show called De Radiola Improvisatie Salon. Listeners were invited to send in cassettes recorded at home and would get guaranteed airtime. Willem never listened to any of the tapes in advance. No censorship or personal taste were involved, just total artistic freedom. Long before social media existed, he understood that just providing a platform could ignite bo…
200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …
Tip! A collaboration between Steven Stapleton (Nurse with Wound) and Robin Rimbaud (Scanner), exploring the darkest regions of the airwaves and live electronics. It's an ominous trip into radio waves, processed voices, electronics, squeaky guitars and a mysterious labyrinth of echoing sonic disturbances.
Not only the longest one sided record you ever heard, possibly the longest 45 minutes you sat through in general!Café In The Sublime Void (Part 2) is a reference pool of sorts, a document against forgetting. 'Café In the Sublime Void' is a memory based series of artworks and editions Tyfus started working on a year ago to combine the endless stream of stories -both true and untrue - he came across in the past 45 years with whatever is happening today and tomorrow. The indication of this series c…
Holy Tongue (Valentina Magaletti, Al Wootton & Susumu Mukai) follow up their critically acclaimed album with a two track 7” on Trule. On the A Side ‘Ambulance Dub’ creeps in like John Carpenter at Firehouse. The B Side ‘The Bigger Tutti’ goes full on Steppers punk. They are all snakes now.