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Native californian guitarist danny paul grody has always been more of a fellow traveller than a true disciple of the american primitive school. he came up in gauzy, san francisco post-rock outfits like tarentel and the drift. his music is spare and otherworldly. his ideas, more often than not, are realized in repetition rather than in florid displays of virtuosity. his compositions seem to owe as much to john luther adams as to john fahey. one imagines the grooves on his copy of the seminal west…
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
Well further gifts abound, as this 1976 concert on Galactic Zoo Disk/Drag City will attest. Clearly, the explorations of Sandy Bull were not lost on the far-out audiences of the Bay Area, and though the heady days of the '60s have gone, the Berkeley heads are still in full force, hanging on Sandy's every note with a clearly expressed delight as they wait for headliner Leo Kottke to take the stage. Even though there were no further albums after 1972's Demolition Derby (a candidate for unhi…
The German Shepherds, formed by Sandy Stark and Stephen Scheatzle in Nov. 1981, released a three song ep in early "82 with "Booty Jones" -- to child molester and kidnapper Kenneth Parnell; "I Adore You" -- an offering of prayer and submission and "Message from JJ" -- a rousing sermon by Peoples Temple chief Rev. Jim Jones. Later that year a dub version of "I Adore You" and "The Earthquake Has Come" appeared on the "You'll Hate This Record, Record" compilation lp. In 1983 the Shepherds began work…
Using modern technology, Patrick Feaster is on a mission to resurrect long-vanished voices and sounds--many of which were never intended to be revived. Over the past thousand years, countless images have been created to depict sound in forms that theoretically could be "played" just as though they were modern sound recordings. Now, for the first time in history, this compilation uses innovative digital techniques to convert historic "pictures of sound" dating back as far as the Middle Ag…
Our Head Technician returns with the keenly awaited follow-up to his amazing 'Black Mill Tapes Volumes 1 & 2' as Pye Corner Audio, including the previously digital-only Volume 3 and the as-yet-unheard Volume 4. Lurking in the shadows between deep house, slow techno, Carpenter soundtracks and classic electronica, these sibling LPs transcend genres with hallucinatory, shape-shifting effect, trudging forth from the pastoral whimsy of the first volumes to a darker, less certain point on the horizon.…
On Audience of One, Oren Ambarchi, presents a four-part suite which moves from throbbing minimalism to expansive song-craft to ecstatic free-rock. While his previous solo albums for Touch have exhibited a clear progression towards augmenting and embellishing his signature bass-heavy guitar tones with fragile acoustic instrumentation, Audience of One, while also existing in clear continuity with his previous recordings, opens the next chapter in his catalogue of solo works. Remarkable in i…
...Vol. 1. Limited edition full-color gatefold LP version of the Sublime Frequencies CD release from 2004. Original description from 2004: How do they do it? Are they smarter? Are they better? How can it be ignored or denied? How is it possible that one of the most unique, perfectly composed and performed, intense and awe-inspiring musical legacies the world has ever known is looming north of the equator physically tucked between world cultural giants India, China, and Thailand, without more tha…
A collection of darkly shining northern diamonds, Sous juju is a two-CD compilation of the musical work of Kuupuu from her first releases in 2003 up to previously unreleased material from 2012. Kuupuu, known by her parents as Jonna Karanka, is a self-taught musician and visual artist from Finland who inhabits a semi-magical world where the mundane and the mysterious meet and make wonderful music together. Using tapes and loops, instruments both traditional and modern, Kuupuu's blend of low-tech …
Two heavyweight explorers of sound and technology, Russell Haswell and Yasunao Tone, both undertaking separate rigorous experiments into the synthesis of sound and all its remits, converge for one helluva collaborative work. ‘Convulsive Threshold’ is the result of years of research and experimentation, Haswell’s systems of hybrid analogue/digital audio generation acting as one of the starting points for this relentess piece of material, which are then subjected to Tone’s MP3 Deviation tec…
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
Stefan Nemeth: synthesizers. Steven Hess: drums (on B-Side). Bernhard Breuer: drums (on 'Dedispersion I & II'). Innode enters the world with an audacious debut of rhythm and sound, space and silence and an astonishing blend of the acoustic and the electronic. Spearheaded by Stefan Németh (cofounder of Radian, Lokai) in close collaboration with Steven Hess (Locrian, Pan American, Cleared) and Bernhard Breuer (Elektro Guzzi, Tumido), Gridshifter is an intense, astonishing sonic experience which na…
Backwards proudly presents the reissue of a private Maurizio Bianchi vinyl LP, issued in a small edition of 300 copies in 1983 and titled "Das Testament". M.B. is an Italian pioneer of noise music, born near Milan. Bianchi began to produce music in 1979, and since 1980 has used electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". Now remastered, for this release MB plays electronics, rhythms, neutroni…
Born in 1936 in New York City, David Hess began his career when he recorded the original version of the Otis Blackwell composition "All Shook Up" under the stage name Dave Hill in 1956. The song became a Number 1 hit for Elvis Presley a year later and Hess became a songwriter at Shalimar Music. David went on to compose "Start Movin'" for Sal Mineo and "Rockin' Shoes" for the Ames Brothers. He continued to write songs for Elvis throughout the '50s and '60s, (including the Presley hit "I Got Stung…
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
Under the wickedly cryptic title of 'Police Water', Gary War delivers his latest psych-pop dazzler on Sacred Bones - also including the two tracks from his 'Reality Protest' 7". Just as everyone begins to catch up with his brilliant body of work from the last two years, he goes and switches up his sound with reinvigorated song structures, a broader tonal palette and far, far tighter rhythm programming. Don't worry, though, he's not lost the inexplicable post-apocalyptic weirdness, it's ju…
Live recordings from Barcelona, summer 2009. Frankensteins Ballet features Mik Quantius (Embryo) speaking-in-tongues and Thomas Hopf on drums. Other members have played with Damo Suzuki, Michael Karoli, Michael Rother etc. Some serious damaged krautrock jams happening on this one, not to mention the weird dub space some of this is floating into. Edition of 70 copies.