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Using modern technology, Patrick Feaster is on a mission to resurrect long-vanished voices and sounds--many of which were never intended to be revived. Over the past thousand years, countless images have been created to depict sound in forms that theoretically could be "played" just as though they were modern sound recordings. Now, for the first time in history, this compilation uses innovative digital techniques to convert historic "pictures of sound" dating back as far as the Middle Ag…
Belgian/Italian duo Andrea Taeggi and Koenraad Ecker isolate a diffuse mixture of techno and concrète noise with 'Apophenia' for Opal Tapes. Building on the decayed structures of last year's 'Contrapasso' album, their latest blends the chaotic virtues of their improvisational approach with a more premeditated logic, manifesting five arcane constructions balancing abstract expression and rugged, grooving purpose. In that sense it works well alongside Opal Tapes' boss Basic House, but Lumisokea's …
There are no words to say how amazing the Heinz Hopf's debut album is. They are a harsh noise duo consisting of Matthias Andersson and Dan Johansson. The first is the mind behind the label Release the bats, and the second is the man behind the moniker Sewer Election. The result is 32 minutes of pure, brutal and uncompromising harsh noise. Comparisons with Incapacitants is too easy, their love of the Japanese noise is too evident. Comparisons that do not lead to the cloning of a sound. Thei…
A threesome of coloured vinyl by WORM Records. These records are extraordinary not just because of their appearance (bright yellow, blue and pink vinyl), but also because of their unique origins. The a-sides of the records were recorded for Soundpiece, a soundinstallation under the floor of the Schouwburgplein in Rotterdam. WORM invited the composers Machinefabriek, Pierre Bastien and Dyane Donck/Daisy Bell to compose a piece for this. The results are three soundartworks/tape compositions that a…
Empty holes, empty homes, the sixth book from GX Jupitter-Larsen, is an amathopaedia of nonfiction, fiction, poetry, & cryptograms. Printed and perfect bound in the United States using traditional offset methods with recycled inks and fine recycled papers. Housed with tear out double sided flexi-disc. Edition of 400 copies with black flexi or numbered edition of 100 copies with clear flexi.
"Ryan Garbes is the drummer of Iowa City bands such as Wet Hair, Dunebuggy, Trash Dog, and formerly Raccoo-oo-oon. His recordings under his own name represent a unique brand of solo multi-track recording with a seamless integrity; through a skillful use of instrumentation and recording technique, Garbes eschews notions of low fidelity for songs reminiscent of traditional American garage rock produced in the haze of an early '90s UK aesthetic. Genuine pop songs, cloaked in a comforting was…
Awesome! Quoting Metamkine review "Dylan Nyoukis returns assemblying iconoclastic voices, collages of field recordings, reminding a Tibetan monk lost in a festival of sound poetry or the music concrete by Michel Chion". Four measured tracks, all washing up a new kind of psychedelic moss, fresh thin tendrils, easy to snap, but determined to grow among loose grey matter late on into the next day, and the next and the next. Dry coughs and outta-whack piano chords play into Boy Scout bike repairs. …
“Steve Noble [‘s] armoury of textures and tones is an acoustic mirror of [Ikue] Mori’s electronica, and just as spellbinding. He attacks his orthodox, loose-skinned drum kit from all angles, lays upturned gongs on the drumheads and is a master of orthodoxy as well as the avant-garde. His duet with Mori was the evening’s highlight, a pulsating welter of scrapes, thumps and press rolls interrupted by silences made sinister by the tick of an off-kilter metronome.” – Mike Hobart, Financial TimesIkue…
Table of the Elements continues to celebrate its 15th anniversary with the tenth installment in its Guitar Series Vols. 3 & 4. It’s a 12xLP romp of deviant fretnoise by some of experimental music’s most prominent players, including Christian Fennesz, Thurston Moore, and Sunn O)))’s Stephen O’Malley. Sunn O))) founder Stephen O’Malley summons a mesmerizing drone, absorbing the listener into an aural tar pit of deep, inexorable oblivion. He wears a cloak of post-metal allegiances with behemoths li…
Boring embroidery features five beautiful, fragile yet raw improvisations for pianos and electronics performed by two of the UK's brightest talents. Picking up from where 2010's Turned moment, weighting release on Another Timbre left off, Boring Embroidery inhabits a slow, precise musical world that references Feldman and Tudor, yet remains resolutely improvised. Recorded in 2010 and 2011, this album possibly marks the end of the duo's piano collaborations but if so, it provides a perfectly matu…
A sonic map of the artwork and cosmos, Yird Muin Starn is at once funny, moving and informative, surging from singing to hymnal pockets of throbbing space where scale is both tiny and boundless'. The third element in their new public artwork 'Yird Muin Starn' (old Scots for Earth Moon Star) this album ofcosmological songs and sonified constellations is Matthews McIntosh second space related release. Composed and engineered by Matthews from field recordings gathered all over the Galloway f…
Every new Richard Youngs LP is in some way an event – his modus is so restless and yet his muse remains so distinctively personal that it’s always a thrill to see where he’s gonna dive in next. Amaranthine puts his vocals way up front for a series of four ecstatic bardic/future folk classics that ride in on wave after staggering wave of free form percussion, clanging household objects, shakuhachi and fuzz guitar. The vocals fall into the classic post-Summer Wanderer style of endlessly rep…
An early and one of the most special Gnod recordings is out now on Aguirre. The Somnambulist's Tale consists of two sidelong adventurous pieces which are carried by an incredible loop. The haunting ambience in combination with electronics, distant guitar layers, conversations between the band members, a typewriter, and other sounds from found objects makes this quite an atypical Gnod release, but definitely a great one. Influenced by early Krautrock bands like Can, Hawkwind and Ash Ra Temple, G…
LP+CD SPECIAL LIMITED EDITION hosted in a very original fold-out cover, by composer Giuseppe Chiari (of Fluxus) and pianist Daniele Lombardi (futurist musik). Each LP is hand numbered, and contains two art prints by Giuseppe Chiari. The CD is hand-numbered and signed by Daniele Lombardi. The total selling copies of the bundle edition are limited to 130.Giuseppe Chiari was one of the leading names associated first with Fluxus (being the only Italian member of the interdisciplinary art grou…
Full colour digipak designed by Slavek Kwi. Limited to 300 copies. On 'Tidal' : Tidal zone is a fluid line between land and sea, a site of perpetual motion and metamorphoses. During 2008 - 2010 I collected a variety of sounds in coastal areas of Western and Southern Ireland and on the other side of Atlantic Ocean in Newfoundland, Canada: the remote fishing village of Conche, the ghost settlement of Crouse, and the St.Georges peninsula. I recorded underwater : crackles of decapods, dolphins, mink…
Sounding as current as any of the recent output from France's Ed Banger, Kitsune or Institubes labels, and on influential blueprint for the evolution of the French electronic music genre at large, the majority of the performers featured on B.I.P.P.P. never made it beyond limited DIY pressings of 500 or 1000 copies of 7" vinyl singles.
CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
Hailing from Northern California, John Davis is a sound artist, composer and filmmaker who has released music on labels such as Root Strata and Digitalis. With “Ask the Dust,” he offers up a moving suite of compositions made using a plethora of instrumentation including guitar, piano, tape loops, Max/MSP, field recordings and the newest addition to his arsenal, a complex assortment of Blacet synthesizer modules. Davis uses the synth not as the crux of his recordings but as a tool among many in h…
Beautiful new work from Lawrence English. Pressed in an edition of 500 copies.Somewhere after dark, before dawn, in a place where natural light is shunned and organ is singing. It's voice is that of an arcing clouds of tone, emerging and falling with an uneasy sense of pace and direction. The voice warbles, a vibrato of shifting pulse and subtle variation. The room around it is filled with a dusty ash; smoke in haze like proportions. Eyes are blood shot, sunken below the rim of a glass. …