New Arrivals
Future Slip
For her fifth solo album, Samara Lubelski finds a new home on Ecstatic Peace, with label boss Thurston Moore taking on a role as producer, even roping in his band's drummer (the estimable Steve Shelley). Moore recruited Lubelski for violin duties on his own solo LP, 2007's Trees Outside The Academy, and set about coaxing her into recording a different type of record from her established Social Registry output. Future Slip certainly diverges from the more baroque folk tendencies of her recent wor…
The Call From Below
Something very different from Digitalis, a destroyed dub session somewhere between Rhythm & Sound, Disrupt, Actress, Pole and Vladislav Delay, vinyl edition of 500, initial copies on purple vinyl* This unexpected salvo from Digitalis comes from the hitherto unknown Seekers International crew and dives head-first into a bubbling mass of soundsystem culture and dubwise tropes in fine, destroyed style.The album was written and compiled during the darkest hours - and it shows - reviving a b…
Dance Classics Vol. III
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Spilt
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…
Compositions For Geomungo and Gayageum
Sub Rosa reissues Belgian composer/violinist Baudouin de Jaer's Gayageum Sanjo (SR 347CD), with a complete new design and an additional CD of new compositions for another ancient Korean instrument: the geomungo ("black zither"). "Baudouin de Jaer chose a highly delicate musical instrument, the geomungo, and has drawn from it a marvelous creation; I can only congratulate him with all my heart for such an accomplishment, and for the release of this beautiful CD. I hope he will continue to make gre…
Cat mask at huggie temple
“The outcome of a collective trudge across the European/American desert for 40 days and 40 nights.†Cat Mask at Huggie Temple is the superb debut 12†by Desert Heat, a dust bowl rock trio of Steve Gunn, John Truscinski and Cian Nugent. The trio originally came together when they played a bowling alley followed by an appearance at Tusk Festival in Newcastle, UK where the trio jammed together like they had been a band for years. Part of the group\'s success hinges on John and Ste…
Colorful Disturbances
'Guitars warped so hard they dissolve into pure consciousness ! Seriously, this record had to happen because these two are the NOW of transcendental guitar weirdness. In families like ours where deformed music of one kind or another pours out of the speakers all day long, Toronto's Aidan Baker is a household name. He is no doubt one of the most imaginative experimental musicians of the new generation, quickly creating a universe of limitless sound with his bursting discography. He offers …
Conflict
Continue reprints of the amazing tapes by Pierpaolo Zoppo aka Mauthausen Orchestra released on Aquilifer Sodality in the early eighties (Conflict also released on Broken Flag). Tape after tape Mauthausen Orchestra constitute, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. Conflict carry us, once again, as real rituals of a civilization without …
Centralia
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
Eye of the microphone
A somewhat surreal audio rendition of the sounds of The City of London. BJ Nilsen (b,1975 Sweden) is a sound and recording artist. His work is based on the sound of nature and its effect on humans. Heprimarily uses fieldrecordings and electronic composition as a working method. He has worked for film, television, theatre, dance and as sound designer. Track notes: In 2012 I received a scholarship from the Leverhulme Trust for a one-year Artist in Residency at the UCL Urban Laboratory in London, …
Glass Canyon
It's been a little while since we've last heard from Oakland-based sound artist Marielle Jakobsons in a solo capacity, but that's certainly not to say she hasn't been busy. Last year saw full-length outings by her two duo projects, Date Palms and Myrmyr, and already in 2012 works with Bay Area drone ensemble Portraits and trio recordings with Helena Espvall and Agnes Szelag have been released. Her last major solo outing (under the nom-de-plume Darwinsbitch) came in form of the dark, comple…
Unfinished Studies
This LP is the first release from young Melbourne-based composer Robert McDougall, presenting four electroacoustic studies, the fruits of many hours of private sonic research and improvisation. Simple electronics, acoustic instruments, field recordings and textural manipulations are subtly processed, fragmented and iterated into patiently evolving forms. Eschewing the jump-cut dynamics of academic electroacoustics while making use of a large variety of source material, McDougall allows the eleme…
Paranoid Cat
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After more than a decade trotting the globe and recording with a mess of today's avant garde greats, plus co-leading the brazenly absurd Peeesseye, Forsyth has arranged a full-band to accompany his electric six-string vision of interlocking arpeggios and max…
The darkened mirror
Tetuzi Akiyama, guitars. Tom Carter, guitars. Christian Kiefer, guitars, banjo and Chip Conrad, percussion, Scott Leftridge, bass & bowed bass. 'The darkened mirror' is a unique vision of American music. Tetuzi Akiyama is a highly unique and experimental guitarist heavily applying free improvisation and noise. Besides guitar, he also plays electronics, viola, and self-made instruments. Best known for his work with acclaimed iconoclasts Charalambides, which he co-founded with Christina Ca…
My Brother The Wind
A pretty darn incredible record from Sun Ra -- with a soulful, spiritual approach that's missing from most of his other albums of the time! The album features Ra playing a good deal of organ (dubbed "intergalactic organ" in this case!) -- grooving soulfully on some short tracks that almost hit a soul jazz mode, and which recall the late 60s experiments of organist Freddie Roach.
Rock Power
Reissue of an extremely rare and essential Sunroof! CD-R released during a European tour in 2003 on Matthew Bower's own imprint, Rural Electrification Program (REP). On this LP, Bower is joined on guitar by Mick Flower (Vibracathedral Orchestra and Flower-Corsano Duo) and the result was once qualified as Sunroof's rock record and its tribute to Neil Young and AC/DC (hence the title). RockPower is a very singular record because it documents a very short time period in the M. Bower/Sunroof! evolut…
A history of every one
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
One four and two twos
John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!
Eselsbrucke
Cristian Vogel is a composer, music producer and music theorist. His work is known worldwide through state-of-the-art DJ and Live performances to compositions for choreography and many studio productions. Born in Chile 1972 and raised in the UK, he is now based in Berlin. Cristian Vogel has been a long-term innovator in the composition, mixing and performance of electronic sounds. Over a 20 year career at the vanguard of European electronic music, his work has been highly acclaimed for its quali…
Porto Ronco
Fabled Berlin producer Kareem delivers an incredible industrial-ambient album for The Death of Rave - initial copies on clear wax, highly recommended if you're into the works of Kevin Drumm, Lustmord, Deathprod, Biosphere, or the ambient work of AFX* Following on from a vinyl issue of Mark Leckey's "Fiorucci Made Me Hardcore" and an EP by Powell, The Death of Rave presents the first longform, beat-less composition by Patrick Stottrop aka Kareem. Since 1996 the Berlin-based artist has produced ne…