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Full colour digipak designed by Slavek Kwi. Limited to 300 copies. On 'Tidal' : Tidal zone is a fluid line between land and sea, a site of perpetual motion and metamorphoses. During 2008 - 2010 I collected a variety of sounds in coastal areas of Western and Southern Ireland and on the other side of Atlantic Ocean in Newfoundland, Canada: the remote fishing village of Conche, the ghost settlement of Crouse, and the St.Georges peninsula. I recorded underwater : crackles of decapods, dolphins, mink…
'Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001's Panorama on the Smalltown Supersound label.The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noises.'Most …
It's been nearly two years since we've heard new music from Gary War and we are excited to announce the release of his inevitable breakthrough 'Jared's Lot'.Through the years we have heard the developments from the D.I.Y. psychedelia of New Raytheonport to the more current electronic acid-prog tracks we heard from Horribles Parade and the most recent Police Water EP. Jared's Lot brings the years of laboring and hard work full circle, with every facet of the project dialed into perfection.…
This amazing concert is presented here for the 1st time ever, complete and with exact sequence. the title track is one of the most beautiful compositions that i had ever heard, if it'll not touch yr heart, consult the heart (and not the mind). spiritual jazz at his deepest heights. Presently there is a lot of attention being paid to the rebirth of The Pyramids. There have been multiple European tours, a plethora of reissues, and new recordings. However, The Collective's story has NEVER been t…
There is a legend in Burma stating that swarms of male dragonflies gather to join in choruses of high-pitched tones to court their mates. The ones that don't succeed in mating eventually scream so loud that their chests explode and they drop dead to the ground. These recordings are a tribute to this legend. Droning cicadas, dragonflies, and other insects display their charm as masters of the high frequency airwaves, recorded live and unprocessed by Tucker Martine in the lush settings of L…
Using modern technology, Patrick Feaster is on a mission to resurrect long-vanished voices and sounds--many of which were never intended to be revived. Over the past thousand years, countless images have been created to depict sound in forms that theoretically could be "played" just as though they were modern sound recordings. Now, for the first time in history, this compilation uses innovative digital techniques to convert historic "pictures of sound" dating back as far as the Middle Ag…
Originally self-released in 1984 on Pterodactyl Records, No Visible Means is the work of Canada's own Lou Champagne. Lou Champagne was active the Ontario music scene and also performed with other local musicians from that region as well. The Lou Champagne System was the real-time guitar synth solo act of Lou Champagne. Due to his knowledge of electronics, he was able to link his guitar, synth, and synthetic drums into a working one-man solo act that was playable with floor switches and …
Triumphal new CD, the first new recordings in an age, from one of the greatest bands on the goddamn planet, the trio of saxophonists Jim Sauter and Don Dietrich and guitarist Donald Miller aka Borbetomagus: this is a roof-raising performance, recorded live at Instants Chavires, France, 19th December 2009. Borbetomagus combine the elevated amplifier violence of Jimi Hendrix at his most combustible with the spontaneous free music polyphony of Ascension-era Coltrane and the ‘guitar smashing’ h…
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
Awesome release, stark, doom-laden ambience with an oppressive undertone. Sombre tones flow like lifeblood, underlying squeals of pain, abrasive bursts of metallic guitar drones, atonal meanderings, the occasional cosmic chant, all blurred by a rumbling dirge of noise...somewhere between Tony Conrad, Giacinto Scelsi and Sunn O
In the early 80s Paolo Bandera was a founder (along with Eraldo Bernocchi) of the monumental collective post-industrial Sigillum S. In 1993 he created his solo project SSHE Retina Stimulants ("Super Sound High Energy" Retina Stimulants), devoting himself to sharpen the edges of concepts and noise extremes. Krionika Soshiki is one of his most representative works of the first period of solo activities. The six tracks run through subliminal arenas, with flows and ideas collapsed to state of …
By now, the significance of Sam McKinlay's extensive body of work is undeniable. After having begun his mapping of the depths of monomania, fetish, addiction, and vice, in the mid-1990s with his flagship project, The Rita, McKinlay briefly halted his work in the early 2000s. Though it was unforeseeable at the time, McKinlay's return to substantial recording output and live performances around 2004 would quickly and permanently alter the landscape of Harsh Noise. The Rita became one of the most …
special artist multiple signed edition, limited to 150 copies, this is a collaborative record by swiss artists Marc Zeier (G*Park), Luigi Archetti, and Ian Anull. Released for their Exhibition 'Made in China' at Hans-Trudel-Haus, Baden, Switzerland, April-May 2009. The music consists of (manupulations of) recordings the three artist made during their travel to China in 2008. Traditional instruments and field-recordings with electro-acoustic treatment.
With nary a praising documentary, coffee table photo book or tribute band to their name, The Dead C are nonetheless one of the most respected, longest surviving groups in the history of rock. Still sporting the original band members (Michael Morley on guitar, vocals, Bruce Russell on guitar, Robbie Yeats on drums) from their first assemblage in 1987, The Dead C's renown has a lot to do with their stubborn unwillingness to compromise in any form. With a varied and challenging discography, the ban…
Though cut into seven tracks, it is really one 44-minute piece, the first long-form recording I've done in some time, a bit of a sizzler'. 100 copies handmade
The first full-color Yeti in the new larger format, with a gatefold sleeve featuring artwork by Geneviève Castrée. Heavily illustrated throughout. Did we say already that it's full-color?On the hard vinyl 7-inch EP: rare/unreleased tracks from The Great Unwashed, Moon Duo, the Trypes, and Karen Dalton.INSIDE THE BOOK: groovy posters from Christchurch, NZ in the 1980s; Oral History of the Rock Band Codeine; Gisele Prassinos; Ben Bush; Ilyas Ahmed; Sarah Meadows; David Moreno; Quentin Rowan; Josh …
Mark Kozelek is back with a new Sun Kil Moon album featuring Sonic Youth's Steve Shelley, Jen Wood (who has worked with the Postal Service), Will Oldham, and Owen Ashworth (formerly known as Casiotone for the Painfully Alone, now of Advance Base).
Good Luck mr. Gorsky is a Trio formed in 2004 in Thessaloniki, Greece, by Savvas Metaxas, Spiros Emmanouilidis and Thanasis Papadopoulos. They are experimenting with a variety of instruments and musical genres to build their own sound. Their music focuses on electronic compositions, using both physical and electronic sound sources. Field recordings, analog synthesizers, prepared piano and trumpet are currently used for creating their compositions.
In this album the trio took a series of improvi…
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…