New Arrivals
Love God, Love One Another
Black Humor was an experimental rock band from San Francisco in the early 80's. (Not to be confused with "blackhumor," alias of noise artist Frazer Hall.) They released just one, very hard to find LP on Fowl Records in 1982. Only 1,000 records were pressed, each with unique handmade covers: thick slabs of paint, collage, parrot feathers, dirt, whatever else happened to be laying around their Tenderloin flat. Many of these have since gone for high, collector prices or ended up in oblivion.…
Resorts & Ruins
In “Resorts & Ruinsâ€Â, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)â€Â, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…
Four Years Older
A new set by the coolest chap in New York City, documenting the development process of a solo electric guitar piece that Alan Licht has been playing out for the last four years. Revered for his work in the Blue Humans and Text Of Light, and a key figure in the pantheon of experimental solo guitar players born in the late '60s such Jim O'Rourke and Oren Ambarchi, Four Years Older is his debut Editions Mego release, representing another peak in a career of mining the rich seams of minimalism, noi…
Jailhouse Rock
"It's been a while since Scorces sorceress, Jandek collaborator, and Volcanic Tongue branch manager Heather Leigh has ventured out on vinyl under her own name. And it may be a while longer, as Jailhouse Rock is in fact a wax reissue of a long OOP 2006 cassette classic on Michigan crud factory Fag Tapes. It was a fave of ours that year (and every year), so it feels extra celebratory to be able to offer up a freshly remastered (by Pete Swanson) LP edition of the album for global re-appreciation. S…
Guitars From Agadez Vol. 7
In October 2012, the Tamashek community lost one of its most luminous voices when Koudede's life was cut short by a car crash during his trip home to Niger from Ouagadougou, Burkina Faso. Koudede was a leading light among the myriad musical groups that have recently proliferated in Niger and Mali to voice the Tuareg struggle against exploitation and to exalt their proud but waning nomadic heritage. His outstanding reputation and corpus of songs garnered the respect of his contemporaries, and his…
Machine Gun Nest: Cassette Works, Vol. 0
We've been waiting for a vinyl issue of Alberich material for an age, and here it is - an 8 track selection of often brutal, always heavy-hitting Industrial/Techno/Ambient productions from one of the most interesting characters to have emerged from the Hospital axis. Scoping rare and out-of-print highlights from his extensive cache over the last 6 years, it embodies a shell-shocked and embattled spirit in eight parts ranging from water-boarded ambience to remorseless industrial rhythms and night…
Mitosis
"12k kicks off its 11th year with a new release that takes the label down new sonic pathways. Caught between the organic and electronic minimalism that 12k is known for and the unconventional Japanese pop musings and songwriting style of Happy, Moskitoo's Drape is an infectiously strange, bleepy, and dreamy debut release. Sanae Yamasaki (Moskitoo) hails from Sapporo, Japan in Hokkaido, the country's northern-most prefecture. Perhaps a reaction to the cool climate of her home, her multi-instrumen…
Graft
Graft is an album by Japanese noise master Masami Akita aka Merzbow. This LP album is pressed on lime-green vinyl in a "bootleg"-style sleeve and sealed with a sticker. Limited to 300 regular copies. According to the Merzbow blog, the design was inspired by a '70s Jethro Tull bootleg called My God, and the recording was inspired by the plant illustrations in the Voynich manuscript. Recorded in November 2009 at Munemi House, Tokyo.
Indoor_outdoor
The absolute deep electric-rain-forest sound atmosphere that the listener will hear on this record is the tip of the iceberg of a same rich and elaborate work process. For over 30 years, Norbert Möslang is making the world sound. He does not use things as instruments, but rather captures their vibrations. He immerses himself in the hidden world of vibrations and convert them into loud sounds and thick textures.Living simultaneously in spheres of inside/outside, micro-vibrations, spacial structur…
Object lessons
Object Lessons is a musical collaboration between Justin Lieberman and C. Spencer Yeh. The record is a spoken rendition of select object descriptions from the Corrector's Custom Pre-Fab House that were reworked into an experimental music format utilizing electronics and an amplified violin. Object Lessons is a limited edition of 250.
The Four Seasons
"Noah Creshevsky composes some of the most meticulously constructed electronic music around. For his third Tzadik CD he has created a sonic history of his life work, inspired by the idea of a retrospective. The Four Seasons presents a new large-scale composition that reflects his work from 1992 on to his present work with Hyperrealism, creating virtual "super-performers" using the sounds of voices and traditional instruments pushed beyond human capacities. Another brilliant and varied program ch…
Rework: Philip Glass Remixed
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypnotic succession. If there's another instrument playing, they're probably playing the same notes in a different order. At the foundation of the music, there's what's called an ostinato. One way to think of it is as a bassline; another, in the words of …
Portland Arse
A true man of the world guitarist C Joynes travelled extensively through Pakistan, Sudan, Kenya, Uganda and Eritrea. Not surprisingly his playing is influenced by African music, especially on these recordings with the Ensemble which add a bunch of exotic instruments to his English folkmelodies for maximum alien ritual effect.
live at Namba Bears
Acid Mothers leader and Reynols legend meet once again for a wild psych out explosion! Kawabata and Courtis previously worked together on 2006's Kokura for Riot Season, here they return for a raging trip of psychedelic noise rock recorded in February 2011, in Osaka, Japan. Both Kawabata and Courtis are playing guitar, but with Anla bringing tapes and vocals to the mix and Makoto bow and effects. Namba Lightbeam, the first of two 20 minute pieces, opens with a eastern sounding drone sound,…
Footnote(s)
Originally published as a cdr in 2005, limited to hardly any copies on Feater one's Nest, in the period Joshua Burkett visited Europe for the first time, it was about time these beautiful recordings saw some day light again on wax! I've met various people on other planets that i could compare to friends closer to home, Bill Nace calls himself a "fat Vaast Colson", Vladimier looks like Phillip Quehenberger, Tarp's Conrad Capistran's laughter sounds simular to W Ravenveers grinning and so on…
Bellstomp / Pond Dance
Me, Myself & Ekoplekz present two versions of Tod Dockstader library production tunes from his 1979/1981 LPs for Aldwych stalwarts Boosey & Hawkes...one veers towards saline techno, the other remains a resolute radiophonic bubbler...both of us are well chuffed to have had the chance to tamper with the wiley tape sage's great work ...BM
Oiseaux-Tempete
Oiseaux-Tempête debut album retraces, in a sonic odyssey, the qualms and queries of a sickly and dysfunctional Western society. Experimental, Stoner, Post-Rock, Ambient, Free Music. The trio was created in Paris in 2012 by the musically versatile pair Frédéric D. Oberland (guitar) and Stéphane Pigneul (bass) (members of FareWell Poetry and Le Réveil des Tropiques) and percussionist Ben Mc Connell (drummer for bands such as Beach House, Rain Machine, Au Revoir Simone, Marissa Nadler and Winter Fa…
Patiences
A serie of duet with André Jaume and another musician, recorded in 1980 and 1983 by Jean Roché, Jean-Marc Foussat, Daniel Deshays. Raymond Boni, electric guitar. Hervé Bourde, flute. André Jaume, saxophones, bass clarinet. Jean-Marc Montera, acoustic guitare. François Mechali, doublebass. Fred Ramanonjiarisoa, piano. Gérard Siracusa, percussions.
United States of America Triptych (II)
Voice by Pete Simonelli, guitar by David Grubbs, organ by David Maranha, percussion by Andrea Belfi. Selection of texts follows that of Harry Partch's „Eleven Intrusions” Texts by Ella Young, Ella Young and Lao Tzu, Tsurayuki, Willard Motley, George Leite, Giuseppe Ungaretti
Coin coin chapter one: Gens de couleur libres
At first look this might seem like a weird move for the Constellation label as Matana Roberts’ debut for the imprint is pretty much straight-up free jazz. But she’s got some serious history with the Montreal collective, even throwing down horns with Godspeed Thinking about it too, there’s always been a nod towards the free jazz scene (not least on Colin Stetson's recent genre-bending LP) but where others were a nod, ˜COIN COIN Chapter One : Gens de Couleur Libre…