New Arrivals
Periodic Orbits Of A Dynamic System Related To A Knot
The album features two 23-minute halves that Fell describes as “almost live”. These tracks combine out-takes from his recent album ‘Multistability’, with bits he originally produced as part of a “quadraphonic piece” he performed live in Barcelona this year, which is called Supersimetria: New Languages In Computer Music.
‘Periodic Orbits Of A Dynamic System Related To A Knot’ was produced when Fell moved to a new home and studio, where he was limited to only internal speakers on his MacBook…
Filer A L'Anglaise
Next up on Deep Distance following a full sold out back catalogue thus far (Kosmonaut / JD Emmanuel / Kohn etc) is the long promised mighty new EXPO 70 full length. Released as a pressing of 500 only on mauve, red and black splatter wax with embossed DD insert.The LP features 3 extended jams from the latter days of the working relationship between mainman Justin Wright and Matt Hill (prior to his wonderful recordings under the ‘Umberto’ moniker). Recently unearthed by Justin specifically for thi…
Dabke 2020: folk & pop sounds of Syria
Sublime Frequencies is pleased to present the second volume of Northeast Syrian dabke music from legendary vocalist Omar Souleyman and his group. This record was compiled by Mark Gergis to coincide with the Sublime Frequencies UK/European tour in May and June of 2009, featuring live performances by Omar Souleyman himself. Culled from dozens of cassettes recorded in Syria from 1999-2008, the music here is an extension of Omar's Highway to Hassake: Folk & Pop Sounds of Syria (SF 031CD) release, to…
The End Of An Ear
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
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Collaboration between Argentinian experimental musician Courtis (of Reynols) and sound artist Prins of the Netherlands."Born 1961 in Ijmuiden, the Netherlands, Gert-Jan Prins has been known for twenty years as one of the most challenging sound artists in the Netherlands and established himself as one of the central electronic performers in improvised music. His unique self-developed live-electronics make use of radio and transmitter technology, and create sounds with great physical energy. Prins…
Fur mich
Tired of quarreling endlessly with his imperious brother Klaus, Thomas Dinger quit the production of Viva, the second La Düsseldorf album, and promptly set off for the south of France. Frustrated and far away from home, his mind turned to the possibility of a solo album. An album devoted to his own musical ideas, free from domineering voices telling him what to do. Presenting his own vision in the context of a La Düsseldorf LP would have been difficult at the best of times. "I wanted to cre…
Mika Vainio-Haswell & Hecker remixes
Popol Vuh's soundtrack work for the films of Werner Herzog in 1970's and 1980's are some of the most stunning in the field. Editions Mego is pleased to present two re-workings of classic Vuh tracks. Mika Vainio takes 'Nachts: Schnee' from the 1987 soundtrack 'Cobra Verde', and delivers a skillfully constructed ambient piece of beauty, which shifts and turns over 10 minutes. Haswell & Hecker turn the majestic 'Aguirre' from the 1972 soundtrack 'Aguirre - The Wrath Of God' into possibly the first …
Music Of Changes
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…
Voix
First Ever Official Reissue Remastered from the Original Master Tapes!I talian avant-garde and film composer Egisto Macchi (1928-1992) produced a large and largely forgotten catalog of astounding music during the 1960s and 1970s. At the crest of that incredible body of work stands Voix, an LP of intense contrasts; haunting, dissonant choirs collide with dexterous ‘musique concrete’ manipulations and other worldly soundscapes, while guitars buzz and strings scrape violently. The world of V…
Mono
Initially published on CD by Smalltown Superjazzz in 2011. Mats Gustafsson, tenor and baritone saxophones. Ingebrigt Haker Flaten, bass. Paal Nilssen-Love, drums. The Thing music + two Sonny Rollins tracks and one Norwegian trad. Recorded and mixed 2011 in mono in Melbourne, Australia. Limited release of 500. Heavyweigt double-vinyl, first time on vinyl. Manufactured by Trost Records." (label info)
Score: The Complete Sextet Works 2002-2007
In celebration of their 10 year anniversary New York City-DIY modern composition combo Zs offer this 4CD retrospective. Throughout 10 years of activity, the band has changed in countless ways without ever changing a fierce commitment to inscrutable easthetics & execution crafted to provoke reflection & challenge assumption in the consumption of music. Housed in a 2 piece 55pt box featuring artwork by Fredricks & Mae
Wood Flute Songs: Anthology/Live 2006-2012
Some of the most amazing work we've ever heard from this legendary bassist – a set that's not based around music from a wooden flute, but which instead refers to the instrument in its title – as an illustration of the very organic approach of the work within! A 8CD box set of all previously unissued recordings by world-renowned bassist-composer-bandleader William Parker, a 2013 recipient of the Doris Duke Foundation's Artist Award. Parker is a wonderfully prolific composer, and over half of t…
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
New Ear
With this new album, Melmac reveals a new maturity gained in the course of three French and european tours that have enabled the group to initiate a major part of the ideas presented here through extensive improvisation sessions on stage in the spirit of the instant composing sessions ran by Kraut Rock bands during the psychedelics years. These new experiments have opened the artistic spectrum of the band to new horizons clearly rock, heavy, trippy or noise reminiscent of bands like Sleep or Sku…
Indoor_outdoor
The absolute deep electric-rain-forest sound atmosphere that the listener will hear on this record is the tip of the iceberg of a same rich and elaborate work process. For over 30 years, Norbert Möslang is making the world sound. He does not use things as instruments, but rather captures their vibrations. He immerses himself in the hidden world of vibrations and convert them into loud sounds and thick textures.Living simultaneously in spheres of inside/outside, micro-vibrations, spacial structur…
Proceed with Caution!
Whereas the earlier black jazz album Shawn-Neeq had its share of riff-based funk, Calvin Keys' second outing Proceed with Caution! (1974) sticks close to straight-ahead jazz verities with the 30-something guitarist in the studio with seven similarly young, on-the-rise musicians including Charles Owens (saxophones, flute), Oscar Brashear (trumpet), Al Hall Jr. (trombone), Kirk Lightsey (electric piano), Henry Franklin (bass), and Leon "Ndugu" Chancler (drums). Keys can really play the guitar, e…
Cover Versions
Andrew Pekler selected 300 different covers from second-hand records and, using colorful geometric elements to cover over all titles, performer’s names, and label logos, removed traces of the covers’ original contexts. The sunsets, couples in silhouette, alpine panoramas, roses on pianos, female faces in close-up, and seascapes no longer serve as the packaging for easy listening and exotica. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend thei…
Stromboli
Field recordings of a volcano by Geir Jenssen, better known as Biosphere. Stromboli is an active volcano off the north coast of Sicily in the Mediterranean. The volcano has erupted many times, and is constantly active with minor eruptions, often visible from many points on the island and from the surrounding sea, giving rise to the island's nickname Lighthouse of the Mediterranean. The last major eruption was on April 13, 2009. Recorded at Stromboli's crater edge (924 m) on July 19th 2012…
So sorry
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
Ritual
gorgeous LP of this obscure live recording, an ethereal vortex of electric moon-sounding mandolin and slow bass (luca massolin), spacy keyboards (david vanzan), primitive astral soprano sax and voice (virginia genta). atmospheres for the end of the earthly. handmade collage cover art. limited edition of 280 numbered copies.