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Continue reprints of the amazing tapes by Pierpaolo Zoppo aka Mauthausen Orchestra released on Aquilifer Sodality in the early eighties. Tape after tape Mauthausen Orchestra constitute, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. 2nd Movement carry us, once again, as real rituals of a civilization without gods, in a pure world of suffering. …
Wait, this is the new Pocahaunted album cover? Gone may be the days of cassette cases featuring creepy collages and hand-dyed bags with feathers attached, but this is something else entirely. I mean, there’s a parrot with blue Ray-Bans, a giant dollar sign, a “He’s on fire!” NBA Jam-style basketball…What is going on? After the shock of the cover art, I waded into the unfamiliar soup that waited within. From the opening thrums of “Touch You”, the lo-fi recording aesthetic seemed to be held …
For her fifth solo album, Samara Lubelski finds a new home on Ecstatic Peace, with label boss Thurston Moore taking on a role as producer, even roping in his band's drummer (the estimable Steve Shelley). Moore recruited Lubelski for violin duties on his own solo LP, 2007's Trees Outside The Academy, and set about coaxing her into recording a different type of record from her established Social Registry output. Future Slip certainly diverges from the more baroque folk tendencies of her recent wor…
This strictly limited premiere release comprises a vibrantly coloured LP on green/blue/yellow splatter vinyl, plus an additional seven inch, the fuchsia coloured seven inch is a noisy split with a with a xeroxed cover, with a numbered insert included.
This album is a return to brutality for Drumm and a continuation of the intense lo-end evil of Wiese. Needless to say it is amazing and an essential purchase for noise fans, Mania-inducing heavy waves of suffocating bass frequencies with ripping and tearing, hissing and speaker-destroying hell-storm; at times these guys indulge in noise in the service of the metal that has influenced them via hi-end frequencies, but for the most part this is an expansive record that will immensely satisfy fans o…
Homicidal Texture was released by Slaughter Productions in early 1995 in a bizarre packaging consists of a metal mesh that completely envelops the cover. The four tracks on the tape are based on obsessive synth drones. The smell of death is soaked in every sound produced by the brilliant and twisted mind of Marco Corbelli. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power…
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
“White Metal” is a new piece by Michael Pisaro, realised by the composer and Miguel Prado. “When I first heard that Michael was thinking of working on a project with the name “White Metal”, I contacted him, excited to know more about it. At first we talked about general aspects of the piece, without knowing the route it would take, beyond a couple of conceptual premises. At some point, Michael suggested that this project be included in his “Grey Series” a series of noise-oriented scores he was …
Damballah 58 is the monstrous sequel to 2012's deadly Black Mamba 12". The title-track's diabolically addictive vaudou rhythms insinuate deeply before uncoiling convulsively into an irrevocable reclamation of the consciousness. The B-side features "Mamba Muntu" (sister track to the previous "River Mumma" and "Witness the Spread of the Dream"), the treacherously beautiful "Belladonna Theme," and the marauding, burning rush of "Immersion." Written and produced by William Bennett. Original vév…
Kye is proud to present 'Abersayne' & 'Attersaye', a brand new 7' single by Graham Lambkin, his solo debut on the format after 21 years in the game. 'Abersayne' & 'Attersaye' pairs a perfectly serviceable love song with a rough-and-ready late-night lament (featuring one conspicuous overdub). Expertly mastered by Jason Lescalleet at Glistening Labs, 'Abersayne' & 'Attersaye' arrives in a pro-printed full color high gloss sleeve, with lyric insert, in an edition of 500 copies.
Der Plan were invited to Tokyo in 1984 to play six concerts for Seibu, a Japanese department store chain. Seibu were staging a “German Week”. But how did they come to choose Der Plan, of all bands? Why not an Oktoberfest combo or the Scorpions? Moritz Reichelt explains: “German New Wave was really popular in Japan. They knew more about it than people here at home. Catalogues and magazines detailed every obscure record and depicted the covers. This particular department store chain was linked …
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
Richard Youngs presents his debut recording for BaDaBing Records, and the label is looking forward to a long relationship. For Summer Through My Mind, Youngs pushes himself into a challenging new sphere yet again. A renowned musician with over 40 albums to his name, he goes somewhere he never has before - to the heart of American music. Summer Through My Mind is a country music album, warped through Youngs's ambidextral mind. A warning: it's not like any country album one has heard before. There…
It’s no secret how much we’ve loved Stephan Mathieu’s sublime drones and Sylvain Chauveau’s delicate compositions in the past, so to see these two pillars of experimental music collaborating has got us hot under the collar. But that’s not the half of it – not only did the two decide to work together, they had a very specific concept - ‘Palimpsest’ finds the duo reframing the timeless songs of Bill Callahan (aka Smog). Those familiar with Callahan’s writing might struggle to work out just how two…
Thus was the simple dare handed to Richard Youngs from his friend Andrew "Paz" Paine during their weekly Sunday meet-up. Ever the modest master, Youngs said in accepting this friendly challenge that he merely endeavored to capture the "beats and hooks" of contemporary pop. He's never attempted to disguise his gift for catchy musical phrases, though they may have come by way of careening, pleading, soothing or challenging multi-tracked voices.We present the results here as Beyond The Valley Of Ul…
Triumphal new CD, the first new recordings in an age, from one of the greatest bands on the goddamn planet, the trio of saxophonists Jim Sauter and Don Dietrich and guitarist Donald Miller aka Borbetomagus: this is a roof-raising performance, recorded live at Instants Chavires, France, 19th December 2009. Borbetomagus combine the elevated amplifier violence of Jimi Hendrix at his most combustible with the spontaneous free music polyphony of Ascension-era Coltrane and the ‘guitar smashing’ h…
Picture Disc in a plastic cover. Limited to 500. 'Cruisin' For A Bruisin' (Bacteria Bitch Mix)', 'Bei Mir Nist Du Schon', 'Thrill Of Romance...? (Burgo Partridge Mix)', 'The Bottom Feeder'.
Winds & Skins transpired to be the very last set of recordings made by Afro-Cuban percussionist Sabu Martinez, who sadly passed away precisely one month after this December 1978 session was committed to tape. The album draws a line under a career that saw the illustrious musician performing alongside Dizzy Gillespie and Art Blakey as well as releasing a string of out-and-out classic Latin jazz records. Here the noted conguero teams up with the lauded saxophonist/flautist Sahib Shihab, who himsel…
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…