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"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble's unique sonic resources in diverse stylistic settin…
This strictly limited premiere release comprises a vibrantly coloured LP on green/blue/yellow splatter vinyl, plus an additional seven inch, the fuchsia coloured seven inch is a noisy split with a with a xeroxed cover, with a numbered insert included.
Derek Bailey: acoustic guitar. Simon H. Fell: double bass. This is the full recording - freshly remastered - of the 2001 duo gig, an excerpt from which appeared in 2002 on a long-deleted Sound 323 mini-CD which was voted a record of the year by The Wire magazine. Here at last is the full performance in all its exhilarating acoustic power; an unplugged (but very intense) set from a hot and summery Wednesday afternoon, recorded in the basement of Sound 323 in London by Tim Fletcher.
First release from this duo of Tokyo-based guitarist, Tetuzi Akiyama, and New York's Che Chen. Akiyama is in rare "Don't Forget to Boogie" form here; his heavily distorted, locomotive guitar lines chugging away as Chen's electrified fiddle drones, screeches and scrapes. Sine wave generators and a modified tape delay round out the mix. Sidelong live track on one side, studio jams on the flip. Released on Jozef Van Wissem's Incunabulum Records.
Carlos Casas is a filmmaker and visual artist from Barcelona. His work is a cross between documentary film, cinema, and contemporary visual and sound arts. In 2001 he started a trilogy of works dedicated to the most extreme environments on the planet, Patagonia, Aral sea, and Siberia, with a particular interest on how humans relate with the territory they occupy. These tracks comes fro…
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…
Komora A - The trio founded by Jakub Miko ajczyk, Karol Koszniec and Dominik Kowalczyk exists from the fall of 2004. Stylistically Komora A locates itself close to ambient but not that one of smooth muzak and background music origins but that full of pulsating anxiety, reaching the black heart of the genre. Profound drones, delicate percussive intrusions, stately whizzes of analogue and modular synths, industrial interventions, multilayered structures - these are only a few ofÊ elements used by …
This is an album based on the beauty of the electric guitar sound. The pure sound of the electric guitar (mainly “clean” or sometimes get a little bit “dirty” with the fuzz pedal) evokes memories, images, emotions. The harmonics, simple chords, arpeggios, single sustained notes of Sergio Sorrentino’s guitar formed the starting point of the creation of each track. Sergio recorded ideas, sketches and improvisations, which were then further processed by Machinefabriek. Mainly using the sounds of Se…
“Tender Exploration” reminds me of Hayao Miyazaki’s “Howl’s Moving Castle”, it’s an enormous metallic machine on spindly legs, walking like a toddler, but also steaming, mumbling, panting, a creature full of energy, and inhabited by a fire demon. “Drake”, the first track”, starts seeking for a structure almost clumsily, the band members seem to have to find each other. But soon they have a good chemistry and Bauer, who dominates this piece in spite of its name, adds his huge repertoire of tech…
ground-breaking CD edition: God is Good is Om’s fourth studio album, and the first with new drummer Emil Amos (Amos made his first official recording with Om in the single “Gebel Barkal/Version” on Sub Pop last summer). It’s a big change, obviously, for a two-piece, and a fairly unqualified success. Amos, who also records with Grails, Holy Sons and Shrinebuilder, is far more flamboyant than Chris Hakius, less tethered to the steady chink of cymbals, more apt to range free-form over toms, rims an…
To coincide with Halloween we can announce that Warp Records will be releasing Broadcast's original soundtrack that accompanied the recent Warp Film 'Berberian Sound Studio' - Peter Strickland’s brilliant homage to 1970s Italian horror. The film's integral soundtrack was composed by Broadcast before Trish Keenan's untimely passing last year.
Drawing inspiration from the "Action Direct" expanded guitar performances of Masayuki Takayanagi, Fusinato places the guitar at the centre of his work. A few crudely played strings provide the impetus for a long chain of electronics which obliterate the original signal and leaves us with a hyper-kinetic wall of full frequency spectrum noise. Like the piano in David Tudor early 1960's performances of Cage's Variations II, in Fusinato's work, the guitar is the object of a dialectic of simultaneous…
Collection of 20 unreleased tracks by the likes of ALASTAIR GALBRAITH, BLACK TO COMM, ARP, PIGEONS, IGNATS, ALVARIUS B, WILLIAM TYLER, SUPREME DICKS, FILIPE FELIZARDO, HAMILTON YARNS, & CIRCUIT DES YEUX. It also hosts 3 new collective projects: Mendrugo (feat. JOSEPHINE FOSTER joining forces with husband Victor Herrero, Jose Luis Herrero, Jose Luis Rico & Takuhiko Nochimoto); Raajmahal, the reunion of Pat Murano (NO-NECK BLUES BAND), Carla Baker, & Santa Wolanczyk; & Syracuse Ear, a 1st …
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
Greek Rhapsody -- Instrumental Music from Greece 1905-1956 is a 2CD collection featuring 42 tracks meticulously remastered from 78rpm recordings of Greek instrumentals (1905 to 1956). Many tracks are rare and never previously reissued on CD or vinyl; some are taken from the only known copies, while previously reissued tracks are here offered in far superior sound quality. This compilation offers, for the first time, a unique panorama of the instruments and styles of the Greek music of the…
Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to bre…
Describing the music of Aquarelle's Ryan Potts is a difficult task indeed. It's related to the hazy, heavily treated output of musicians such as Fennesz and Tim Hecker, but one would be remiss to locate it solely within the realm of electronic ambient or drone, as there are often strong organic, rhythmic and composerly elements to Potts' work. In fact, the title of his last record, Slow Circles, might offer the best point of access into the Aquarelle aesthetic, in which compositional trop…
All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it.
This album is a return to brutality for Drumm and a continuation of the intense lo-end evil of Wiese. Needless to say it is amazing and an essential purchase for noise fans, Mania-inducing heavy waves of suffocating bass frequencies with ripping and tearing, hissing and speaker-destroying hell-storm; at times these guys indulge in noise in the service of the metal that has influenced them via hi-end frequencies, but for the most part this is an expansive record that will immensely satisfy fans o…