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New Arrivals

Ritual Totemic Stone
By now, the significance of Sam McKinlay's extensive body of work is undeniable. After having begun his mapping of the depths of monomania, fetish, addiction, and vice, in the mid-1990s with his flagship project, The Rita, McKinlay briefly halted his work in the early 2000s. Though it was unforeseeable at the time, McKinlay's return to substantial recording output and live performances around 2004 would quickly and permanently alter the landscape of Harsh Noise. The Rita became one of the most …
Red Man K's Bedrifter
In 2001, Peter Rehberg (then of Mego) asked Parl Kristian Bjørn Vester aka Goodiepal if he would be interested in doing something for the label. Despite meeting on numerous occasions at various events and happenings around Europe, nothing was delivered. One hot August day in 2013, a large package arrived containing lacquers for a double vinyl LP. Here it was: the Goodiepal Mego album delivered as lacquers and not a WeTransfer link. The lacquers were sent to plant and made into test-p…
In Solo
Restocked, very last copies around: Doyle is another matter. This man is dangerous - he never plays anything you could recognize, just furious blasts of rage. His solo on "Domiabra" couldn't be written down, or even sorted out. It sounds more like raw energy than anything I've ever heard. He's nasty, man." These liner notes to the original issue of Noah Howard's 'The Black Ark' may define perfectly also this new, incredible album by Arthur Doyle, this time 'in solo' for sax, flutes and voi…
The Stargate Tapes
"Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. At the turn of the 1980s Bob Stohl and Kat Epple embarked on a ten-year spiritual journey playing at planetariums and laser sho…
Late
New York's "...premiere improvisatory, vocal-and-electronics cosmic beat-box band..." return to Woodsist with a brilliant side of loopy hypnotics, including an insert code for free digital download of the 2007 cassette-only release for Tank Tapes redeemable directly from the label. All four tracks are previously unreleased, arms-out eyes-shut wanders through darkly tinted terrain. 'Oboh' opens up with what sounds like reversed field recordings made inside a washing machine at a Native Am…
Future Slip
For her fifth solo album, Samara Lubelski finds a new home on Ecstatic Peace, with label boss Thurston Moore taking on a role as producer, even roping in his band's drummer (the estimable Steve Shelley). Moore recruited Lubelski for violin duties on his own solo LP, 2007's Trees Outside The Academy, and set about coaxing her into recording a different type of record from her established Social Registry output. Future Slip certainly diverges from the more baroque folk tendencies of her recent wor…
An Anthology Of Noise and Electronic Music: Volume 2
Finally available on vinyl for the very first time - featuring exclusive and never before available material from the likes of Autechre, Tod Dockstader, Luc Ferrari and so much more - in a super heavyweight and deluxe gatefold package* This second volume of this excellent compilation series from Sub Rosa features an exclusive/previously unreleased Autechre track 'Bronchus 1' from 1991 - an alternate version of the track on 'Incunabula'. A second chronology of pioneering sound artists cove…
These Hidden Hands
Double LP pressed on 180 gm vinyl, Includes download code redeemable from the label** Tommy Four Seven and his buddy Alain present striking gothic techno architecture as These Hidden Hands on their excellent debut album. Converging a brutalist aesthetic with studio dynamism, their eponymous debut cycles eleven crushing blends of wrecking ball bass hits and pulverised noise rent with super wide and spacious production. It's a sound that's steadily attracted a lot of listeners and producers alike …
Erotic Yorkshire
Mutant Ape is the insane noise project by Yorkshire, UK resident George Proctor. George runs the Turgid Animal label, which since 2005 has been the go-to place for harsh noise, power electronics and other demented spuzz releasing over 500 CDs, CDRS, cassettes, LPs, 10"s, 7"s etc. He has been releasing Mutant Ape sounds wherever and whenever establishing his classic yet contemporary noise/horror vision of lust and spectacle as one of the premier scum artists of the last decade. Erotic Yorkshire i…
United States of America Triptych (II)
Voice by Pete Simonelli, guitar by David Grubbs, organ by David Maranha, percussion by Andrea Belfi. Selection of texts follows that of Harry Partch's „Eleven Intrusions” Texts by Ella Young, Ella Young and Lao Tzu, Tsurayuki, Willard Motley, George Leite, Giuseppe Ungaretti
Spielt Noise Boys
This is Electro 80's minimal punk at its very best - think Grauzone meet D.A.F. meet Suicide!Stephan Eicher recorded the totally 7 songs (only 5 were later released on the debut 7") on a simple dictaphone recorder with no overdubs or mixing and purely with 'stolen' equipment (after the Police stormed the Spex club where Stephan worked, and where the band that was supposed to play had to leave behind their equipment.).With almost no equipment he tried to reproduce tracks by his short living first…
Spoken Music Concert At Paula Cooper Gallery
Originally issued on Dog W/A Bone in 2002. The S.E.M. Ensemble's Spoken Music Concert took place on Tuesday, February 6, 1990, at the Paula Cooper Gallery in New York, then on Wooster Street in Soho. It was performed by members of the S.E.M. Ensemble: Petr Kotik (Director), Chris Nappi, Joseph Kubera, and Den Neill (sound mix); and four guests: John Cage, Dick Higgins, Jackson Mac Low, and Anne Tardos. "Empty Words," written in 1973-1974, is arguably the most musical of John Cage's texts. M…
NYC, Hell 3:00 AM
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
The complete 15th August 2001
Derek Bailey: acoustic guitar. Simon H. Fell: double bass. This is the full recording - freshly remastered - of the 2001 duo gig, an excerpt from which appeared in 2002 on a long-deleted Sound 323 mini-CD which was voted a record of the year by The Wire magazine. Here at last is the full performance in all its exhilarating acoustic power; an unplugged (but very intense) set from a hot and summery Wednesday afternoon, recorded in the basement of Sound 323 in London by Tim Fletcher.
Live At Doornroosje (Nijmegen 1982)
Recordings of a stand-out gig at Doornroosje in Nijmegen (NL). By 1982 De Brassers had been playing in almost every small public space or squad in the area and logically they had gathered a cult following. Sporadicly they also performed in The Netherlands. Doornroosje was / is the club where underground music groups performed before they became well-known, especially the 80s were an interesting period with Joy Division, Nick Cave and many local punk / new wave bands hitting the stage. Here we fi…
Red Sun
What makes the music of Kasia Głowicka special? First of all space. Deep and extensive. As in ambient music. Built by reverbs, echoes and electronics. Against this background - a piano. Flickering , rippling . Cascades of repeating notes and rhythms. As in minimal music . Tonal associations, but with different development. Clear sounds, distorted, appear then re-appear hear and there as whispers and crackles. As in glitch music. But clearly you hear the skills of a seasoned composer –…
Virgins
Virgins was recorded during three periods in 2012, mostly in Reykjavik, Montreal and Seattle, using ensembles in live performance. The sound palette of this work is wider, almost 'percussive' and tighter sounding than previous works. While this album remains committed to a painterly form of musical abstraction, it is also a record of restrained composition recorded live primarily in intimate studio rooms. This record employs woodwinds, piano and synthesizers towards an effort at doing what digit…
Elegy For Rusted Souls
After their last release from 1982, the seminal "California Babylon", San Francisco industrial pioneers Factrix are back with a new studio album, recorded together with Italian duo Control Unit (whose critically acclaimed debut "The Fugitives" was released on Backwards last year). The quartet formed by Bond Bergland, Cole Palme, Silvia Kastel and Ninni Morgia moulds a new language of industrial music with guitars, bass and electronics, resulting in a fusion of acoustic and electric elements, pri…
Ensemble Pearl
Double LP edition. Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba H…
333 Loops (Volume 1)
333 Loops (Volume 1) is the first chapter of a CD/DL live series, which documents the sound events generated by the homonymous modular system, designed in 2011 by the Italian musician Emiliano Romanelli. The system is composed by an archive of 333 pre-recorded sound loops, produced between 2008 and 2011 by a sound synthesis software played in different acoustic environments, and documented mainly with internal microphones of several digital and analog portable recorders. Subsequently, by a custo…