New Arrivals
Quintet / Sextet
Otomo Yoshihide, guitar. Sachiko M, sine waves. Evan Parker, saxophones. John Edwards, double bass. Tony Marsh, drums. John Butcher, saxophones. The final night of Otomo and Sachiko's first residency in 2009 saw the pair joined by the long running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko (available as download only bonus tracks) and joined the quintet for a rousing sextet: stunning twin saxophone interplay, …
Heron
Long awaited reissue of the classic first album by legendary prog-folkies Heron, from Berkshire, UK. Issued in 1970 on the ultra collectable Dawn label, their beautiful songs were recorded in a field, surrounded by trees, birds and sun.
This debut album is an Acid Folk masterpiece. Delicate songs, brilliant interpretations and a magic sound provided for their "outdoors recording style". This sessions keep the attention of Roger Daltrey (The Who) who visited the band those days and John Peel, wh…
Staring Into The Sun: Ethiopian Tribal Music
A contemporary survey of the tribal music of Ethiopia. Recorded in 2009 by Olivia Wyatt, this double LP showcases an array of mind-blowing sounds from the "land of eternal sunshine." Presented in this visually stunning gatefold are audio examples ranging from remote tribes -- of the Ethiopian highlands, the lower Omo and the Great Rift Valley -- to their electric analogues in the sweaty beerhalls of Addis Ababa. This collection features songs from the Azmari, poet-musicians who play the k…
So Unreal
Episode two in season one of the LA Vampires Collab Chronicles finds her joining forces with elusive alien discotech-head Matrix Metals of the nomadic Outer Limits Recordings cabal. Blurry ornate cassette-loop architectures groove and grind under jazzy Casio canopies while Ms. LA Vamps screws it all down and layers in additional square wave keyboard lines, echo chamber FX, drum machine detailing, low-end throbs, and sings lead on a gold spraypainted microphone. The entire LP's got that '…
Mirror repair
Gastr Del Sol emerged from the remains of Bastro in 1992 with the brooding, mostly drumless album, ‘The Serpentine Similar’. This represented an unlikely evolution from the fury of Bastro, but evolution was only getting started - and ‘unlikely’ was one of the ongoing principles in Gastr Del Sol’s approach. Before the sessions for the second album, Bundy Brown left the group and David Grubbs asked Jim O’Rourke to come play. 1994’s ‘Crookt, Crackt Or Fly’ tangled the clean lines of the original ba…
United States of America Triptych (III)
Voices by David Grubbs, Magorzata Penkalla and Pete Simonelli, guitars by David Grubbs and Miron Grzegorkiewicz, organ and violin by David Maranha, Text excerpted from Vanishing Point: How to Disappear in America without a Trace Music by David Grubbs, Miron Grzegorkiewicz, David Maranha, Gosia Penkalla, Pete Simonelli
Three takes on America - three journeys and three documents. Written and recorded.Year 1939, John A. Lomax and Ruby T. Lomax in their Plymouth - going South. 6502 miles, tons of …
Spiraltendenz
After ten years from the date of its recording (2003), this surreal jam between kaleidoscopic Stuttgart's collective Metabolismus and evergreen American improviser Eugene Chadbourne, is finally turning into a wax. You'll have the cheerful feeling of listening to Sun Ra jamming with Stockhausen while together on a trip to Stonedland! What's on this record is basically high lysergic psychedelia meeting crazy free jazz, with some spared funky grooves and fragmented tapes manipulations. You'll be…
Full Blast
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with a fluid non-stop dynamic and a feel of electric blues. Brotzmann has always favoured electric bassists – Bill Laswell, Massimo Pupillo – and there’s something about the unyielding aspect of the instrument that acts as a propulsive metal backbone for …
Love Is A Stream
Limited vinyl edition. Includes a 50-minute bonus CD featuring some of Jefre Cantu-Ledesma's original material reworked by Type label head John Twells (Xela). As a member of San Francisco legends Tarentel and Type's premier astral travelers The Alps, Jefre Cantu-Ledesma is hardly a new addition to the label, so it's hard to believe that Love Is A Stream is his first Type solo album. With previous releases on Arbor, Spekk and his own Root Strata imprint, this latest album marks his journey int…
Wooden Veil
This Berlin-based group combining the talents of artists Marcel Türkowsky, Hanayo, Christopher Kline, Domink Noé and Jan Pfeiffer, who each seem to spread themselves between a number of different projects. Interestingly, Noé is credited as a member of "krautrock legends Lustfaust", which is the fictional band created by conceptual artist Jamie Sholvin for the 2006 Beck's Futures exhibition, which might prompt you to think that Wooden Veil re made up too. There's definitely some sort o…
Nar
Nar is the first solo record of DuChamp. It has been composed and recorded through reharsal space changing, ideas deleted, fatwas from former lovers during year 2012 in Berlin.All tracks are played by DuChamp and recorded and mixed by Diego Ferri. Brian Pyle (Ensemble Economique, Starving Weirdos) sung in “A Worship” and also did the mastering.
The albums is released on LP with cover photo by Lara Schilling and graphics by Alice Cannavà (Occulto Magazine).
On air
Studio session recorded for BBC Radio 3 'Jazz on 3', May 2012. Gino Robair, energised surfaces & synth. John Edwards, bass. John Butcher, saxophones. "Built around extrasensory sonic perception their strategy advanced amoeba-like, continuously melding and breaking apart timbres in different configurations and with varied possibilities. Edwards' super-speedy wood and string smacking was sometimes appropriately violent; Butcher's output jumped from sonorous glissandi to staccato reed bites an…
Probability A: three studies for compositions of infinite lenght
Probability A collects three pieces composed by William Hutson between 2009 and 2012. Over the past seven years Hutson’s project Rale has evolved to incorporate more negative space into the music. The three pieces herein contained were recorded as proofs-of-concept; they are tracks that Hutson made to loop indefinitely in his house as he built up the courage to use long silences in what is supposed to be a noise/drone act.
William Hutson began recording and performing as Rale in 2006. He …
Live at the Cairo High Cinema Institute
I saw him at a street party in Giza where a few hundred people had amassed to dance and scream into the night. Flanked by Khaled Mando and Islam Tata, his two drummers pounding furiously asthe signature tone of his synth intensified for almost two hours, Islam Chipsy demonstrated his completely revolutionary take on modern Egyptian Shaabi. The sound was raw and distorted, thevolume was deafening, and the energy was high. Thirty minutes into the set, the trio pulled out blindfolds and put them on…
Diluvial
Local preoccupations with rising sea levels fuel Diluvial - a work that dwells on the dynamics of flood geology and global warming; creation stories and climate change. Diluvial is an evolving soundscape and environment by Bruce Gilbert and Beaconsfield ArtWorks (David Crawforth & Naomi Siderfin). This work was initiated on the Suffolk coast for Faster Than Sound, Aldeburgh 2011 and then developed for a show at Beaconsfield, London later that year. Taking rising sea levels as its theme, Diluvial…
Object lessons
Object Lessons is a musical collaboration between Justin Lieberman and C. Spencer Yeh. The record is a spoken rendition of select object descriptions from the Corrector's Custom Pre-Fab House that were reworked into an experimental music format utilizing electronics and an amplified violin. Object Lessons is a limited edition of 250.
F/C
Michael Mantra creates Ambient music. But more than that, he creates audio tools for "brain hemisphere synchronization": going beyond the synchronization of mind and body, Mantra's techniques are a mean to release endorphins, which are part of the human body's natural pharmacy and work at the same level of opiates. Michael creates his soundscapes mixing modulating high and low harmonic synthesizers tones (low deep drones and high resonating harmonics) with didgeridoo, ocean waves, rain, water, …
Live from Festival au Desert, Timbuktu
Two days before the 2012 rebellion in northern Mali. Soldiers are everywhere. Guns mounted on pickups; low-flying surveillance planes. Several thousand people have gathered outside Timbuktu to celebrate the music and culture of the Sahara at the 12th edition of the Festival au Desert. Three months later, Sharia descends on northern Mali. A millennial history is suppressed. Shrines destroyed. Secular music banned. Before, the streets were alive with music. Weddings, baptisms, celebrations …
Resorts & Ruins
In “Resorts & Ruinsâ€Â, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)â€Â, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…
Vaincu.Va! Live at Western Front 1978
Western Front New Music is proud to announceÊEvan Parker's return to the Western Front to celebrate our 40th anniversary with a live performance and the release ofÊVaincu.Va! Live at the Western Front 1978. Restored and mastered from the original archived quarter-inch tape that captured his dynamic, innovative performance 34 years ago, Parker'sÊVaincu.Va!Êremains well ahead of its time. His work is unconventional and unpredictable, and this album, to be issued on limited-edition LP, with n…