New Arrivals
Mono
Initially published on CD by Smalltown Superjazzz in 2011. Mats Gustafsson, tenor and baritone saxophones. Ingebrigt Haker Flaten, bass. Paal Nilssen-Love, drums. The Thing music + two Sonny Rollins tracks and one Norwegian trad. Recorded and mixed 2011 in mono in Melbourne, Australia. Limited release of 500. Heavyweigt double-vinyl, first time on vinyl. Manufactured by Trost Records." (label info)
Ten Jin
Remarkable subterranean radicals have been getting to enter the stage since mid-late 2000's via the label Lust Vessel and the lineage, which are actual first ever fulcrum of genuine industrial cassette culture and the actuality in Japan, after a long period of the mostly scorched ground for that culture from the far east. This is a document of an aspect of thee lust-age and the assembly, featuring six assassins which are true to themselves and standing on their own territories.
Tongue Knax ; a h…
Ep1
Ripatti is a new label from Sasu Ripatti, better known to the world as Vladislav Delay. Envisaged as a studio diary of sorts, the label will be cataloguing ongoing experiments made by Sasu in his studio on his own and alongside various collaborators. This first twelve features two extended productions from Sasu under his own name, feeding into the emergant Techno/Footwork nexus and delivering something far removed from the submerged dub variants he made his name with on his classic 12"s and albu…
Dance Classics Vol. III
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Untitled
This album is a return to brutality for Drumm and a continuation of the intense lo-end evil of Wiese. Needless to say it is amazing and an essential purchase for noise fans, Mania-inducing heavy waves of suffocating bass frequencies with ripping and tearing, hissing and speaker-destroying hell-storm; at times these guys indulge in noise in the service of the metal that has influenced them via hi-end frequencies, but for the most part this is an expansive record that will immensely satisfy fans o…
Improvisation Sep. 1975
Originally released on the Iskra label in 1975, Improvisation Sep. 1975 is a mind-bending slice of drone improv from two of Japan's post-war heavyweights; former John Cage student, Juilliard graduate, and Yoko Ono's former husband, Toshi Ichiyanagi, Takehisa Kosugi, considered by many to be the father of what some called "Japanese Krautrock," and Stockhausen percussionist Michael Ranta. Heavy layers of reverbed ring modulators, threaded vocals, melodicas, pianos, violins, gongs and Japanese biwa…
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Collaboration between Argentinian experimental musician Courtis (of Reynols) and sound artist Prins of the Netherlands."Born 1961 in Ijmuiden, the Netherlands, Gert-Jan Prins has been known for twenty years as one of the most challenging sound artists in the Netherlands and established himself as one of the central electronic performers in improvised music. His unique self-developed live-electronics make use of radio and transmitter technology, and create sounds with great physical energy. Prins…
Crossarc chute
Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
In Search of the Lost Divine Arc
Deluxe double LP pressed in an edition of 1000 copies, housed in a gatefold sleeve.Acid Mothers Temple\'s In Search of the Lost Divine Arc heads in a completely different direction from 2012\'s Son of a Bitches Brew. Harder, faster, and more riff-rock oriented, this record is here to slay. AMT skews their vibe between Zeppelin and Beefheart, coming out with another classic Acid Mothers ripper in the process
The Just Reproach
The Just Reproach documents the second concert given by John Tilbury and Oren Ambarchi as a duo. When they first performed together in Reykjavik, Iceland in March 2012, the aptness of the pairing was evident. When they reprised the duo at London's Cafe OTO in September the same year in the concert presented here, the city was in the midst of a heatwave. With the air-conditioning turned off to accommodate the low volume of the performance, the uncomfortable squirming of the audience members…
Nocturnes
Vittelli continues to set out its’ stall with this brilliant LP by Australian sound maker Matthew Philip Hopkins (Vincent Over the Sink / The Bowles / Naked on the Vague / Half High). This is Hopkins’ first solo vinyl outing after a decade of micro-edition cassettes and CDR’s. Nocturnes was assembled during late night headphone sessions at Hopkins’ Sydney home in late 2013. He employs synth, cassettes, fx pedals, contact mic and random objects to create a hypnotic suite of dramatic and highly ev…
Stromboli
Field recordings of a volcano by Geir Jenssen, better known as Biosphere. Stromboli is an active volcano off the north coast of Sicily in the Mediterranean. The volcano has erupted many times, and is constantly active with minor eruptions, often visible from many points on the island and from the surrounding sea, giving rise to the island's nickname Lighthouse of the Mediterranean. The last major eruption was on April 13, 2009. Recorded at Stromboli's crater edge (924 m) on July 19th 2012…
Spilt
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…
Molam: Thai Country Groove from Isan
Double LP reissue of the long out-of-print classic CD first released in 2004 -- the first modern electrified Molam recordings from the 1970s ever presented outside Thailand. Molam is a multi-faceted folk music native to Laos and the predominantly rural Northeastern region of Thailand known as Isan, home to myriad ethnic groups and provinces, and once a part of present-day Laos. Mo meaning "master" and lam meaning "song," "molam" literally translates into "master singer," but it remains mor…
Veterans of disorder
Back in play just to celebrate 14 years, 2 months and 12 days since its original release is Royal Trux's penultimate album, Veterans of Disorder. Coming off the fan-favorite Accelerator LP, it was clearly time to build on expectations, right? Uh... listen, maybe this isn't the band for you. Neil and Jennifer were fans of rock n roll to the finish, sure -- but in that, Royal Trux was a dyed-in-the-wool contrarian enterprise, rebels to the core, and everything they endeavored to was viewed from th…
Corporate Laughter
Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon. One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…
Introjection
The collaboration between Israeli electronic musician Shay Nassi and German media artist Nicolas Wiese began in 2008, with the exchange of some raw recordings of feedbacks and everyday objects, via internet. During the following years, several compositional sketches have been sent back and forth and so have been refined step by step, in multiple sonic layering and construction processes. The result is a 45-minute-long collection of dense, dynamic, ambiguos and twisted atmospheric pieces which ca…
Caim in Bird Form
Opal Tapes' visionary bossman Stephen Bishop synthesises spellbinding post-techno ecologies on his debut slab of wax as Basic House. 'Caim In Bird Form' is an engrossing refinement of the arcane, buckled structures and textures best heard on his 'I'm Not A Heaven Man' album and an excellent split with Prostitutes for Blowing Up The Workshop. It's a sound that was conceived in relative isolation, yet feels intrinsically plugged into the zeitgeist and highly aware of fringe actions in the wake of …
Rufen
Rufen is the second installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) studio album. In four impressive live recordings, Hans-Joachim Roedelius and Onnen Bock unfold aural panoramas which can only be described, in the truest sense of the word, as fantastic. Had Claude Debussy not already composed 'Prelude To The Afternoon Of A Faun,' then Qluster would have been ideally placed to do so, their transparency and polymorphism so reminiscent of his high Impression…
Parallel / Grayscale
Parallel/Grayscale is the first collaborative work between Italian guitarist and composer Giuseppe Ielasi and French-Swiss composer and electroacoustic musician Kassel Jaeger. It is comprised of two different improvisation sessions. The first one took place in Paris, in October of 2011. The second happened in Oreno, in June of 2012, after the first concert Ielasi and Jaeger performed together. The first session was a pure analog device improvisation, whereas the second one was more laptop-o…