We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
All sounds in this record were collected in solitary afternoons or sleepless nights, while studying electric guitar and effect boxes, an FM synth and a sampler, and were taken care of as if they were plants that you would move around the house to see where they like it best. Occasionally they met other sounds from far back in time, and they got along well. All these sounds talk to me of fragility and effort; to me they taste like gratitude and affection and joy. - FIlippo Mazzei
Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice
recorded between 2020 - 2024
Tip! Beggars Arkive have announced the release of Seefeel - Quique (Redux), a remaster and first ever vinyl pressing of the redux edition of the groundbreaking 1993 album, originally released on Too Pure. Releasing on 28 March, the product is available on 2xCD and 4x vinyl, with the latter housed in a special slipcase with newly imaged artwork. A remastered reissue of the standard version of Quique will be available everywhere on vinyl. Seefeel's Quique emerged in 1993 on the Too Pure label, ble…
At the crossroad of different worlds, Hubbub comprises five musicians with activities in various fields. Together, they work on the sound matter to create a moving electro-acoustic space inhabited by layers, distensions, imbrications, pulsations, dots and lines. Thanks to the longevity of the group, Hubbub has developed its own universe, which is more than just the sum of its parts.
Jim Hobbs and Timo Shanko were founding members of the Fully Celebrated Orchestra in 1989. This is their first duo record. Their decades of playing together can be heard in these pieces.
Brandon Lopez leads his septet through an electrifying set recorded live at the Vision Festival. Mixed and mastered by David Torn and polished into a gem.
Exceptionally virtuosic and sensitive, South African harpist Jacqueline Kerrod is perfectly at home across multiple genres. This is her first recording with American guitar maverick Joe Morris. These are sublimely adventurous improvisations for pedal harp and guitar.
A compelling collaboration between guitarist Fred Frith and innovative harpist Shelley Burgon — known for her work with Anthony Braxton, Trevor Dunn, and Okkyung Lee — in a series of concise and precise improvisations recorded in Oakland, CA, in 2002 and 2005, as Burgon blends seamlessly with Frith's acoustic guitar to create seemingly telepathic synchronicity and an expansive sonic palette.
A reissue on CD of the 1972 sophomore album by Spontaneous Combustion a late British psych band with progressive tendencies.
A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted cardboard sleeve. - See more at: https://www.lpcdreissues.com/item/triad-3#sthash.jWSS6KcV.dpuf
A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted…
2025 stock The idea of Grains of Voices was born when Åke Parmerud was commissioned to write a work for the Swedish Radio. A journey around the world, recording the different inflections of the human voice then followed and the material was processed in the studio to make this electro-acoustic composition.
Grains of Voices is an electro-acoustic mix, a collage of voices from all over the world – singing, talking and shouting. The work was premiered in the Dag Hammarskjöld auditorium, in the UN…
2025 stock A composed improvisation, or possibly the other way around – this is one way of describing the music played by Mats Gustafsson and the Nu Ensemble, a multinational group of improvisational musicians.
The saxophonist Mats Gustafsson, born in 1964, became interested in improvisational music at an early age, inspired by among others the German Peter Brötzmann and the Britt Evan Parker.
The Nu Ensemble was a loosely structured, irregularly convened radio and concert project built around …
2025 stock Inspired by the tiniest building stones of nature, Quarks, Rolf Enström composed the piece Directions. He composed five more electro-acoustic pieces all with titles from the world of the quarks; Spin, Charm, Strange, Up! and Down, all included on this CD
Rolf Enström has always nourished a keen interest for the natural sciences. After having read in Scientific American in 1979 about the theory of the smallest elements in nature, entities impossible to observe and possible to describe…
Quoting Lou Reed, “Angus MacLise was the Velvet Underground’s first drummer. He withdrew when he found out that at a paying job he had to start and stop playing when told to. No one told Angus to stop playing. So the job of a working musician was impossible for Angus, and he taught us all a lesson about purity of spirit.” Angus MacLise was an American polyglot and foundational multi-media artist. Working in dream-like calligraphy, poetry, small press publishing, and musical composition, he was …
Tip! “I Racconti di Aretusa” is the result of the encounter between Lino Capra Vaccina, a legend of Italian minimalism, and Mai Mai Mai, the alias of Toni Cutrone, a key international figure in the avant-garde/drone scene. A work that weaves together experimentation and Mediterranean echoes, creating a sonic journey of rare intensity. The collaboration was born during an artistic residency for the Ortigia Sound System (Syracuse, Sicily), a festival dedicated to the dialogue between traditional s…
Bilingual Edition English/German This inspiring book, with texts in German and English, reflects on the aesthetic, cultural and performative dimensions of contemporary (art) music. It opens up and challenges new perspectives in musicological and artistic research with a cultural studies orientation. Texts from the last 15 years are divided into two main chapters: Cultural Practice – including analyses of major festivals such as Warsaw Autumn, Festival d’Automne à Paris and Wien Modern, the impor…
Big Tip! The 5-CD set Gaku-No-Michi is a grand experiment that shatters conventional musical concepts. Electronic music and soundscapes merge, inviting the listener's consciousness into an infinite universe. With this work, composer Eloy pursues the ‘path of sound’ and opens up new horizons of aural experience. In this work, the composer Eloy combined Western musical traditions with Eastern thought to create a unique musical world. Gaku-No-Michi is not just a musical work, but a meditative exper…
Ikue Mori's album "Of Ghosts and Goblins" is a collection of instrumental miniatures inspired by Lafcadio Hearn's Japanese folk tales, featuring themes of ghosts, goblins, and the supernatural, with tracks like "Fragment," "A Passional Karma," and "Lafcadio's Garden". Lafcadio Hearn is an author who spent much of his life researching, documenting, and preserving the ancient folk tales of Japan. He published a series of books in the late 19th and early 20th century including In Ghostly Japan, Kwa…
"Was Drosselbart a Krautrock band just because they came from Munich like Amon Düül, sang in German and released their first and only album on a major German record label in 1971?
'No,' says Monika Vincent-Gunia aka Jemima, Drosselbart's singer. 'We were the first punk band in Germany. The guys in the band could only play three chords, maybe four, but they were burning with enthusiasm'.
However, Drosselbart's music on the album of the same name has very little to do with the punk of the mid-seve…
"Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. She has been at it for some time now, a bit of a secret weapon all the while hiding in plain sight. As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that’s the feeling I have when experiencing Nina’s music which comes a…