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Limited to 50 copies. From liner notes: "All cuts recorded on the Sun City Girls North American tour 1992 by Scott Colburn. Originally released by Abduction in 1992."
Art & Vinyl is an exhilarating new look into the history of the vinyl record as a medium for modern and contemporary visual art. This beautifully designed and printed publication is the first book to focus in-depth on works of art created specifically for an album, composer or musician.
With reproductions of more than 200 LPs from the mid-20th century to the present, Art & Vinyl traces the trajectory of how the record album has been considered by artists as material for a work of art. The book b…
**400 copies** Bill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill & Graham both deal in different kinds of ten…
**2020 stock** Whale - Wail, In Peace, En Paix: For Voice and Tape Structures of Whale and Other Animal Sounds is a 1986 recording by composer Ann McMillan, commissioned by Moses Asch. The piece, first presented on Baffin Island, north of the Arctic Circle, for an Inuit audience, is a plea to humans to be more like whales. Inspired by her study with Edgard Varèse and his work with pre-recorded sounds, the composition features whales and other sound sources (including bull, insect, and Chinese cy…
Songs from the Bardo begins with a bell ringing out once, twice, three times, as a ritualistic chant emerges from the dense silence. The collaborative composition by avant-garde icon Laurie Anderson, Tibetan multi-instrumentalist Tenzin Choegyal, and composer and activist Jesse Paris Smith is a guided journey through the visionary text of the Tibetan Book of the Dead, unfolding in an 80-minute ebb and flow of sound and words. Songs from the Bardo is a transporting experience, meant to draw the l…
It may seem odd to some to find a release of Claude Debussy’s music on Mode Records. But actually not, for Debussy is one of the forefathers of the developments of the second part of the 20th century. This recording of the complete Preludes by Haydée Schvartz had its genesis during her studies with pianist and new music specialist Yvar Mikhashoff. Mikhashoff intrigued Schvartz with the titles of the Preludes, which Debussy curiously placed at the end of each. The lavishly illustrated booklet’s…
Tip - this is stunning! Since their launch in mid-2000s, the New York based imprint, Unseen Worlds, has continued to set an incredibly high bar through the earth-shaking quality of their releases. As dedicated to historical artists and works as they are to those emerging in the present, they’ve always taken their time, slipping things into the world with remarkable care, that leave humble tectonic shifts in their wake. After an absolutely incredible couple of years with brilliant albums from Lau…
Offering a unique window into modern Japanese music, Time Capsule's seventh release presents a group of artists who refuse to be bound by genre - mixing jazz, dub, psych, afrobeat, and indigenous styles into distinctly tropical fusions.180 gramms - OBI Strip only on 1st pressing
The music on this compilation features a range of modern Japanese musicians who have each sought to expand genre boundaries by fusing different styles. Hailing from different musical backgrounds they are united by a com…
**Deluxe reissue. 180g heavy vinyl, limited Obi for the first pressing** Inspired equally by the soul and funk of the Black Rio movement and the samba rock innovations of Jorge Ben, Serginho Meriti’s classic debut album presents one of the best - if least known - examples of funky Brazilian soul. Brazil’s Black Rio movement had a lasting impact on the country’s marginalised black youth. Inspired by the African-American Civil Rights Movement and the revolutionary, politically conscious soul and f…
Stroom hold a light to the delicious Belgy dirge “pop” of Adult Fantasies, sifting Nico-meets-Coil and Jonnine-esque gems from their run of late ‘80s/early ‘90s LPs for Antler and Sub Rosa. This label is all nostalgia for shit we never knew existed but which we feel like we’ve known intimately before - same thing we always say - a kind of unheimlich fuckry that's pretty much a genre all of its own by this point. If that’s too vague, give this a listen if you’ve ever found yourself bawling to Mar…
*2020 stock* Uzelli Psychedelic Anadolu is a new, stimulating and refreshing compilation of psychedelic sounds from Turkey, offering a new perspective, fresh names and undsiscovered genres. All the tracks were discovered in Uzelli's archives. Selected from thousands of tracks, re-mastered from mastertapes and high quality recording tapes. Radical and edgy electrified baÄŸlamas, moog and synthesizers, combined with sweet melodies and heart-braking lyrics that will open your ears to the yet-undi…
Danish musician/composer Mads Emil Nielsen continues his Framework series; a collection of open, hand-drawn graphic scores and recordings. Framework 3 is the latest instalment in Nielsen’s sequence of graphic scores and recordings. The series includes the Danish composer’s own subjective translations of visual materials and sound pieces accompanied by visual notations.
On this release he collaborates with Katja Gretzinger and Nicola Ratti. Published as a limited edition art print folder, Frame…
Wewantsounds announce the special reissue of one of Ennio Morricone's most striking soundtracks composed for Henri Verneuils's 1975 film, Peur Sur La Ville (Fear Over The City). This special edition includes the original score released in 1975 plus a second vinyl worth of bonuses which have never been out on vinyl. These includes two tracks making their official debut after 45 years. Ennio Morricone's association with French director Henri Verneuil comes close to the one the Maestro had with Ser…
Graf Dracula own's a castle in Bavaria which is highly frequented by German Playmates & models. The reason seems so be his castle discotheque ''Drop In''. Located in the basement of the castle - only the most obscure psychedelic space disco landing on the turntables and no rules for wearing clothes seem to exist!Composer Gerhard Heinz, the unknown Austrian legend. Born 1927, he composed 136 soundtracks, mostly to sleazy movies like "Josefine Mutzenbacher", "Ehepaar sucht Gleichgesinntes", "Insel…
Zeitkratzer keeps on being good for a surprise and finally goes jazz! Looking at the line-up of the "modern composition supergroup" (The Wire) it seems astonishing that it took so long: Saxophonists Frank Gratkowski and Hayden Chisholm both won independently the German radio SWR Jazz award, the French horn virtuoso Hild Sofie Tafjord grew up with jazz, as her father and uncle are members of Norwegian jazz group Brazz Brothers, Hilary Jeffery toured with numerous jazz musicians, as did drummer Ma…
“Peter Brötzmann has made no secret of the fact he doesn’t especially dig playing with pianists, citing a few notable exceptions including Fred Van Hove, Pat Thomas and Masahiko Satoh. Recorded in Dublin in 2015, this adventurous set extends the honour to Irish pianist Paul G Smyth. As Brötzmann locks into a characteristically savage mutter, Smyth responds with hyperkinetic leaps up the keyboard but, when the tenor briefly drops out, he’s able to employ a more deft touch, generating intricate dr…
The first release from Evans' new group Being & Becoming, featuring some of the leading lights from the next generation of creative musicians: Joel Ross, Nick Joziwak, and Savannah Harris. This debut album features a set of new compositions from Evans, moving between notated chamber music textures, free improvisations, deep grooves and telepathic ensemble playing.
Being & Becoming represents a new chapter in Evans' commitment to composition and improvisation in a small-group format. After workin…
Ornette Coleman's most controversial album back on vinyl. Originally from 1966, 'The empty foxhole' also marking the recording debut of his son Denardo, who was ten years of age at the time of the recording. " Ornette Coleman's brief tenure at Blue Note was neither as seminal as his Atlantic output nor as brazenly ambitious as his early-'70s work for Columbia and later with Prime Time. Still, the period did produce some quality music, and The Empty Foxhole is one of his most intriguing efforts. …
Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, A…
KRAFFT for orchestra was composed in 2016 as a commission of the French State, and was premiered in Paris and Marseille, France. The composition has a similar kind of metric structure as String Quartet No.3: all instruments play in rhythmic unison throughout. KRAFFT is an ironic-onomatopoetic wrong spelling of the German term "Kraft", meaning "power" or "force". The listener should feel exposed to a sonic undertow. The notion of huge power and force is often connected to the existence of clandes…