New Arrivals
The Naked Truth
LP version with bonus 7". Every once in a while, a record presents itself so defiant in its refusal of categorization that it becomes the bane of those poor vinyl archaeologists whose business it is to file and classify. The aptly-named The Naked Truth (1975) is one such artifact; a wayfaring stray of an album that weaves its insouciant magic through the edgelands of sound. The musical provenance is palpable -- an electric blend of spiritual jazz, rhythmic black psychedelia and far-out ex…
3 Nights In Oslo
Awesome 5 CD box set recorded over 3 nights in Oslo on February 19-21, 2009 at Victoria, Nasjonal Jazzscene. This time out the Tentet +1 includes Mats Gustaffson, Ken Vandermark, Jeb Bishop, Joe Mcphee, Johannes Bauer, Per Ake Holmlander, Fred Lonberg-Holm, Kent Kessler, Michael Zerang & Paul Nilssen-Love.
L’Effaçage
Lucio Capece, bass clarinet. Radu Malfatti, trombone. 'Do light waves disrupt sound waves ?' Francis Brown. Recorded live 25 September 2011.
The Complete Recordings
Collected here for the first time are the complete studio recordings of one of the major ensembles in the renaissance of Jewish Jazz. Featuring five Downtown New York improvisers, these four CDs originally released by Knitting Factory records from 1996 to 2001 embrace the Hasidic musical legacy with a fresh new voice. Blending together an intense mixture of ethnic and cosmopolitan sounds, Hasidic New Wave fuses spiritual songs from Hasidic dynasties to funk and jazz, Arabic dances with avant-gar…
Trio With Interludes
Another fine disc from the Treader label, this time featuring the marvellous Evan Parker alongside John Coxon (Roland MKS 80, piano and harpsichord), Mark Sanders (Drums and percussion) and Ashley Wales (bass drum, riveted tambour and piano). As the title suggests this collection of improvisations is interspersed with brief interlude tracks, whereby Parker takes a backseat in order for his fellow musicians to plot out some experimental, palate cleansing sonics. During the main body of these piec…
Live At Slug\'s Saloon 1972
6CD set. Sun Ra & the Arkestra played every Monday night at Slug's Saloon in the Lower East Side of NYC for over 5 years, from 1966-1972. This is the 1st released documentation of this long residency, comprising 2 complete shows (6 hours total) recorded over the summer of 1972. High quality recordings that capture the Arkestra emerging from their psychedelic phase & moving back towards their jazz roots.
Cry, Want
Very loosely related in selected affinity to the late Austrian saxophonist and artist Hans Koller, this younger version has played football with clubs such as TSV Oberlauringen and Dynamo Kebab, has studied ethnomusicology at the School of Oriental and African Studies in London, and also jazz composition with Mike Gibbs and Bob Brookmeyer.Over the past decade Hans Koller has played and worked with Steve Lacy, Evan Parker, Phil Woods, Harry Becket, Kenny Wheeler, Bill Frisell, Steve Swallow, Jeff…
Wazifa
PAT THOMAS (piano and synthesizer), CLAYTON THOMAS (double bass), RAYMOND STRID (percussion) recorded in concert at the 2009 Perspectives Festival, Västerås, Sweden.
Nectars Of Emergence
Nectars of emergence is the exciting debut release of Mural, consisting of Australia's foremost improviser Jim Denley (alto saxophone, flutes) with Norwegians Kim Myhr (acoustic guitars, preparations) and Ingar Zach gran cassa, percussion). The trio has performed numerous concerts together since their first concert in Madrid in 2007, and now you can finally hear the music on CD. Aftenposten, Norway said of Kim Myhr and Jim Denley's duo CD: 'Systems realignment helps to save improvised musi…
Excerpts from anything
Matthias Muche - trombone. Philip Zoubek - Piano. Achim Tang - double bass. Recorded in Köln, Germany. Mastered by Markus Braun. Graphic design by Carlos Santos.
Muntu recordings
Limited edition of 1000 copies. 3 CD Box + a Book. The digipack contains a 115 pages book with 3 essays written by Ed Hazell and Jemeel Moondoc about Jazz Lofts Era in New York City, the Black Artists Movement and musical environment, many beautiful photos, original posters, complete Muntu sessionography etc. CD 1: Muntu Ensemble-First Feeding. With Jemeel Moondoc (alto saxophone), Arthur Williams (trumpet), Mark Hennen (piano), William Parker (bass), Rashid Bakr (drums). Recorded April 17…
Spontaneous Suite For Two Pianos
A 4-CD box set of 9 "Spontaneous Sweets", elaborate, magnificent and melodic piano improvisations, recorded by Connie Crothers & David Arner performing in the Richard B. Fisher Center for the Performing Arts, NY. "It was magical from the beginning. The music seemed to create itself" "We trusted our spontaneity, our intuitive logic, our sense of form." "We had no set tempos, no preconception about soloing or accompanying." "We had no set themes or referents. What we did have was complete trust, i…
Duo box
Our Swedish hero of sublime saxophones, Mats Gustafsson, performs in three different duo constellations, spanning over three 7″ singles, all collected in a limited 99 copies box of wonder, on Kning Disk KD003-005. Mats collaborates with Fred Lonberg-Holm, Luca Tommaso-Mai and Leif Elggren, resulting in both electric, eclectic and sensational sounds; spanning over one 7″ single per collaboration. Two of the three singles has been previously released on Kning Disk in limited editions. The third co…
Deceiving Illusion
Great album by this Detroit group. The songs range from sticky amoeba-like free ooze to stuff of some international album Folkways suppressed because it was too fucked up for public consumption. Pretty fantastic sleeve. 500 made.
On Debussy's Piano and...
Die Schachtel is proud to present a recording that embodies the virtuosity of Thollem McDonas and Stefano Scodanibbio in the spirit of Claude Debussy's rebellious creativity. As Terry Riley wrote: “Anyone who has heard Thollem or Scodanibbio as a soloist might well imagine what a combination of their unique genius could produce. Awesome, well matched virtuosos in an ocean of sound." During the listening of this CD, you will witness the renowned talent of Scodanibbio, a 21st ce…
The Warrior
"Not since Albert Ayler stalked the hamnar of Stockholm and reverberated his fire music off the walls of LES tenements has there been an avant-garde jazz saxophonist who can all out wail like Virginia Genta can. Don’t let her calm presence fool you. Nor should David Vanzan’s taller stature lead to believe this is not an equal opportunity free jazz freak-out. From when their poles first were converged by the Cosmic Force in 1999, Italy’s (with Finnish godparents) Jooklo Duo has been winning he…
More 74
UK free jazz guitar icon in unreleased solo material remastered from the original reel-to-reel recordings recorded in London, 1974, Bailey playing mostly electric guitar. Previously unreleased recordings, remastered from original reel-to-reel tapes. The music on this CD came to light when, during preparations for the reissue of Derek Bailey's Lot 74 - Solo improvisations (incusCD57), Karen Brookman discovered tow reel-to-reel tapes stored along with the original album masters. They turn out to …
Live at the Horseshoe Tavern
10 CDs documenting three full concerts from March, September & November 1978 at the Horseshoe Tavern; 8 hours of excellent music, well recorded and available here for the first time (none have been on bootleg lists) and a long radio interview with Sun Ra. This is a chance to experience the flexibility and vast repertoire of the arkestra and the way sets were organised and constantly changed. This is a numbered limited edition of 500 copies, officially released
Object 1
'Objects 1’ is the latest release of Tasos Stamou combining improvised sets and sound installation. This 35 min. piece was live-recorded at ‘6.d.o.g.s’, Athens, using a variety of handmade mechanical and electronic devices. Self-operated cymbals, prepared ventilators and circuit bent toys accompany sampled murmuring whispers that reflect a sound landscape of ritual atmosphere, enriched with a solo of bowed ‘typatune’ toy piano.
Ananke
Never mind the piano, the pianist is Fine! Milo Fine describes the particular piano as 'more remains than intact', yet he still manages to get the right music out of 'that wonderful beast'. The earlier date is unaccompanied piano improvised mainly at the keyboard. On the other longer concert, recorded towards the likely demise of the 'beast', Fine spends most of his time working on the innards resulting in a very wide range of sound. He also uses some electronics, and is joined by alto saxophoni…